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This review is based on the galley issued by Ellis's original publisher, Simon & Schuster, before it cancelled the book. The book is now going through the editing process at Vintage. There may be some changes in the final version. The indignant attacks on Ellis's third novel (see News, p. 17; Editorial, p. 6) will make it difficult for most readers to judge it objectively. Although the book contains horrifying scenes, they must be read in the context of the book as a whole; the horror does not lie in the novel itself, but in the society it reflects. In the first third of the book, Pat Bateman, a 26-year-old who works on Wall Street, describes his designer lifestyle in excruciating detail. This is a world in which the elegance of a business card evokes more emotional response than the murder of a child. Then suddenly, for no apparent reason, Bateman calmly and deliberately blinds and stabs a homeless man. From here, the body count builds, as he kills a male acquaintance and sadistically tortures and murders two prostitutes, an old girlfriend, and a child he passes in the zoo. The recital of the brutalization is made even more horrible by the first-person narrator's delivery: flat, matter-of-fact, as impersonal as a car parts catalog. The author has carefully constructed the work so that the reader has no way to understand this killer's motivations, making it even more frightening. If these acts cannot be explained, there is no hope of protection from such random, senseless crimes. This book is not pleasure reading, but neither is it pornography. It is a serious novel that comments on a society that has become inured to suffering. Previewed in Prepub Alert, LJ 9/15/90 and 12/90.
- Nora Rawlinson, "Library Journal"
Copyright 1991 Reed Business Information, Inc.
“Bret Easton Ellis is a very, very good writer [and] American Psycho is a beautifully controlled, careful, important novel…. The novelist’s function is to keep a running tag on the progress of culture; and he’s done it brilliantly…. A seminal book.” —Fay Weldon, The Washington Post
“A masterful satire and a ferocious, hilarious, ambitious, inspiring piece of writing, which has large elements of Jane Austen at her vitriolic best. An important book.” —Katherine Dunn
“A great novel. What Emerson said about genius, that it’s the return of one’s rejected thoughts with an alienated majesty, holds true for American Psycho…. There is a fever to the life of this book that is, in my reading, unknown in American literature.” —Michael Tolkin
“The first novel to come along in years that takes on deep and Dostoyevskian themes…. [Ellis] is showing older authors where the hands come to on the clock.” —Norman Mailer, Vanity Fair
I cant tell you whether the story is good or not. I can tell you about the story telling techniques. The writer has failed to grab my attention. Read morePublished 3 days ago by YIPLIU
American Psycho is a collection of short stories about a particular homicidal maniac and the (insane) chronicle of their life as opposed to a novel with a central plot-driven... Read morePublished 4 days ago by Josh Kinniard
For a book that is supposed to be so gut-wrenching, most of the vile acts committed by Pat Bateman are notable only because they break up the monotony. Read morePublished 9 days ago by SCF
find yourself torn between loving him and hating him; giggle with uncontrollable mirth at the beginning of one paragraph, reel in horror at the end of the next. is he a hero? Read morePublished 9 days ago by adam doezema
My 16 year old cousin has to read this in her engiish class. The book should not be read by children. Read morePublished 9 days ago by A. Saplan
Great book. I don't think Patrick Bateman perpetrated any of the crimes he thought he did.Published 11 days ago by King fan