Anastasia: The Musical (plus premier recordings of Wright and Forrest songs from At The Grand/Betting On Bertie/Grand Hotel/Kean [Cast Recording]

Robert Wright, George Forrest, Len Cariou, Regina Resnik, Sergei Rachmaninoff, Judy Kaye | Format: Audio CD

Product Details

• Audio CD (October 20, 1998)
• Number of Discs: 1
• Format: Cast Recording
• Label: Original Cast Record
• ASIN: B000006AU6
• Average Customer Review: 2.2 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #332,503 in Music (See Top 100 in Music)

Track Listings

1. Prelude and the Unfinished Melody

2. A Song from Somewhere

3. I Can See Her Now

4. Homeward

5. Born Aristocrat

6. Drawn to You

7. My Kind of Love

8. Thanks to Her

9. That Song

10. Act One Finale

11. Here Tonight, Tomorrow Where?

12. The Anastasia Waltz

13. Lost and Found

14. Think upon Something Beautiful

15. Little Hands

16. I Live Again

17. If This Is Goodbye

18. Finale: Think upon Something Beautiful

19. Prelude: Table With a View/And Life Goes on...

20. The Bare Necessities

See all 26 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

6 of 7 people found the following review helpful:

2.0 out of 5 stars Instead of this, pray for a reissue of ANYA, July 24, 2004

By 

J. T Waldmann "yaakov98" (Carmel, IN, home to the fabulous new Regional Performing Arts Center.) - See all my reviews
(REAL NAME)   

This review is from: Anastasia: The Musical (plus premier recordings of Wright and Forrest songs from At The Grand/Betting On Bertie/Grand Hotel/Kean (Audio CD)

Reviewer's note: ANASTASIA: THE MUSICAL is a reissue by Original Cast Records of THE ANASTASIA AFFAIRE: THE RACHMANINOFF MUSICAL issued in 1992 by Bay Cities. It bears little resemblance to the original musical, ANYA.

"The musical ANYA opened on November 29, 1965 as the last tenant of the Ziegfeld Theater. Written by George Abbot from Guy Bolton's English version of Marcelle Maurette's play the score was fashioned by Robert Wright and George Forrest, using themes from the works of Rachmaninoff. Abbott directed and Hanya Holm choreographed a cast that included Constance Towers, Michael Kermoyan, Irra Petina, and Lillian Gish in the leading roles. With mixed-to-negative reviews, the show closed December 11, 1965 after two weeks of previews and sixteen performances. United Artists, an investor in the show, issued the cast album of ANYA shortly after the opening." -- from Merrick S. Talcove's liner notes for THE ANASTASIA AFFAIRE

I own a copy of ANYA, but I haven't listened to it since (perhaps) 1965. However, I remember it fondly, and while listening to it I fell in love with Constance Towers. Not as good as Wright & Forrest's scores for THE SONG OF NORWAY (which I had heard on the radio), KISMET and THE GREAT WALTZ (both of which I had seen staged by the Los Angeles Civic Light Opera), but listenable non-the-less. And KEAN is one of my all-time favorites. I truly believed that Wright & Forrest could do no wrong.

So when I read the Amazon reviews for ANASTASIA: THE MUSICAL, I thought, "These guys don't know what they're talking about." So I did some web research and located a used copy of THE ANASTASIA AFFAIRE. I put it in the player, but what emerged from the speakers had little resemblance to the ANYA I remembered. This was truly bad!

Wright & Forrest have been tinkering with ANYA every since it flopped in 1965. What was once a large scale Broadway musical is now an intimate chamber piece. It might possibly work as a chamber opera, if the libretto weren't so awful! Some of the lyrics have to be heard to be believed. The show also calls out for an orchestra. Reducing Rachmaninoff's Second Piano Concerto to a piece for twin pianos is comparable to watching "Lawrence of Arabia" on a two-inch black and white TV. Rachmaninoff wrote Romantic music with a capital "R." An orchestra can underscore the passion of the characters and carry us along in a way two pianos can not.

I think all the fiddling to ANYA has damaged it beyond repair. Only four of the original songs remain: "A Song from Somewhere," "Here Tonight, Tomorrow Where?" "Little Hands," and "If This Is Goodbye." I believe Decca owns the United Artists masters, including ILLYA, DARLING, the musical version of NEVER ON SUNDAY. I urge them to reissue ANYA so we can hear once again the original score. Otherwise, I may have to dig out my LP and hook up my turntable.

P.S. Even though it's bad, it's not as awful as NIGHT OF THE HUNTER or Z . . . THE MASKED MUSICAL, and I was unable to finish JEKYLL & HYDE.

4.0 out of 5 stars It's more then Anastasia!, January 2, 2005

By 

Urs Mattmann (Switzerland) - See all my reviews
(REAL NAME)   

This review is from: Anastasia: The Musical (plus premier recordings of Wright and Forrest songs from At The Grand/Betting On Bertie/Grand Hotel/Kean (Audio CD)

I have an LP of the original Anya Broadway Cast and this is certainly a better score and recording. But most reviewers forget that this Anastasia CD also includes additonal material (tracks 19 - 26) from other Wright & Forrest musicals including cut numbers from Grand Hotel/At the Grand. I find these songs very interesting and enjoyable and for me these 8 numbers alone are worth the price of this CD!

9 of 18 people found the following review helpful:

2.0 out of 5 stars Poorly done, January 11, 2000

By A Customer

This review is from: Anastasia: The Musical (plus premier recordings of Wright and Forrest songs from At The Grand/Betting On Bertie/Grand Hotel/Kean (Audio CD)

Is it just me or is Anastasia supposed to be a little younger? Every single person on this recording sounds like an elderly person. And there is no orchestra. It's all piano. It's all operatic. No stand-out songs. No power voices. Very disappointed.