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The opening track, "Children Of The Sun", sung by Brendan Perry, introduces the general feel of the album. It is deliciously atmospheric. It is Dead Can Dance as a well-aged wine. Less extravagant than in the past but every bit as elaborate, it delivers a very satisfying feeling of plenitude. The tone of the album is given. Follows the slow and very easy to like "Anabasis" sung by Lisa Gerrard, and "Anastasis" slowly unfolds. It is no longer groundbreaking as their first albums were, more a voyage where they take us by the hand for a luxuriant visit into their sophisticated world.
Never production on a Dead Can Dance opus sounded so polished. Not a moment feels cheap or unchallenging to the ear. Both singers have exceptional voices that suit their style perfectly, and they are at their best here. Lisa Gerrard leads four songs (including one, the opulent "The Return Of The She-King" where her partner joins in at the end), as does Brendan Perry. Eight songs may seem on paper like too simple an effort after 16 years, but all songs are in the five to seven minutes range, and most importantly, there is a sense of unity, an "album feel", that is very powerful in this release. Where the old albums were always original, individual songs didn't always flow as strongly into a sense of unity proper to a definite album.Read more ›
Gerrard and Perry's vocal deliveries are strikingly different, and I feel the differences have grown wider only with timer. Brendan Perry's croon sounds now like an old worn catcher's mitt -- it's a comfortable fit, and while it might have some rough edges, it feels lived-in and experienced. Lisa Gerrard's voice, on the other hand, has a more traditionally elegaic quality to it; her singing often sounds transcendent. The two vocalists duet only once on this album: the penultimate track "Return of the She-King," which serves as one of the best songs on the album.
The opening "Children of the Sun" serves as a highlight track on the record. This atmospheric, Perry-sun track isn't just a good song for the band's album: it's a good song for the band's career. It also points out what may be a defining characteristic for this record: these songs aren't as textured or layered as some of the band's earlier work. This change, however, sees no real diminishing returns in terms of quality -- instead, it feels like the band is comfortable with their creations. They have nothing to prove. The songs of ANASTASIS sound much less like a band trying to imitate world music and more like a group profoundly inspired by traditional music from around the world.Read more ›
It is amazing, in fact I would say better than most of their albums as it meets the mark in many aspects, and exceeds in others.
Firstly all of the songs are really well done, and have all the elegant compositional hooks and interesting rhythms you would expect from a Dead Can Dance album, from lush strings to epic horn phrases that seem to lift you as you hear Brandon Perry croon.
My favorite songs (so far) are the "Children of the Sun," an incredible Perry song, "Agape," a hypnotic middle-eastern dance song sung by Lisa Gerrard, and "Amnesia," which I think reminds me of the Brandon Perry of the pre-"Into the Labyrinth," years. Those are just my favorites. The rest of the album is gorgeous.
This album reminds me in many ways of their 1985 released Spleen and Ideal album, and I would even dare say it's better as the sound quality of Anastasis is very good. And yet still the elements that I enjoyed from their later albums in the 90's are apparent such as the complex primal rhythms. "Kiko," in that manner is quite a trip.
All in all an Excellent album! I'm happy they released it.
Time went by and I moved on.
They just a few days ago I read they did another album I had never heard about.
Well, DCD has influenced HOW many artists over how many different genres?
Too many to count actually.
"Within the Realm of a Dying Sun" will always be my gothic favorite so I was eager to see where Brendan and Lisa would take the new album after the tribal "Spirit Chaser".
The album kicks off with the new agey "Children of the Sun".
And just like the previous albums, this one really doesn't sound much like any of their previous efforts.
Beautiful synths and orchestration.
Brendan still has golden pipes.
The one thing I notice is that the sound is much more mature and dynamic. Maybe because the passage of time has influenced Brendan and Lisa or maybe because the tech is so much more advanced now.
With an almost limitless amount of sounds to sample I'm not surprised the album is stunning.
Up next is "Anabasis".
This song reminds me of a futuristic "Spirit Chaser".
Gerrard kicks in and reminds all of us why she is so revered in the first place.
Exquisite vocals with an even more gorgeous background.
"Agape" is up next with a Middle Eastern flair and a hushed sense of urgency.
"Amnesia" is next and brings a bit more darkness and elegance to the album. Simply beautiful....though I must admit I didn't care for the repetitive note throughout the song... but DCD has always been known for doing this. It's not a major distraction.
"Kiko" kicks in with a huge, menacing Asian inspired soundscape. A great highlight for Lisa.
"Opium" is a dreamy track, very soothing and meditative.Read more ›
Most Recent Customer Reviews
Really richly produced record. I love it. Children of the Sun is one of my favorites. Complex sounds and music, if you are into that kind of thing.Published 1 month ago by book&moviefan
Nice to see these guys can still work together and progress. I loved the percussive intensity of their first album on 4AD and I have bought it like three times as it has... Read morePublished 2 months ago by Erik D. Hilsinger
A must for music lovers....treat yourself to a higher vibration. I am always playing this Cd. It is a music masterpiece that gets better the more you play it. Read morePublished 3 months ago by Ong Bak
It's been a long time, but the formula that worked so well in prior collaborations between Lisa Gerrard and Brendan Perry has a polished edge here. Read morePublished 7 months ago by Dorian Taddei
after 3 years, i feel myself obliged to put these 5 stars . this CD takes me higher every time i listen to. its like living in a beautiful dream.
long live DCD