American Religious Poems: An Anthology by Harold Bloom [Hardcover]

Harold Bloom (Author)

Book Description

Publication Date: October 5, 2006

No more profound and intimate expression of America's spiritual life can be found than the work of its poets. From Anne Bradstreet to the Beats, from Native American chant and Shaker hymnody to Walt Whitman and Emily Dickinson, religion and spirituality have always been central to American poetry. In this unique anthology, world-renowned scholar Harold Bloom weaves a tapestry from the many strands of American religious experience and practice: the searching meditations of Puritan pioneers, the evangelical fervor of the Great Awakenings, the mystical currents of Transcendentalism, the diverse influences of the world religions that have taken root in modern America.

Spanning four centuries and more than 200 poets, American Religious Poems is a bountiful and moving gathering of voices that offers countless moments of inspiration, solace, meditation, and transcendence. The poems in this unprecedented volume are a lasting testimony to the American spirit and its unremitting quest for ultimate truth and meaning.

This deluxe collector's edition features:

- an introduction by Harold Bloom
- a reader's guide to significant topics and themes in the poems
- Smyth-sewn binding and flexible, leatherette covers
- and a ribbon page-marker

Editorial Reviews

From Publishers Weekly

To his long eminence as a poetry critic, Yale professor Bloom has more recently added the mantles of expert in comparative religion (Jesus and Yahweh, 2005) and all-around literary sage (Genius, 2003). This expansive anthology takes advantage of all three Bloomian reputations, gathering verse on Christian, Jewish, Islamic, Buddhist, Native American spiritual, Transcendentalist and even agnostic themes, from 17th-century European colonists (one poet is Roger Williams, who founded Rhode Island) to up-and-comers in contemporary verse. Pious readers will have no trouble finding high-quality poetry that confirms their beliefs—from the monk Thomas Merton, the Anglican T.S. Eliot, the Jewish liturgical poet Esther Schor and the Louisiana-based Christian poet Martha Serpas. Yet from the 19th century to the present, from the decidedly heterodox Emily Dickinson forwards, the anthology often highlights the ways in which American spirituality has challenged all doctrines about who God is and what God does. Herman Melville speculates about the eternal feud between "ape and angel"; John Ashbery's "The Recital" tells us not to care "whether prayers were answered with concrete events," and the Libyan-born Khaled Mattawa questions Islamic custom. More than half of the book is taken up by 20th-century poets, who offer varied takes on what religion has come to mean in America. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Moonlighting as a critic of religion, literary critic Bloom theorized that the U.S. has produced a unique blend of Gnostic mysteriousness, regenerative Orphic magic, and enthusiasm that he calls, in the title of his book tracing its development, The American Religion (1992). This anthology complements that study in the bias of its contents and magnificently in Bloom's introduction, where he annunciates the American poetic gospel, as it were, of Emerson, Whitman, and Dickinson, with Hart Crane as their principal twentieth-century apostle. Regardless of what one thinks of Bloom's conception--and traditional adherents to any Western faith must deplore it--the poems of his nineteenth--century trinity attest to its viability, and since the three still exert the greatest influence on readers and other poets, so do a great many of the other selections. There are many poems of more orthodox character (colonial Calvinist poetry, hymns, and the occasional wrestling with a Christian or Jewish doctrine), of course, and coeditor Zuba's foreword nicely points up the selection's diversity. Most important, there are hundreds of fine poems here. Ray Olson
Copyright © American Library Association. All rights reserved

See all Editorial Reviews

Product Details

• Hardcover: 685 pages
• Publisher: Library of America; First Edition edition (October 5, 2006)
• Language: English
• ISBN-10: 193108274X
• ISBN-13: 978-1931082747
• Product Dimensions: 8.5 x 5.4 x 1.3 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.9 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #989,041 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

42 of 44 people found the following review helpful:

5.0 out of 5 stars A beatifully put together book and a richly rewarding anthology, October 4, 2006

By 

Craig Matteson (Saline, MI) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: American Religious Poems: An Anthology by Harold Bloom (Hardcover)

This is a particularly beautiful book. It is handsomely printed and bound and even has a decorative slipcase. That is delightful to look at and hold (while being durable) is quite important for a large anthology because it is a volume you will return to again and again over many years. It is also beautiful because of its contents. The hundreds of poems written by more than two hundred poets from the sixteenth century to the present offer a galaxy of religious expression. However, the word "religious" needs to be given some sort of frame for the reader to understand what this book is about.

As the subtitle notes, this anthology was put together by the critic, Yale professor, and author, Harold Bloom. Some of his richest ideas, that he returns to often, involve the ideas of creative misreading, the power of literary figures to reshape human sense of self (consciousness), and also the idea of the American Religion. That is, the use and interpretation of religious imagery, doctrines, thoughts, and emotions through the lens of the American identity and character. While this is not something I can present to you here, there is a wonderful essay by Bloom to open the volume and that can help you understand how these poems were selected and what they represent in Bloom's scheme of things. For him (as he notes on page xlv), "Whitman was our Homer, Dickinson our Shakespearean lyricist, Crane our Pindar, and Emerson our Plato". This gives you a strong idea what he is thinking about.

What this book is not is a collection of devotional poems. Certainly the poems are not orthodox meditations of any particular sect or creed. There are a few overtly traditionally religious poems, but most are poems of hope, meditations on topics such as death and aspects of the human condition, expressions of ecstasy, powerful uses of traditional religious imagery for very human poems, and just about anything you can think of that could be connected in some way to the broader American experience of religion.

Given Bloom's emphasis on the idea of "The American Religion" (he even wrote a book of that title), a more appropriate title of this book might have been "Poems of the American Religion". This would have avoided the need for the disclaimer I gave in the last paragraph, but would have probably raised more questions about what the American Religion is. However, given the nature of the selections, that is a necessary question. Again, Bloom addresses this well in the opening essay.

While America is an overtly religious country, regardless of the efforts of some to make that not so, there is an increasing ignorance of certain religious ideas and symbols. There is a section in the back of the book that explains certain terms and ideas. There is also a list of sources, a few notes on the text, an index of poets by name, and an explanatory note by Jesse Zuba in the front that sets out the goals and purpose of the volume.

The poems are arranged chronologically from oldest to newest (hence the need for the index of poets by name in the back). It is quite fascinating to watch the language and tone of the verse change not only from poet to poet, but from decade to decade or century to century. Today is quite different than three hundred years ago. Yet, certain ideas and questions remain. We just place our feet at different angles to them with a different tilt to our head and hands.

This is a volume you should have on your bookshelf and immerse yourself in these words again and again. And thank the Library of America for bringing us something so richly rewarding and so delightful to read.

14 of 16 people found the following review helpful:

5.0 out of 5 stars America's Spiritual Journey in Poetry, November 14, 2006

By 

Robin Friedman (Washington, D.C. United States) - See all my reviews
(TOP 50 REVIEWER)    (HALL OF FAME REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: American Religious Poems: An Anthology by Harold Bloom (Hardcover)

Poetry remains the most reliable guide to the thoughts, ideals, and aspirations of the heart. In the recent anthology, "American Religious Poems", the Library of America offers a revealing overview of the many and varied ways in which Americans have expressed their feelings of religion and spirituality through poetry. The anthology includes a cross-section of American religious verse beginning with the American Indians and the Pilgrims, and it continues chronologically through poets born in the final third of the Twentieth Century. Selections from over 200 poets are included in over 600 pages of verse together with provocative essays by the editors of the collection, Professor Harold Bloom and Jesse Zuba.

The Library of America anthology invites attention to the diversity of American experiences of religion, but it suggests large areas of continuity as well. From earliest times, Americans have been more preoccupied with religion than have been Europeans. Many of the early settlers came to America to avoid religious prosecution and their influence has been lasting. With the independence of the United States, many people developed a sense of American uniqueness and purpose to which they gave expression in poetry and literature. In addition, the freedom and liberty that Americans have enjoyed shapes their various and individual approaches to religion.

It is tempting, when faced with an anthology of poetry of the scope of this collection, to browse and to read selectively from time to time from among the wealth of the selections. This method of reading would be an entirely proper way to approach "American Religious Poems" ; but in my own reading, I gained a great deal by the cumulative impact of reading the book from cover to cover. It gave me the feeling of a multitude of voices using different poetical forms over the years to converse with each other about feelings and matters they found of highest significance to them. The weight and the flow of Americans creating poetry about religious subject will be missed by browsing through the collection.

The book includes poetry by adherents of many religions, Puritan, Protestant, Catholic, Jewish, Buddhist, Moslem, Bah'ai, native American, and others. Some of the poems reflect a comfort with the doctrines and practices of a specifc religion. But probably the greater number of poems show a questioning of and a skepticism for the teachings of traditional religion. They show that America long has been home to a religion of spirituality, which tends to be inwardly based, highly personal, and suspicious of creeds and doctrines. In his introduction, Harold Bloom argues that American poetry as a whole shows a distinctively American religious sensibility which is developed at its fullest in Walt Whitman and in the two other poets, Emily Dickinson and Hart Crane, that, Bloom argues, constitute the "grandest voices" of American poetry.

There is a great mix of the familiar and the unfamiliar in this anthology. Readers will make the reaquaintance of Whitman and Dickinson, together with other 19th Century poets such as Bryant, Emerson, Longfellow, and Melville. Poets who wrote during the Twentieth Century include Crane, E.A. Robinson, Wallace Stevens, T.S. Elliot, and Robert Frost. The poets whose works may be less familiar include Anne Bradstreet and Edward Taylor from Colonial days, and Jones Very, Emma Lazarus, and Trumbull Stickney from the Nineteenth Century. Among poets of the Twentieth Century, the anthology includes in addition to the major figures I have already mentioned Robinson Jeffers, Langston Hughes, Charles Reznikoff, John Wheelwright, Louis Zukofsky, Robert Hayden, John Berryman, Allen Ginsberg, Gary Snyder, and many more. Every reader will find delights both new and unfamiliar.

Harold Bloom closes his Introduction with a paean of praise to that representative American -- Walt Whitman. Bloom urges his readers to discover Whitman and Emily Dickinson through further reading and thinking. He writes: "To represent [Whitman] properly in this anthology, you would have to destroy the volume, by printing everything of supreme aesthetic power in Leaves of Grass. With Whitman as with Dickinson, what is printed here is only a synecdoche for what must be sought outside this book." Readers will be inspired indeed by reading through this magnificent anthology. But as Bloom points out, this book may well serve as a guide to the reader in exploring further American spirituality as expressed in American poetry.

Robin Friedman

11 of 14 people found the following review helpful:

4.0 out of 5 stars Quirky but worth buying, December 16, 2006

By 

Grant Barber (scituate, MA) - See all my reviews
(REAL NAME)   

This review is from: American Religious Poems: An Anthology by Harold Bloom (Hardcover)

You know you'll be getting a slightly idiosyncratic choice of poets and poems with gnostic Harold Bloom as the chief editor. There are poets included who would be a bit surprised to hear themselves considered "religious," so you get early Merwin only, and Mark Strand, James Merrill (spiritual, kinda, but not 'religious'). Only one poem each from Mary Oliver, Gjertrude Schnakenberg, and Jorie Graham, while several from John Ashberry. On the other hand, several poets included I've never heard of--one of the reasons I buy anthologies, to be exposed to new voices. It is a book with great surprises as well, not just limited in scope to the old predictable chestnuts. The real reason I didn't give it a five stars is the physical book itself--ridiculously wasted attempt at a slip cover (cheap, flimsy, faux marbling) and odd graphic of a fountain pen in gold on an off white cover...just not what I expect from the publisher, especially at the cost.