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An End Has a Start


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Audio CD, July 17, 2007
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Biography

Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept America and England in the early 21st century. Originally dubbed Snowfield, the group comprised four music technology students from Stafford University -- singer/guitarist Tom Smith, lead guitarist Chris Urbanowicz, bassist Russell Leetch, and drummer Ed Lay -- all of whom had relocated to Birmingham ... Read more in Amazon's Editors Store

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Frequently Bought Together

An End Has a Start + Back Room + Weight of Your Love
Price for all three: $29.26

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Product Details

  • Audio CD (July 17, 2007)
  • Original Release Date: 2007
  • Number of Discs: 1
  • Label: Fader Label
  • ASIN: B000PUAZDW
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (41 customer reviews)
  • Amazon Best Sellers Rank: #89,953 in Music (See Top 100 in Music)

1. Smokers Outside The Hospital Doors
2. An End Has A Start
3. The Weight of The World
4. Bones
5. When Anger Shows
6. The Racing Rats
7. Push Your Head Towards The Air
8. Escape The Nest
9. Spiders
10. Well Word Hand

Editorial Reviews

Product Description

Following the debut release 'The Back Room', the English indie-rock band is back with their 2nd album. Their brand of sweeping indie rock is frequently compared to the sound of bands such as Interpol, Joy Division, Echo and the Bunnymen, Franz Ferdinand, Kitchens of Distinction, The Chameleons, Big Country and U2. 1st single: Smokers Outside The Hospital Doors. Sony/BMG. 2007.

Amazon.com

Editors were not the only band suckling on Joy Division's bleak teat in 2005 when they released their debut The Back Room, and they never initially seemed the ones most likely to succeed either. They were like a pencil sketch of gothic depression, too tidy, too clean, too neatly attired to attain any lasting emotional credibility. But there was just one problem with that cursory diagnosis; the incendiary skinny-ribbed barrage of short, sharp, repetitive and achingly insistent singles, titled with an absolute maximum of two syllables as if to ram that point home. There was zero puppy fat on Editors' bones, but what they did carry was toned and worked to perfection. But even considering that discipline, the competent grandeur of its follow up, An End Has a Start, takes you aback. Awash with constellation-scraping omnipresence, opening track "Smokers Outside the Hospital Doors" seems all around you at once, building, lifting and frankly doing a better impression of late '80s U2-sized epic than Coldplay mustered on X&Y. The album rebounds between that sense of rounded, accessible awe and the more industrious pounding in the engine room that they perfected on their debut, the latter particularly demonstrable on the title track and a truly hammering "Escape the Nest". Tom Smith’s rudimentary lyrics and forced baritone may lack some of the poetic depth that the music craves, but like their overall style he directs what he does possess with admirable precision. --James Berry

Customer Reviews

Yes, they're that good and so is this album!
Reptile
I've had this CD in my car player since my purchase and play it nearly every day.
mikejrexec
Similarities aside, a fan of Editors is going to love the new album.
Cary S. Whitt

Most Helpful Customer Reviews

23 of 24 people found the following review helpful By Cary S. Whitt on July 17, 2007
Format: Audio CD
We've seen this a number of times this year, and it can be a tricky proposal for some. In attempts to broaden and enlarge one's sound, bands can straddle the fence between a big sound and a bland bunch of recordings. On their second full length, An End Has a Start, Editors definitely reach for some of those loftier goals, and while it may miss a few here and there, the record on the whole gets plenty right in the process. The band keep their sound very much intact and only try to improve what has done before.

Leading off with the first single, Smokers Outside the Hospital Doors, the record does in fact sound bigger. The single is a good starting point but it clocks in a bit too long and as some have pointed out, is a little too Coldplay-ish, but I find it still pretty good none-the-less. By the time the second track starts up, you can notice the step up in production. The production on the entire record is rich and full, with a rather large nod going to producer Jacknife Lee. Adding things like a stronger vocal mix for Tom, string sections, and even a choir attest to this bigger, fuller sound.

So how are the "tunes" though? In short, much like (their debut) The Back Room. About half of An End Has a Start can point to a "sister" tune off of the Back Room. Bones for example, is the new Munich while the pacing and sound of Escape the Nest is pretty much what is found on Camera or Fall. Similarities aside, a fan of Editors is going to love the new album. I somehow find it dynamic without it being as hook driven as their first release. There are a couple of forgettable songs on here, but the overall quality of production and songwriting far outweigh any shortcomings. It's a bit of a "grower" as they say, but over time, I'll be happy to mark the doorframe.

P.S.
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8 of 8 people found the following review helpful By sleep no more on August 19, 2007
Format: Audio CD
Joy Division released "Closer", The Comsat Angels released "Sleep No More", Echo released "Heaven Up Here", PIL released "Metal Box", The Chameleons released "What does everything mean, basically" - All sophmore albums that were met with reservations when first released that are now widely viewed as classics, and, arguably as the best albums the band's ever released. While "An End Has A Start" doesn't have the 'every song could be a single' pop sensibilities of their debut, the Editors have managed to maintain their edge while exploring some new territory in writing as well as studio recording. Some of the guitar melodies, especially on the title track as well as "The Racing Rats" are as infectious as the plague was in the middle ages - again bringing to mind The Chameleons with a touch of The Mission's earlier recordings - keyboards and orchestral embellishments add an element of texture that may find many listeners revisiting the songs that didn't capture attention on the first listen just to have them become the albums 'sleepers' - (how many fell under the spell of "Love Will Tear Us Apart" the second the needle hit the groove and eventually found "She's Lost Control" to be the disc living on the record player?).... Of all the bands that have popped up in the past few years, The Editors are one of the few that listeners may become truely passionate about more so as time passes.... For those of us lucky enough to have enjoyed them from the beginning..... Let's just see what happens.....
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5 of 5 people found the following review helpful By Reptile on September 12, 2007
Format: Audio CD Verified Purchase
Enough with all the Interpol and U2 comparisons. Does anyone else hear the Big Country guitars in the songs like I do?? This is a great second album and the band is certainly not suffering from any sophomore slump. "An End Has A Start" sees the band beginning the maturing process. Sure, "The Back Room" was fantastic, if a bit one-dimensional. This album has many elements of "The Back Room", yet new sounds are creeping in there as well. I must add that these guys are a great live band too. The only comparison to U2 is that with a little time, they might be as big as U2 someday. Yes, they're that good and so is this album!
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7 of 9 people found the following review helpful By Bernard Chapin on July 16, 2007
Format: Audio CD
I just did a search for The Editors here and I think it is kind of funny that Interpol's new CD turned up four positions down on the page result because the only reason an old guy like me has even heard of this band was due to my conducting a search a few weeks ago regarding the release date for Our Love to Admire. I came across an article in which the reporter claimed that The Editors were a rip-off of Interpol. Whether that is true or not I cannot say although the influence of the great band on The Editors is undeniable in the tracks of An End Has a Start. That they may possibly be derivative is irrelevant to me, however, as I love these songs and love this album. I am not surprised that another reviewer had a line from "The Weight of the World" as his title because the tune is both haunting and excellent. Really, the first time through I thought this was an uneven CD and one that I would give three stars to but I was totally wrong. I now appreciate every song and think they range from excellent to above average.
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2 of 2 people found the following review helpful By Benjamin K. Gifford on August 28, 2007
Format: Audio CD
...from a sophomore effort. The Editors put out an exhilirating album with their first, The Back Room. As good as the album was, some tracks grew stale with repeat listenings. This is not the case with An End Has a Start; the tracks here only improve with repeated listenings. The three or four slow songs on this album are a HUGE improvement over songs like "Camera" from "The Back Room;" "Push Your Head Towards the Air" slowly builds to a single, electrifying moment that leaves the listener with goosebumps. Also, a nice change from many albums these days, An End Has a Start is far from front heavy. Yes, they placed their singles towards the beginnning (which are undeniably good), but the best songs are tracks 6-8: "The Racing Rats," the aforementioned "Push Your Head Towards the Air," and the explosive "Escape the Nest." Editors has also taken a great leap forward in their lyrics. Gone are the repetitive rantings of Bullets ("You don't need this disease," etc.), replaced instead by a beautiful lyrical tapestry "Standing at the edge of your town/with the skyline in your eyes/Reaching out to God/the Sun says its goodbye" from "The Racing Rats. An End Has a Start is an excellent display of growth from a talented band. Pay no heed to those drawing comparisons between U2, Coldplay, and Interpol; the Editors are their own band, and they are on their way to becomming something big.
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