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American Smooth: Poems
 
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American Smooth: Poems [Paperback]

Rita Dove (Author)
3.9 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

February 17, 2006

"Rita Dove pulls the ultimate dance trick: she makes it look easy."--New York Times Book Review

An occasion to celebrate: a new collection by the Pulitzer Prize-winning former poet laureate; her first since On the Bus with Rosa Parks. With the grace of an Astaire, Rita Dove's magnificent poems pay homage to our kaleidoscopic cultural heritage; from the glorious shimmer of an operatic soprano to Bessie Smith's mournful wail; from paradise lost to angel food cake; from hotshots at the local shooting range to the Negro jazz band in World War I whose music conquered Europe before the Allied advance. Like the ballroom-dancing couple of the title poem, smiling and making the difficult seem effortless, Dove explores the shifting surfaces between perception and intimation.

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Editorial Reviews

From Publishers Weekly

This substantial eighth collection from the former U.S. poet laureate recaps almost all of Dove's various projects and roles. The Ohio-born, Virginia-based poet made her name (and landed a Pulitzer Prize) with the sparsely wrought storytelling verse of Thomas and Beulah (1986). Dove displays her vivid narrative gifts and the formal versatility that enables them in "Not Welcome Here," a sequence about black American soldiers (and soldier-musicians) in the First World War; the sequence may be her strongest work in 10 years. Dove's public presence as laureate and educator—highlighted in On the Bus with Rosa Parks (1999)—informs the very accessible short poems that begin and end the volume, some of them based on dance steps or musical forms ("Fox Trot," "Lullaby," blues); several may be intended for young audiences ("Count to Ten and We'll Be There"). Short-lined poems such as "Soprano," meanwhile, revive the gift for freestanding, magazine-friendly lyric Dove showed in Grace Notes (1989), while work addressed to her daughter recalls Dove's previous depictions of mothers in myth (the Demeter and Persephone of Mother Love) and autobiographical fact. Though she claims (in "Brown"), "I prefer grand entrances," her most attractive work has been terse and subtle, almost photographic in its poise and reserve, never saying more than she means: the best of her new work returns to those familiar virtues.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Pulitzer Prize winner and poet laureate Rita Dove is a formidable writer, so one expects if not a brilliant, at least a compelling twelfth poetry collection, and she does not disappoint. American Smooth is aptly titled since the book is infused with dance rhythms, and swings between historical and personal portraits of various Americans, from the "Great War's negro soldiers" to jazz musicians and a young girl from Harlem. Dove uses her highly eclectic interests, her sharp intellect, and her understanding of history and individuals to deliver a collection that speaks through many voices and covers a broad range of thoughts and emotions. She has the uncanny ability to distill things down to an essential idea like desire, flight, or body versus mind. But make no mistake; she is not hooked on abstraction. Dove deftly uses ideas as the springboard for plunging into feelings and experiences in a search for the individual stories that reveal greater universal truths. Janet St. John
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Paperback: 112 pages
  • Publisher: W. W. Norton & Company (February 17, 2006)
  • Language: English
  • ISBN-10: 0393327442
  • ISBN-13: 978-0393327441
  • Product Dimensions: 8.2 x 5.6 x 0.4 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #759,046 in Books (See Top 100 in Books)

More About the Author

Rita Dove served as Poet Laureate of the United States and Consultant to the Library of Congress from 1993 to 1995 and as Poet Laureate of the Commonwealth of Virginia from 2004 to 2006. She has received numerous literary and academic honors, among them the 1987 Pulitzer Prize in Poetry and, more recently, the 2003 Emily Couric Leadership Award, the 2001 Duke Ellington Lifetime Achievement Award, the 1997 Sara Lee Frontrunner Award, the 1997 Barnes & Noble Writers for Writers Award, the 1996 Heinz Award in the Arts and Humanities and the 1996 National Humanities Medal. In 2006 she received the Common Wealth Award of Distinguished Service (together with Anderson Cooper, John Glenn, Mike Nichols and Queen Noor of Jordan), in 2007 she became a Chubb Fellow at Yale University, in 2008 she was honored with the Library of Virginia's Lifetime Achievement Award, and in 2009 she received the Fulbright Lifetime Achievement Medal and the Premio Capri (the international prize of the Italian "island of poetry").

Ms. Dove was born in Akron, Ohio in 1952. A 1970 Presidential Scholar, she received her B.A. summa cum laude from Miami University of Ohio and her M.F.A. from the University of Iowa. She also held a Fulbright scholarship at the Universität Tübingen in Germany. She has published the poetry collections The Yellow House on the Corner (1980), Museum (1983), Thomas and Beulah (1986), Grace Notes (1989), Selected Poems (1993), Mother Love (1995), On the Bus with Rosa Parks (1999), American Smooth (2004), a book of short stories, Fifth Sunday (1985), the novel Through the Ivory Gate (1992), essays under the title The Poet's World (1995), and the play The Darker Face of the Earth, which had its world premiere in 1996 at the Oregon Shakespeare Festival and was subsequently produced at the Kennedy Center in Washington, D.C., the Royal National Theatre in London, and other theatres. Seven for Luck, a song cycle for soprano and orchestra with music by John Williams, was premiered by the Boston Symphony Orchestra at Tanglewood in 1998. For "America's Millennium," the White House's 1999/2000 New Year's celebration, Ms. Dove contributed -- in a live reading at the Lincoln Memorial, accompanied by John Williams's music -- a poem to Steven Spielberg's documentary The Unfinished Journey. She is the editor of The Best American Poetry 2000, and from January 2000 to January 2002 she wrote a weekly column, "Poet's Choice," for The Washington Post. Her latest poetry collection, Sonata Mulattica, was published by W.W. Norton & Company in the spring of 2009. Most recently she edited "The Penguin Anthology of Twentieth Century American Poetry" (2011).

Rita Dove is Commonwealth Professor of English at the University of Virginia in Charlottesville, where she lives with her husband, the German writer Fred Viebahn. They have a grown daughter, Aviva Dove-Viebahn.

More biographical information is available at http://www.people.virginia.edu/~rfd4b/

 

Customer Reviews

7 Reviews
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Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Dance in American Smooth, November 27, 2009
This review is from: American Smooth: Poems (Paperback)
American Smooth by Rita Dove is as imaginative and lyrical as its name. From the very beginning, the reader learns that American Smooth is a dance form then soon finds that the poems emulate dance in lyrical form. For example title poem "American Smooth" has a rhythm that rises and falls like dancers. The poem expresses the confines of the dancers in traditional dance forms to keep together and maintain frame. This is contrasted to the freedom that is found in American Smooth, a dance for that promotes improvisation and individual expression, which allows the dancer to "achieve flight" before the judgment of others makes the her return to earth. The poem expresses the universal want of individualism with the fear of the judgment of others that often hinders unique expression.
The section "Not Welcome Here" gives a voice to the African-American soldiers in World War I. The poems are artfully crafted, but they make the reader wonder how Dove has so much experience with a war that was fought before she was born. The notes to the text indicate that she has read several books about the war; however, the emotions and experience would be much different when reading about a war ninety years later than living or fighting in that time.
Other themes expressed in the poetry are jazz music, childhood memories, love and regret. A personal favorite is the poem "Brown" where Dove expresses a love for her skin color. It begins by a dress maker exclaiming that the speaker looks good in every color. Again, there is reference to dance because the speaker is at a ball in a country club. The speaker expresses her love of the way that her brown skin glows against fuchsia and citron dresses and her desire to make a grand entrance. One again Dove is exploring the desire to be an individual in the midst of a culture that prizes conformity.
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6 of 9 people found the following review helpful:
5.0 out of 5 stars Thrilling Collection, October 24, 2004
By 
Nico James (Philadelphia, PA United States) - See all my reviews
This review is from: American Smooth: Poems (Hardcover)
Dove's keen, deliberate voice in "American Smooth" is as brilliant as ever. In each poem, the gut-true, but never easy, illuminations of individual subject become gorgeous music. Dove masterfully evokes specific moments of joy and disappointment, beauty and carelessness, honor and neglect. The title, "American Smooth" refers, in part, to a form of ballroom dancing. These poems are just as lean and graceful and sophisticated as any great dancer's best moves. I want to go everywhere Rita Dove's work leads, because when I come back, I'm never quite the same.
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5.0 out of 5 stars 'there would be no dance, and there is only the dance' -- t.s. eliot, February 21, 2011
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This review is from: American Smooth: Poems (Paperback)
rita dove is possibly the most humorless poet i've had the pleasure to read. i would go so far as to say the persona of American Smooth is deadly serious. the first two poems, All Souls' and "I Have Been a Stranger in a Strange Land", situated in the garden of eden, retell the explusion of the first couple and the transgression of the first woman. the poet's omission of the sword bearing cherubim barring re-entry to the garden, and the comforting weight `of the red heft ... warming her outstretched palm.', at first glance alerts us to a forbidden apple. dove, however, who does not mention the angel also does not, nor the book of genesis, name the fruit as a shiny red apple. i won't expand on these biblical symbols any more than to point to the word `heft' as often used in association with a weapon -- in this case, not the heft of a sword hilt, but the grip of a gun, and the red as a corrective yeatsian mythic touch.

calibration, smoothness, heft, the execution of motion, are words located in the language of dance -- and the language of guns. memories of dances fill the first section, and the poem Meditation at Fifty Yards, Moving Target, the first piece of found poetry in the collection, reads like instructions from a shooting pamphlet.

the second section, Not Welcome Here, chronicles the experiences of african-americans who enlisted during the first world war and their encounters with the stupidity of american racism which arguably endangered the fighting power of our military forces.

in the third section, Twelve Chairs, rita dove travels to the federal court house in sacramento, california (where else for justice?), to find words carved on the backs of twelve marble chairs as part of an installation by larry kirkland for her twelve poems.

in dance the man leads, so it is with the male voices of the second section, and the woman responds in the fourth section in Blues in Half-Tones, ¾ Time, with romance and dance, female pleasures not without their hard histories as dove tells in the grisly tale of The Seven Veils of Salomé and the story of the imprisonment and execution of valentinus who is remembered with red hearts, chocolate and flowers.

the fifth section, Evening Primrose, compiles mostly poetic reflections, poems from another poet's pen which might be labeled whimsical, but in dove's hand, given the hard histories of the preceding sections, contextually, her work can neither be slighted nor dismissed, displaying nothing less than a sensibility and execution, when fully appreciated, that startles and awes like well executed ballroom dance movements. for those who require a poetic precursor, i suggest one, robert lowell.
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