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Ancient Goddesses (Wisconsin Studies in Classics) [Hardcover]

Lucy Goodison (Editor), Christine Morris (Editor)
3.1 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

May 14, 1999 Wisconsin Studies in Classics

The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction?

    While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples?
    In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations—Predynastic and Early Dynastic Egypt; “Old Europe;” Early North West Europe; “Celtic” civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece—these experts review the most recent evidence so that readers can make up their own minds.
    Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.


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Editorial Reviews

About the Author

Lucy Goodison is an Honorary Research Fellow at University College London and has written several books on mythology and religion, specializing in the early Aegean. Christine Morris is Leventis Lecturer in Greek Archaeology in the School of Classics, Trinity College, Dublin.


Product Details

  • Hardcover: 224 pages
  • Publisher: University of Wisconsin Press; 1 edition (May 14, 1999)
  • Language: English
  • ISBN-10: 0299163202
  • ISBN-13: 978-0299163204
  • Product Dimensions: 9.8 x 7 x 0.9 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,346,149 in Books (See Top 100 in Books)

 

Customer Reviews

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37 of 43 people found the following review helpful:
5.0 out of 5 stars Will the Real Mother Goddess Please Stand Up., December 27, 1999
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This review is from: Ancient Goddesses (Wisconsin Studies in Classics) (Hardcover)
If motivated to read a less tendentious view of the 'Mother Goddess' myth than the one written by Merlin Stone, for example, one must choose wisely. A wise choice is Ancient Goddesses.This volume collects ten essays written and presented in a scholarly fashion by self-proclaimed feminist archeologists. Each essay begins with an introduction and history of a particular issue or site (for example, the archeology of Malta, Catalhoyuk in Turkey,and sites in France, Ireland, Greece, and Crete)followed by a clear statement of what the writer intends to show in her essay. Line drawings or photographs of figurines, tombs, and other objects illustrate the text.(The essay Beyond the 'Great Mother' by the volume's editors, Lucey Goodison and Christine Morris, uses the familiar Snake Goddess picture.)Abundant documentation flavors each essay, and the writers end their pieces with a summerizing conclusion. Additionally, a list of books for 'further reading' amends each essay. The essays are short, focused, dense with information, and very readable. Counter to the 'Goddess Movement,' however, the editorial mission of Ancient Goddesses is to deflect, if not defeat, the colonization of the past for the purposes of the present,and to subvert, thereby, a future determined by one's biology. The essays in Ancient Goddesses, for example, tells us that there is no evidence to support the claim that a universal belief in a monotheistic 'Mother Goddess'unified an 'old Europe' or anywhere else. Indeed, the indentity and powers attributed to any female diety changed over time and from place to place and female divinities, no matter how important, formed part of a pantheon. Moreover, their is neither evidence to support the wishful claim that societies that deify females also politically enfranchise mortal woman, nor were there societes that were by virtue of their goddess worship matrifocal of peaceful. While the essays in Ancient Goddesses may not turn the faithful, they did for this reader provide a welcome intellectual airing, for both the history and the wisdom of their attitude.
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20 of 23 people found the following review helpful:
3.0 out of 5 stars Sophisticated but not convincing, September 23, 2001
This review is from: Ancient Goddesses (Wisconsin Studies in Classics) (Hardcover)
First of all - I don't agree with the view of the authors. I think that there is strong evidence for the existence for a Goddess cult in the Palaeolitic and Neolithic Europe. But I must admit that this book is effectively written and argue much better than many other authors who have attacked Gimbutas and the so called Goddess theory (cf the attacks by authors like Brian Hayden and Brian Fagan!).

The best chapters is those on historical known goddess cults (Egyptian, Mesopotamian). Here it is quite impossible to deny the evidence and this chapters make interesting reading. The chapter on Minoan Crete is also one of the best, although it is strange why it never refer to Nanno Marinatos ground-breaking work. The other prehistoric chapters are less convincing. Lynn Meskells chapter on Catalhoyok is particularly thin, and the author never seriously discuss the real evidence for a goddess cult in Catalhoyuk. Maybe she has a political agenda of her own - she cites with approval Bambergers view that the myth of matriarchy is a tool for oppressing women and that it is necessary to destroy this myth to free women from patriarchal oppression. I can't help wondering why! When se for example dismiss the must famous statue claimed to represent a goddess claiming the interpetation is "doubtful" without explaining why the interpretation is doubtful I don't think she is taking her opponents seriously. She never in detail discuss the woman figurines, instead she is using sweeping formulations, saying that nothing is proved. Of coups it isn't but there is a lot of evidence she don't want to discuss.

In Tringhams and Conkeys chapter on figurines they also state that the goddess theory is not proved. But that is besides the point. None of the theories they use as alternatives - for example the quite bizarre theory at p. 42 that the figurines functioned as sexual assaults by the oppressed women (she cites no evidence that women was oppressed) against dominating males is certainly not proved either!
Tringhams and Conkey use the method put forward by Peter J Ucko in 1964 when they argue that the majority of figurines was not even female. The essence of Uckos method is to use quite formalistic criteria to decide the gender of the figurines, that is the the presence or absence of female and male genitalia, breasts or beards. Ucko certainly missed that there indeed are other morphological differences between the sexes! In fact, I have tested about 20 people and showed them pictures of some of the figurines Peter J Ucko defined as sexless. Everyone said (without hesitation) that they considered them as female!

In Caroline Malones chapter on Malta she use Uckos methods for gendering the figurines, and she even supports Renfrews theory that Neolithic Malta was a chiefdom society comparable to the Polynesian chiefdoms. That there is no evidence for warfare at Neolithic Malta, that the Maltese culture presents no material evidence of social stratification, don't make her think about the plausibility of this theory. She argues that since chiefdoms in the ethnographic presence are patrilineal so Neolithic Malta probably was patrilienal. But the only real similarity between Malta and Polynesian chiefdoms was the erection of big stone monuments. That a population must be socially stratified and patriarchal in order to build huge monuments is a political statement in itself.... As Eleanor Leacock always pointed out, the so called ethnographic present has been formed by the existence of colonialism and other types of patriarchal influence during hundreds, if not thousand of years. It is dangerous to use ethnogrpahic analogies in such mechanical way.

Shee Twohigs chapter is quite better. She even end by implying hat even the rejection of the Goddess theory could be the result of some hidden agenda. This is undoubtedly true. What i miss in her chapter is a discussion of Gimbutas theory that the megalithic tomb plan in itself represent the Goddess body.

At page 8 Goodison and Morris notes that the archaeologists turned their backs at the Goddess theory at the same tine the feminists began taking it up. But they never reflect on why this happened. Personally I believe there could be a quite non-scientific reason for this. Before the feminists politicized the goddess theory it was more or less uncontroversial. But when it suddenly became the focus of a polarized debate the archeologists, who usually are not the most radical persons - almost immediately began to distance themselves from the theory. It is the same whith the matriarchy theory. Is it really a coincidence that the academic denial of this theory came about the same time the women got their write to vote!? When women was safely oppressed the theory of matriarchy was not dangerous at all. When they revolted it suddenly became dangerous... The Goddess theory lasted longer - at least it was "only" about religion. But when groups within the second wave of the feminist movement began to politicize women's spirituality the backlash was soon to come...

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14 of 17 people found the following review helpful:
4.0 out of 5 stars Fascinating Read, October 19, 2000
This review is from: Ancient Goddesses (Wisconsin Studies in Classics) (Hardcover)
If one were to judge 19th century American and European society by images alone one might conclude that it was a more gender egalitarian society than what exists today (eg. the statue of liberty, Queen Victoria, liberty on the barracades, the statue on the top of the US capitol, etc.). Lucy Goodison and other contributors start from the premise that we don't know what we don't know. True believers, of course, will have no use for this kind of skepticism. While not comprehensive this book does a good job separating archeology from modern myth.
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