Amore is the personal Top 40 of one proud son of Italy; it is also a love song to Italian American culture and an evocation of an age that belongs to us all.
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“Like the singers and songs it celebrates, Amore gets a lot done in a tight, memorable, heartfelt way. This isn't just a book about Italian-American crooners—it's an intimate account of immigrant life, a history of an enduring art form, a tribute to family, an evocation of the power of song, and a deeply personal reckoning with the music itself. It's a love song in its own right, and it's beautifully sung.” —Rebecca Skloot, author of The Immortal Life of Henrietta Lacks
“What a beautiful thing is Amore! Rotella knows these singers like family, and he writes with a passion that turns each of their songs into a grace note about the uphill climb of Italians in America.” —Anthony DePalma, author of City of Dust
“Amore brings to mind nothing less than Martin Scorsese's documentaries on movie history. Rotella is an impassioned student of Italian-American culture whose personal journey through the music of his heritage is a work of art itself.” —David Hajdu, music critic for The New Republic
“In this lively anecdotal history, full of engaging profiles and nice autobiographical touches, Mark Rotella explores how a whole wave of hugely talented Italian-American singers dominated the pop charts in the 1940s and 1950s with sounds that have set a standard ever since.” —Morris Dickstein, author of Dancing in the Dark
“This book is a box of candy for those who love American popular songs, as I do—and those interested in the fate of Italian culture on American soil. In Amore, Mark Rotella has looked through the kaleidoscope of his attractive prose at a major postwar phenomenon—the emergence of Italian American music for a mass audience. What he finds here will delight readers, who will demand a soundtrack for this highly entertaining volume.” —Jay Parini, author of The Last Station: A Novel of Tolstoy's Last Year
“By seamlessly blending personal memoir and historical insights into Italian American singers—all against an ever-changing America—Mark Rotella has produced a book that is big-hearted and flat-out beautiful.” —Wil Haygood, author of In Black and White: The Life of Sammy Davis Jr.
“Rotella explains the magic of the music; the charisma of Caruso, the charm of Columbo, the nonchalance of Como, the presence that was Prima and the singularity that was Sinatra . . . This is a book for Italian Americans, music lovers, and anyone who enjoys a good read.” —Paul Paolicelli, author of Dances with Luigi
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Most Helpful Customer Reviews
10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Must Read,
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This review is from: Amore: The Story of Italian American Song (Hardcover)
I just finished reading Amore. I have to say that it's both an important and informative work - not to mention incredibly readable. While I was able to reminisce on the music my mother and father loved, I also learned a lot about the cultural conditions and influences that has continued to make Italian-American's great singers, musicians, and instrument makers. More than a book of nostalgia, it's a cultural study in the tradition of Greil Marcus and Peter Guralnick. Anyone interested in music is going to value this book. I hope that Amore continues to stimulate further writing on an important subject that has certainly not received enough attention. Russ Columbo has become a new favorite of mine!
8 of 8 people found the following review helpful:
5.0 out of 5 stars
As good as Chianti in a wicker covered bottle,
By An Appreciative Reader (North Carolina) - See all my reviews
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This review is from: Amore: The Story of Italian American Song (Hardcover)
There is a line in "Amore" that really rang true for me: It doesn't matter what percentage Italian you may be, if you have any--you will inevitably identify yourself as Italian. The food, the family, and most of all--the music. If all the most popular vocalists from the 50s hadn't changed their names, you would have thought that the Italians had won the war and had occupied America and taken over popular music. Concetta Franconero (Connie Francis); Dino Paul Crocetti (Dean Martin); Anthony Benedetto (Tony Bennett); Walden Cassotto (Bobby Darin); Frank Sinatra; Perry Como; Francesco LoVecchio (Frankie Lane) . . . Mark Rotella's book answers the question: Why? And he does it like someone who has taken you dinner in a small, intimate Italian restaurant where you share a cioppino and linguini with butter and cheese--with just enough red wine to see the world as the place of joy, kindness and love that we know it really is--but too easily forget. The best part of the book is that it is the perfect accompaniment to so many songs that I grew up with that touched my parents, and then me. And now I know why. I couldn't help but download the songs that I didn't already have from iTunes--and discover them again with a fresh perspective and appreciation for the history that made this flowering of music possible. I may only be half Italian--but it is by far the part the eats, sings and loves the best. Grazie mille Signor Rotta. Mangia!
6 of 6 people found the following review helpful:
5.0 out of 5 stars
A joyful aria,
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This review is from: Amore: The Story of Italian American Song (Hardcover)
Like so many others, I've always found the classic songs of the likes of Frank Sinatra, Dean Martin and Perry Como comforting. But for the author, they and their stories are not only comforting but also a touchstone to his heritage. Which is what makes this book so different and touching to read - it's more than either a collective biography or memoir. Each short chapter covers the heyday of a particular singer, some well known, others less so, but always connected to the larger theme of the influence of Italian culture on American popular music. Rotella's sheer joy in the music and enthusiasm for his theme can be almost giddy at times, and I found myself laughing out loud upon seeing chapters on Elvis and Sammy Davis Jr. But somehow he makes it work.
It was a discovery to see how the singers traced their musical heritage through one another to Italian opera, and how interconnected they were to the paths of their contemporaries, often coming from the same neighborhoods. The author's trips to these neighborhoods, and identification with the culture, add personal warmth to the telling. The sentiments can be bittersweet, though. The genesis of the book was an exploration of the music that gave courage to the author and his wife as they battled cancer. I was also shocked to read that Italian-American immigrants had been subjected to lynching and wartime civil internment camps. Rather than derailing the otherwise joyful tone of his story, this highlights the depth of the passion from which all the music and memories arise. It's a story told with amore.
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