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Gr 5-10-Two substandard series entries. Harris centers his discussion on the the art of the period primarily in Italy and so achieves a sense of cohesion in his nine very brief chapters. Portraits, landscapes, great buildings, and religious art are among the themes touched upon. However, he has a nasty habbit of dropping the terms ``great'' and ``greatest'' around, perhaps to convince readers of the appropriateness of his examples. Powell's book is a hodgepodge of ``ancient'' peoples, geographically arranged and superficially covered. For example, the section on ``Stone Age Art'' includes an Altamira painting and Stonehenge, all in four pages. Only two pages are given to the ``Art of Eastern Asia'' (China and Japan). There are 10 such groupings, which include Hellenic Greek, African, Egyptian, Celtic, and Pre-Columbian (North, South, and Central America) art. Both titles typically devote the top half of each page (or more) to full-color photographs and reproductions and the lower half to relatively disconnected, fact-laden, captionesque paragraphs. Many of the reproductions look as though they were photographed through a yellow filter. There are many other more substantive resources available.-Kenneth Marantz, Art Education Department, Ohio State University, Columbus
Copyright 1994 Cahners Business Information, Inc.
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