From Publishers Weekly
Starred Review. In her charged and daring debut, Weise artfully interweaves biographical details with meditations on the history of disability and sex, laying bare the complexities of finding sexual and emotional intimacy as an amputee with a prosthetic leg. In three sections, her assured voice masterfully navigates the potential pitfalls of her subject matter—from the risk of self-pity (there is none here) to the difficulties of speaking for her community. In the first section, evidence of this speaker's disability is hidden, ignored, or the object of curiosity and desire ("Your favorite post-coital pastime/ is nicknaming my scars"); it is also a fiercely guarded possession ("...I caught/ you staring at the railroad tracks/ along my spine, and I thought/
Mine, mine"). Part two borrows impersonal medical language to poetically redress the terminology of pain: "
When and how did your pain problem start?... He met me in a dark alley." The third section imagines life and love alongside a character named "Holman." Weise also reproduces the cruelest examples of male fascination, as when the speaker's grandfather calls her the "prettiest cripple I ever seen." An agile and powerful poet, Weise references medical literature, history and poetry, speaking boldly and compassionately about a little-discussed subject that becomes universal in her careful hands.
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Review
"The poems in Jillian Weise's The Amputee's Guide to Sex perform an earthy, flamenco-like stomp and full-throated Whitmanesque song (the extended remix), reaching notes as daring and feeling as crushingly good-looking: This is my skin, my body and I am too / alive, electric, meat and metal." --
Major Jackson, author of Hoops and Leaving Saturn"[A] stunning set of poems capturing the physical and emotional struggles of missing a limb." --
Cleveland Plain Dealer"The Amputee's Guide to Sex places a teacup to the body, and what the ear takes in is stunning. Jillian Weise offers the cadence of taboo and calls for us to dance. The singularity of experience will resonate with every reader through her muscular language; taut lines; and original, striking images that bring a wave of emotional resonance. And I'm convinced these are the kind of poems that change a reader's life." --
A. Van Jordan, author of M-A-C-N-O-L-I-A"With deadpan heartbreak and powerful invention, Jillian Weise raids the border-territories between the human body and the arts, creating in her poetry a devastating imaginary space where immortal representations of face, limb and torso jostle and translate (beautifully, dangerously) into the transient flesh and bone of the perceived real world. The body of the Mona Lisa is imagined in a wheelchair, a lover's body transforms into Michelangelo's David (which is not as nice as it might sound), and the speaker breaks into and out of various coporealities with the controlled panic of a career safecracker. Bodies, this poet tells us, `are nothing...are everything,' and one gets the sense that Weise feels the same way about the poems she inhabits, so physical is her relationship to the language she employs, masterfully, to embody the ineffable. This is a lovely and unsettling debut." --
Josh Bell, author of No Planets Strike