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American Scream: Allen Ginsberg's Howl and the Making of the Beat Generation
 
 
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American Scream: Allen Ginsberg's Howl and the Making of the Beat Generation [Paperback]

Jonah Raskin (Author)
4.6 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

0520246772 978-0520246775 February 6, 2006 1
Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, American Scream shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures--Eliot, Rimbaud, and Whitman--who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time.
As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl.
A captivating look at the cultural climate of the Cold War and at a great American poet, American Scream finally tells the full story of Howl--a rousing manifesto for a generation and a classic of twentieth-century literature.

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Editorial Reviews

From Publishers Weekly

When shy, soft-spoken 29-year-old Allen Ginsberg appeared before an audience at San Francisco’s Six Gallery on the evening of October 7, 1955, he was virtually unknown, but the unpublished poem he (with mounting fervor) read would propel him to fame with the suddenness and inevitability of Byron. By the time of Ginsberg’s death in 1997, "Howl" had sold 800,00 copies, and the incendiary, visionary poem is now the subject of Sonoma State professor Raskin’s thorough, accessible history. The strength of Raskin’s book is the balance it strikes between the personal drama of the poem’s composition and reception and the unfolding background of its historical circumstance. For instance, Raskin sketches the larger generational tensions "Howl" records against the young Ginsberg’s personal struggles both with the poetic conservatism of his father Louis and the narrow liberalism of his Columbia professor Lionel Trilling. Unlike such misfits as Kerouac and Burroughs, Ginsberg’s artistic radicalization was slow, deliberate and marked with false starts and hesitations, a series of titanic struggles toward form (tempered by worldly ambition) that Raskin records with careful attention. Another feature of Raskin’s book-which judiciously uses newly released journals, letters and psychiatric reports-is his refusal to either worship or pathologize Ginsberg. He reminds us that "Howl"’s singular achievements-and nearly universal appeal-are fundamentally human.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Ginsberg's best-known work, "Howl," has been reviled, revered, and revisited over time in an attempt to gain yet another new insight about the poem and poet. You would think another study couldn't serve much purpose, yet Raskin thoughtfully investigates cold-war culture, beatnik behavior, and the confluence of characters, ideas, and personal history that made "Howl" possible. Raskin rakes through the dirt of Ginsberg's life like a careful archaeologist on a mission to reveal not the "why" of "Howl" but the "how." He intelligently considers many aspects of Ginsberg, especially his sense of being a perpetual outsider because of his Jewishness, his mad mother, and his homosexuality. Raskin's acknowledgment of influences contributing to Ginsberg's poetic voice--from Whitman to Eliot to Yeats--shows how Ginsberg's poetry, for all its originality, was not without some basis in an established poetic tradition. American Scream is an engaging book that successfully conveys how conditions were ripe for "Howl" to come to fruition. Janet St. John
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Paperback: 320 pages
  • Publisher: University of California Press; 1 edition (February 6, 2006)
  • Language: English
  • ISBN-10: 0520246772
  • ISBN-13: 978-0520246775
  • Product Dimensions: 8.4 x 5.3 x 1 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #701,473 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.6 out of 5 stars (7 customer reviews)
 
 
 
 
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10 of 10 people found the following review helpful:
4.0 out of 5 stars Worthwhile introduction to the poem and the era, October 12, 2004
By 
A worthwhile treatment of the history of the writing of an important American poem. However, this book is not a history of the Beat Generation. It covers Cassady, Kerouac, and Burroughs, but only insofar as they intersected with Ginsberg. This is mostly a literary biography of Ginsberg. That doesn't diminish its value, but it does point to the book's main focus.

The book is best in its focus on Ginsberg's formative years and the themes of alienation and fear that went into the creation of "Howl." The book has less to say about the poem's aftermath: the infamous reading in San Francisco, the seizure of the book by customs officials, and the susequent obscenity trial are dispensed with in a chapter, and Ginsberg's subsequent life is summarized in a few pages.

The book is also written in what is frequently a bloodless, dry style that fails to do justice to the feverishness of the times and the people involved. You never get away from the fact that you are reading a book written by an academic, albeit a thoughtful and sympathetic one. There are other books out there that capture the times more passionately. However, if you are intrigued by the era and are looking for a jumping-off point to explore other work about the Beats, you could do a lot worse than using this book as an introduction.
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11 of 12 people found the following review helpful:
4.0 out of 5 stars Raskin Uncovers Some Remarkable Information, July 23, 2004
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 1000 REVIEWER)    (REAL NAME)   
AMERICAN SCREAM is a well-done precis of everything that was happening in American culture at the time Ginsberg wrote HOWL and in the months that succeeded his breakthrough.

Better yet, Raskin has had quite a coup and he has persuaded Ginsberg's psychoanalyst (Dr Hicks) to talk about the mental and emotional torments Ginsberg had first to overcome before he could begin the writing proper, and he has ventured into the dusty file bins and uncovered for us the actual records of Ginsberg's stays in mental hospitals and psychiatris facilities. Heretofore such records were only vaguely guessed at. Raskin uses the new information wisely, much as Diane Wood Middlebrook was able to use the testimony of Anne Sexton's analyst when writing her biography some years ago of Sexton.

There are a few places where I disagree with Raskin's implications. Regarding the now-notorious "6 Gallery" reading in San Francisco where AG premiered HOWL, Raskin states, "Many of the notable local poets--Robert Duncan, Jack Spicer, and Robin Blaser--were not included in the program, and so the gala event at the Six Gallery was a cultural snub of sorts to the poets who thought they embodied the best of Bay Area poetry." This is disingenuous, as Raskin knows: neither Duncan, Spicer nor Blaser was living in the Bay Area at the time. Duncan was at Black Mountain College, Spicer living in NYC, and Blaser in Boston. How is this a "cultural snub"? It's also a shame that such a classy book should be spoiled by the numerous typos. On one page alone the names of two poets who spoke at Ginsberg's funeral are mis=spelled, so we have Andrew "Shilling" instead of Schelling, and Robert "Haas" instead of Hass. They show up in the index thus abused as well.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Get it from the horse's mouth, April 14, 2004
By 
Domenick Capobianco "pepe nero" (NEW YORK, NEW YORK United States) - See all my reviews
(REAL NAME)   
Excellent. The very best in book on the beat movement that I have read and, regarding Ginsberg with the main, but not only, focus on his pivitol mid-twentienth century poem 'Howl' there has never been and most probably never will be a more detailed understanding and appreciation of that great poem.
This book is absolutely essential for anyone interested in poetry and in the major movements in the written arts during America's critical mid-century political and artistic upheavals.
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First Sentence:
In September 1955, Garry Snyder-then a twenty-five-year-old unpublished poet and graduate student-wrote to his friend and fellow poet Philip Whalen in Oregon to say that he had been backpacking in the Sierras for ten days and that he'd thoroughly enjoyed the isolation of the outdoors. Read the first page
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San Francisco, New York, Allen Ginsberg, Six Gallery, United States, Beat Generation, New Jersey, Neal Cassady, Jack Kerouac, World War, Carl Solomon, Lionel Trilling, City Lights, William Burroughs, William Carlos Williams, Communist Party, Walt Whitman, Columbia College, Gary Snyder, Judge Horn, Leaves of Grass, Louis Ginsberg, Lucien Carr, Supreme Court, West Coast
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