Perhaps the most surprising thing about AMERICAN VI: AIN'T NO GRAVE isn't that it was released (we love to exploit our deceased talents), but that it is such a solid album. These are among Cash's very last recordings, and it's true, his voice wasn't what it used to be (a review I read somewhere actually said Cash's voice got better closer to his death, or words to that effect; if you're offended and rather miffed, you aren't the only one), but that really isn't an issue on GRAVE. Sure, his voice slips here and there--but not as much as it did on AMERICAN V. And these are, overall, a better batch of songs, perhaps made slightly better by--of course--Cash himself, as well as the sparse acoustic arrangement.
This time, Cash covers songs from Sheryl Crow, Kris Kristofferson, Hawaii, the Bible, and classic country radio; plus we get one of his final originals, "I Corinthians 15:55." Every single tune here is strong, a testament to who Cash was and the life he lived, especially at the end. There is not one disappointing song on here, and I mean that quite literally. From the opener (which sounds a bit too much like "God's Gonna Cut You Down," but maybe that isn't a bad thing) through the closer "Aloha Oe," every single one of these tunes/performances reaches into your soul and pulls at your heartstrings. And it's not because these were Cash's "final" recordings; it's because of the passion he put into them, and the passion that went into Rick Rubin's finishing them up.
Overall, Cash and Rubin's "American Recordings" series was one of the best things to hit the music world; I'd say "country music," but let's face it--compared to the current state of affairs in country music, the "American Recordings" belong in an entirely different category altogether. AIN'T NO GRAVE ain't no exception, if I may say so. It's one of the series' stronger entries, even if Cash's voice wasn't as hearty as at the beginning. Rest assured: if you purchase this album, and if you love music, you won't be disappointed. I'm there's more exploitation on the way; but this album comes off as genuine, as heart-felt, because it's not a compilation or some tribute: it's Cash himself, even ending on the song of his choice. This is a great album, plain and simple, from one of music's true (and too few) original talents.