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Ancient Tarots of Marseilles (Tarot cards)
 
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Ancient Tarots of Marseilles (Tarot cards) [Cards]

Lo Scarabeo (Author)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Editorial Reviews

About the Author

Since 1987, Art Publisher Lo Scarabeo has published over 100 Tarot decks that have been acclaimed all over the world for originality and quality. Only the best Italian and International artists are selected for our new decks, and the result is that Lo Scarabeo's decks are all recognizable as an exceptional artistic value.

Tradition
One of Lo Scarabeo's goals is the preservation of traditional Tarot decks.

Development
New decks and ideas are continually gathered from all over the world. This allows Lo Scarabeo to produce some of the most innovative decks available today.

Quality
Lo Scarabeo is committed to ever increasing quality and beauty of their products.

Distribution
*Llewellyn is the exclusive distributor of Lo Scarabeo products in North America.

Product Details

  • Cards
  • Publisher: Llewellyn Publications; Crds edition (September 8, 2000)
  • Language: English
  • ISBN-10: 0738700142
  • ISBN-13: 978-0738700144
  • Product Dimensions: 4.9 x 2.8 x 1.2 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,274,050 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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23 of 23 people found the following review helpful:
4.0 out of 5 stars This Conver is easiest to find in the USA, December 18, 2004
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This review is from: Ancient Tarots of Marseilles (Tarot cards) (Cards)
Nicholas Conver's 1760 woodcut Tarot was the basis for Paul Marteau's Grimaud Tarot de Marseille pack that appeared in 1930. It was Marteau who named this particular style the "Tarot de Marseille." This deck, or a deck very similar to it, was the deck that was discovered by Antoine Court de Gébelin and written about in his treatise "Le Monde primitif;" he was the first to propose the theory, ultimately shown as historically unsound, but deeply influential, that the tarot were "arcana" that preserved Hermetic or Egyptian secret wisdom. Court de Gébelin's theories were picked up by Etteila, founder of Tarot divination, and by Eliphas Lévi, whose version was passed on to British Rosicrucians and ultimately to the Golden Dawn.

This Conver deck, therefore, represents the root and origin of all later systems of Tarot divination and all occult theories about this deck of cards. This is what Pamela Colman Smith and A. E. Waite worked from; this is what Frieda Harris and Aleister Crowley worked from. This is also the foundation of all of the rather different Francophone systems of tarot divination and interpretation, systems that have had only slight impact on the English speaking world.

Some may not find these cards to be things of beauty; they look genuinely old, and as stated above, they are traditional. The deck that comes with the "Tarot Set" is another version of the Conver Marseille. These are made on laminated card stock, and feel like they are made more soundly. Of all the several reprints of the 1760 designs, this one is probably the easiest for a U.S. buyer to get.

Users should be aware that the original deck from which these reproductions were made was apparently missing the Six of Bātons. The Six in this deck was made by erasing the central Bāton from the Seven; this means it does not have the floral decorations that the original deck had. If your system of interpreting the Tarot de Marseille includes the flowers, you may prefer the Tarot Set edition to this one.
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6 of 8 people found the following review helpful:
3.0 out of 5 stars Not the best Marseille deck for the money, November 6, 2005
By 
D. Danielson "daniel51" (OTSEGO, MI United States) - See all my reviews
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This review is from: Ancient Tarots of Marseilles (Tarot cards) (Cards)
There are many Marseille decks in print. In this edition, the cards are reproduced exactly, without enhancement, and retain their original signs of wear and use. A shiny, new, plastic coated deck that tries to look old just looks out of place. The Marseille deck printed by Piatnik retains the flavor of the early decks but is enhanced to remove wear and tear. The Marseill deck printed by Fournier predates the Lo Scarabeo deck by 30 years (1734) and has better colors.
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