In 1663 Oxford, a servant girl confesses to a murder. But four witnesses--a medical student, the son of a traitor, a cryptographer, and an archivist--each finger a different culprit...
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Editorial Reviews
Amazon.com Review
An Instance of the Fingerpost is that rarest of all possible literary beasts--a mystery powered as much by ideas as by suspects, autopsies, and smoking guns. Hefty, intricately plotted, and intellectually ambitious, Fingerpost has drawn the inevitable comparisons to Umberto Eco's The Name of the Rose and, for once, the comparison is apt.
The year is 1663, and the setting is Oxford, England, during the height of Restoration political intrigue. When Dr. Robert Grove is found dead in his Oxford room, hands clenched and face frozen in a rictus of pain, all the signs point to poison. Rashomon-like, the narrative circles around Grove's murder as four different characters give their version of events: Marco da Cola, a visiting Italian physician--or so he would like the reader to believe; Jack Prestcott, the son of a traitor who fled the country to avoid execution; Dr. John Wallis, a mathematician and cryptographer with a predilection for conspiracy theories; and Anthony Wood, a mild-mannered Oxford antiquarian whose tale proves to be the book's "instance of the fingerpost." (The quote comes from the philosopher Bacon, who, while asserting that all evidence is ultimately fallible, allows for "one instance of a fingerpost that points in one direction only, and allows of no other possibility.")
Like The Name of the Rose, this is one whodunit in which the principal mystery is the nature of truth itself. Along the way, Pears displays a keen eye for period details as diverse as the early days of medicine, the convoluted politics of the English Civil War, and the newfangled fashion for wigs. Yet Pears never loses sight of his characters, who manage to be both utterly authentic denizens of the 17th century and utterly authentic human beings. As a mystery, An Instance of the Fingerpost is entertainment of the most intelligent sort; as a novel of ideas, it proves equally satisfying. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
England of the 1660s was full of political and intellectual turmoil, speculation, and experimentation?not to mention a cast of colorful and controversial characters. It is firmly within this maelstrom that Pears (The Last Judgment, LJ 2/1/96) has set this massive historical whodunit. A fellow of New College, Oxford, is found dead of arsenic poisoning (from a fancy carafe of brandy), and a young woman of the evening is accused, sentenced, and hanged for his murder. Case seemingly closed. But no, four very different versions of what really happened to the late Professor Grange related by four eyewitnesses to the crime weave a convoluted fabric of religious, scientific, and political intrigue. Basing his novel loosely upon an actual case from the period, Pears pits the key minds of the day?Boyle, Locke, Wren, and others against one another as each takes a shot at gaining from the event. Strange bedfellows indeed. Followers of Brother Cadfael and the works of Anne Perry and Umberto Eco will revel in this smartly paced, rather tongue-in-cheek tour de force.
-?Susan Gene Clifford, Aerospace Corp., El Segundo, Cal.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
-?Susan Gene Clifford, Aerospace Corp., El Segundo, Cal.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
133 of 141 people found the following review helpful
Format:Mass Market Paperback
This is a long (680 pgs in my paperback edition--bought from A.c, by the way) historical novel set in reformation England-mostly Oxford. The story comprises four distinct memoirs-seemingly written in about 1680-that recall events during 1663. The characters are mostly historical figures-actually two of the narrators are fictitous, two are genuine, while secondary characters include Robert Boyle, James Locke, and other lesser know figures of the restoration. Pears' historical knowledge seems formidable and the reader can look forward to learning much about this era. Most impressive to me was the great authenticity of the narrative voices and the almost flawless resolution of an intricate story line.
This is a mystery, much in the tradition of "The Name of the Rose," but with a deep bow to "Roshamon." For the story to work, each of the narrators has to come across as a genuine character of the 17th century. Pears accomplishes this by skillfully blending the style and syntax of the era with contemporaneous prejudices and ignorance. Every once in a while you can hear the style relapse to modern-speak for a bit, but Pears gets so much right that it's hard to quibble. The characters profess belief in magic and archaic medical theory with casual conviction. They are mired in-to modern ears-an appallingly oppressive attitude toward women and "common" people. At the same time, these are the leading scientists and philosophers of their time; hearing them you get the strong sense that their society is beginning to break free and move toward genuine science and egalitarian politics. It is a remarkable achievement for a novel-all the more so because it is also a gripping thriller.
What the memoirs are trying to explain are the events surrounding the death by poisoning of an Oxford don, Robert Grove and the subsequent execution of a young serving woman, Sarah Blundy, who is convicted of the murder. The first narrator identifies himself as Marco da Cola, a Venetian student of medicine who gets stuck in Oxford due to complications with his family's business. Although da Cola becomes convinced of Sarah's guilt, the reader develops great sympathy for her. Pears draws Sarah as a combination of a Christian mystic and a proto-feminist. This works for the plot and to make her an appealing character. But the combination of religious fervor and sexual freedom she proclaims is one note that does seem a bit too modern-perhaps one grows to love her because of this very whiff of modernity. Each narrator that follows retells the story with differing interpretations of the facts and with addition of separate layers of motivation. Be warned that the next two narrators espouse attitudes that are very hard to stomach-despite their great self-satisfaction. Contradictions and complexities accumulate until the mystery seems utterly insoluble. Then at the end, by some alchemy of literary skill, Pears manages to explain everything in the last few pages. A word of advice: even though this is a long read, do not succumb to the temptation of skipping ahead.
One minor frustration-the significance of the very odd title is embedded in the front-pages to one of the sections (the fourth, I think) and is easily missed. Turns out, it's a quote from Bacon describing a piece of compelling evidence that trumps all prejudices. Fingerpost indeed is what it takes to sort the whole thing out.
The parallels with Ecco's "The Name of the Rose" are very striking. A cloistered male setting (academic rather than ecclesiastic), a poisoning, an innocent female brutally prosecuted, a preoccupation with texts-including a purloined book that is the key to a cipher that is a major key to the plot, etc. There are surely more-including some that can not be revealed without spoiling the suspense. To me, Fingerpost compares quite favorably with Rose. I liked Rose very much, but ultimately it seemed that Ecco was more concerned with philosophy and semionics-whatever that is-than with character and story. The chase through the library maze and the cataclysmic fire at the end of Rose pushed the whole book over the edge of melodrama, in my opinion. Pears is more restrained in burdening his story with symbolism-though there is an obvious touch of semionics in the experiment with the dove in the vacuum chamber-watch for it early in da Cola's narrative.
By staying focused on the fully imagined people of the day, their authentic history, and in the mechanisms of a wonderfully realized plot, Pears writes a very satisfying and moving book. He solves the mystery of the Fingerpost, but he leaves you to ponder more profound and lasting mysteries. Somehow, the course of history has moved from the deep ignorance, tragedies, and injustice of that long-ago time to a perhaps more enlightened era. But just as certainly, many of the beliefs and practices we take for granted today will seem primitive and cruel 300 years hence. Just which beliefs are they?
74 of 77 people found the following review helpful
Format:Mass Market Paperback
Warning: This is not a pick it up and finish it in a day kind of book. No matter how many historical mysteries you read you will not be able to get through this book in a day, or even several days.
That being said, it is one of the most rewarding mysteries you are likely to read. Pears's incredibly detailed depiction of Oxford in the late seventeenth century bristles with life, lust, and treachery. First through the eyes of a wandering Italian Marco da Cola, and then through the eyes of other major figures like John Wallis and Anthony Wood, we are introduced to the strange events surrounding an even stranger person: Sarah Blundy. The history of science and medicine is very accurate and very well-treated (not always the same thing!), especially in the sections on Wallis and Wood. The pace of the book does pick up the deeper we get into the twisting paths of Oxford life and legend, but I don't think that makes the first two accounts any less riveting. Instead, it brings home how different people see the same events, and makes us evaluate more critically every "fact" we think we know.
This would be a great book to take on a one-week vacation, since it will probably get you through the whole thing without having to take 6 books with you. If you like historical mysteries or historical fiction, or even the history of medicine, I highly recommend this book to you.
PS. The ending knocks you off your feet. Totally unexpected!
35 of 36 people found the following review helpful
Format:Hardcover
I'm not sure I agree with the similarity between this book and Umberto Eco's Name of the Rose, nor do I wish to see Pears' originality diminished by constant comparison with this great work. This book can stand on its own merits quite nicely. The storytelling is fabulous and the twists and turns of the plot always manage to be perfectly believable yet totally unexpected.
The book is complex, and I must thank Mr. Pears for including the Dramatis Personae section at the end. Besides helping the reader sort through the host of characters, it also sets the record straight on which ones are real, fictional, or some combination. Among the historical celebrities who people the novel are Robert Boyle, John Locke, and Christopher Wren, making this book a great lesson in the history of scientific thought and politics in the middle ages.
The crowning glory of the novel is the apparent ease with which Mr. Pears allows us to see the world through the eyes of the four narrators. (In this respect I found myself thinking of Faulkner's The Sound and the Fury.) Not only are we shown different perspectives on the events, but the "facts" of the events themselves become as fluid as the writer's prose.
Most Recent Customer Reviews
A Great Read
A most intriguing plot. Excellent historical fiction -- well researched with good factual bases. I particularly liked the way that Pears told the story from four different... Read more
Published 19 days ago by David K. Murphy
No longer the best book I never finished!
I bought this book around 9 years ago - and was quickly captivated by the world Pears created, looking at the same period/incidents from multiple perspectives - all soaked in the... Read more
Published 2 months ago by David Tipton
Tour de force !
The synopsis from Wikipedia: "A murder in 17th-century Oxford is related from the contradictory points of view of four of the characters, all of them unreliable narrators. Read more
Published 6 months ago by S. Thompson
A NEAR PERFECT PUZZLE MYSTERY SET MORE THAN 300 YEARS AGO
What a phenomenal book! I picked up Fingerpost on a whim. I had reviewed Pears's later book, Stone's Fall (2009), a novel which I liked quite a bit but the NY Times reviewer much... Read more
Published 7 months ago by David Keymer
A 17th Century Tour de Force
Equally as enthralling as his "The Dream of Scipio", Iaian Pears delivers accurate history, intrigue, along with all the twists of a good thriller. Read more
Published 10 months ago by Ken Deshaies
Brillant!
A prominent and popular Oxford professor Dr. Robert Grove is found in his room the victim of a gruesome murder in 1663 in Restoration England. Read more
Published 15 months ago by Kim Maddalozzo
Mixed feelings
I didn't hate this book. That is to say, it had its entertaining moments. This is a book to read with a package of post-it notes and a pen, markers of different colors, maybe a... Read more
Published 15 months ago by Nancy E. Turner
SUPERB PIECE OF WRITING
I just cant believe what I have read on this site because most reviwers have failed to see what the story is all about. Read more
Published 18 months ago by Rocke Harder
The title should have been a clue...
This novel, described as historical mystery, was first published in 1998. It was recommended to me by a friend, perhaps because she knows I write mysteries and love historical... Read more
Published 18 months ago by Jessica Dee Rohm
OK, but mildly disappointing
I pretty much agree with everything Paul McGrath said. Here is my version:
I usually enjoy books where the same story is told from the viewpoint of several characters. Read more
I usually enjoy books where the same story is told from the viewpoint of several characters. Read more
Published 22 months ago by Russ Atkinson
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Introduction (From Wikipedia)
An Instance of the Fingerpost is a 1997 historical mystery novel by Iain Pears.
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An Instance of the Fingerpost. Amazon is not affiliated with, and neither endorses, nor is endorsed by Wikipedia or any of the authors who contributed to this article. The Wikipedia content may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: CC BY-SA. Additional or other terms may apply. See Wikipedia Terms of Use for details.
Synopsis (From Wikipedia)
A murder in 17th-century Oxford is related from the contradictory points of view of four of the characters, all of them unreliable narrators. The setting of the novel is 1663, just after the restoration of the monarchy following the English Civil War, when the authority of King Charles II is not yet settled, and conspiracies abound.
Most of the characters are historical figures. Two of the narrators are the mathematician John Wallis and the historian Anthony Wood. Other characters include the philosopher John Locke, the scientists Robert Boyle and Richard Lower, spymaster John Thurloe, and inventor Samuel Morland. The plot is at first centred on the death of Robert Grove but later takes in the conspiracies of John Mordaunt and William Compton (of Compton Wynyates), and the politics of Henry Bennet and Lord Clarendon. Furthermore, the characters that are fictional are nonetheless drawn from real events. The story of Sarah Blundy incorporates that of Anne Greene , while Jack Prestcott is involved in events based on the life of Richard Willis (of the Sealed Knot).
The book is an epistolary novel. The accounts are written many years after the events they describe, after Thomas Ken gained his Bishopric but before the death of Henry Bennet. This dates them to 1685, the last year of Charles' reign.
A contrast portrayed in the novel is, on one hand, a philosophy based on ancient and medieval learning, and, on the other, the scientific method that was beginning to be applied in physics, chemistry and medicine.
Attribution: The information appearing above in this tab is from Wikipedia:
An Instance of the Fingerpost. Amazon is not affiliated with, and neither endorses, nor is endorsed by Wikipedia or any of the authors who contributed to this article. The Wikipedia content may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: CC BY-SA. Additional or other terms may apply. See Wikipedia Terms of Use for details.
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Inside This Book
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Key Phrases - Capitalized Phrases (CAPs):
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Sir William, Sarah Blundy, Sir John, New College, Marco da Cola, Lord Clarendon, Jack Prestcott, Sir James Prestcott, John Thurloe, Lord Bristol, Samuel Morland, Sir Samuel, Lord Mordaunt, Low Countries, Thomas Ken, Lord Chancellor, Anne Blundy, Christ Church, John Wallis, Merton Street, Question of Precedence, Robert Grove, Royal Society, Warden Woodward, Lord Maynard New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Sir William, Sarah Blundy, Sir John, New College, Marco da Cola, Lord Clarendon, Jack Prestcott, Sir James Prestcott, John Thurloe, Lord Bristol, Samuel Morland, Sir Samuel, Lord Mordaunt, Low Countries, Thomas Ken, Lord Chancellor, Anne Blundy, Christ Church, John Wallis, Merton Street, Question of Precedence, Robert Grove, Royal Society, Warden Woodward, Lord Maynard New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 7
books:
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39
books
cite this book:
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- Novum Organum (Spanish Edition) by Francis Bacon on 4 pages
- Oliver Cromwell (Routledge Historical Biographies) by Martyn Bennett on page 623, and Back Matter
- Aubrey's Brief Lives (Nonpareil Books, No 77) by John Aubrey in Back Matter
- Brief Lives: Parents Writing About the Death of a Baby by Alison Wood in Back Matter
- The Raphael Affair (Art History Mystery) by Iain Pears in Back Matter
See all 7 books this book cites
- The Dream of Scipio by Iain Pears on 6 pages
- How Novels Work by John Mullan on page 55, page 126, and Back Matter
- The Reading Group: A Novel (P.S.) by Elizabeth Noble on page 324, and page 325
- A Concise Companion to Contemporary British Fiction (Blackwell Concise Companions to Literature and Culture) by James F. English on page 164, and page 170
- A Machine to Make a Future: Biotech Chronicles by Paul Rabinow on page 185, and Back Matter
See all 39 books citing this book
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