Amazon.com: Anatomy of a Typeface (9780241132678): Alexander Lawson: Books

Have one to sell? Sell yours here
Anatomy of a Typeface
 
 
Tell the Publisher!
I'd like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Anatomy of a Typeface [Import] [Paperback]

Alexander Lawson (Author)
4.2 out of 5 stars  See all reviews (5 customer reviews)


Available from these sellers.


Formats

Amazon Price New from Used from
Hardcover --  
Paperback $19.01  
Paperback, Import, 1992 --  


Product Details

  • Paperback: 432 pages
  • Publisher: Hamlish Hamilton; New Ed edition (1992)
  • Language: English
  • ISBN-10: 0241132673
  • ISBN-13: 978-0241132678
  • Product Dimensions: 9 x 5.9 x 1.2 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #6,440,641 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

 

Customer Reviews

5 Reviews
5 star:
 (3)
4 star:    (0)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

12 of 12 people found the following review helpful:
5.0 out of 5 stars Great history and commentary, August 12, 2005
Amazon Verified Purchase(What's this?)
This review is from: Anatomy of a Typeface (Paperback)
Lawson has created a wonderful, readable historical account. The first 30 chapters each present one typeface ('font' for computer folk). A typeface's chapter analyzes the structural features of the sorts ('glyphs'), noting how the typeface fits into the usual bins labelled 'black letter', or 'modern', etc. That discussion tends to be spotty, though, and the successful reader already knows a few different ways for serifs to differ from each other, for line weight to vary, and lots more.

What this book does well is present specimens of different typefaces within each family, showing how the letterforms drifted through time, or how they evolved to meet specific demands of paper, ink, and press. The typefaces are arranged in a chronological order, of sorts, but one type face's era may overlap another a large margin. Within each chapter, Lawson explores the development of that typeface, from the calligraphy and earlier letterforms that preceded it up through its contemporary appearance and use. The many examples also show the relationships between members of the same evolutionary tree. A few times, though, the samples could have been bigger, e.g. for pointing out differences in bracketing of the serifs.

This is very much a history of the type designers, printers, and other people in the history of type. It also gives some history of printing and typefounding technology. That motivates discussions of typefaces that were created to solve specific problems of paper, ink, and press, as well as esthetics. Historical information about punchcutting technology and modern type creation tools also explains the changing business relationships between font designers, distributors, and users.

Knowledge of history may help the reader in speccing type appropriate to some printing task, but there's very little here that would help in setting up a page of text. It's a book for another purpose, though. It's about the typefaces that are (or should be, or should not be) important to today's typographers, and why.

//wiredweird
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


11 of 11 people found the following review helpful:
3.0 out of 5 stars A collection of magazine articles, January 29, 2006
This review is from: Anatomy of a Typeface (Paperback)
While this is not a bad book, I don't think it deserves the five-star reviews it got above.

Each chapter is an article (or perhaps adapted from an article) originally for a magazine called Printing Impressions. As a result they stand alone better than they fit together: some stories are duplicated or unnecessarily scattered over several chapters, while others seem more compressed than they had to be (such as his discussions of sans-serif typefaces.) The type samples are good, often original, which is wonderful for history (but will be a disappointment if you wanted side-by-side comparisons.)

The discussion of the workshop process of making metal type is tantalising but not all that helpful to understanding. And while it has pretty old engravings, they aren't labled or explained to help distinguish essential parts from workshop quirks.

I'd certainly recommend reading Robert Bringhurst's Elements of Typographic Style first. I've not yet read James Felici's Complete Manual of Typography but people say good things. From browsing it seems to be more specific than Bringhurst, with more focus on technology, and less on timelessness. (It's hard to tell but I doubt it has his wonderful prose.)
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


17 of 19 people found the following review helpful:
5.0 out of 5 stars Great work on history and design of typefaces, August 22, 1997
By A Customer
This review is from: Anatomy of a Typeface (Paperback)
Although called "Anatomy of a Typeface," this book actually takes about 20 classic typefaces and analyzes each, discussing its designer, history, and aesthetics in depth. This is an outstandingly thoughtful and well-researched book by a master in the field, potentially of use both to someone with a basic understanding of the topic and to an expert
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
 
 
 
Most Recent Customer Reviews



Only search this product's reviews



Inside This Book (learn more)
Browse and search another edition of this book.
First Sentence:
Frederic W. Goudy, prolific type designer though he was, came rather late to the design of a black-letter type, just about midway, in fact, in his prodigious output of approximately 123 type designs. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
typographic legibility, square serifs, roman letter forms, geometric sans serifs, esthetic design, legibility types, phototypesetting machines, printing types, alphabet lengths, chancery style, specimen book, type designer, thin inks, newspaper types, thin strokes, general ease, script types
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, New York, American Type Founders Company, Stanley Morison, Bruce Rogers, English Monotype, Morris Benton, William Caslon, William Morris, Daniel Berkeley Updike, Nicolas Jenson, Rudolf Koch, Franklin Gothic, Cloister Old Style, Giambattista Bodoni, Hermann Zapf, Times Roman, World War, John Baskerville, John Bell, Scotch Roman, William Bulmer, Aldus Manutius, Claude Garamond, Francesco Griffo
New!
Books on Related Topics | Concordance | Text Stats
Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Search Inside This Book:




What Other Items Do Customers Buy After Viewing This Item?


Suggested Tags from Similar Products

 (What's this?)
Be the first one to add a relevant tag (keyword that's strongly related to this product).
 
(71)
(56)
(69)
(7)

Your tags: Add your first tag
 

Sell a Digital Version of This Book in the Kindle Store

If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store. Learn more

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 

Search Customer Discussions
Search all Amazon discussions
   



So You'd Like to...


Create a guide


Look for Similar Items by Category


Look for Similar Items by Subject

Search Books by subject:





i.e., each book must be in subject 1 AND subject 2 AND ...