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And Yet They Were Happy (LeapLit) [Paperback]

Helen Phillips
4.6 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

May 17, 2011 LeapLit

"Brilliant miniatures. . . . Like the fables of Calvino, Millhauser, or W.S. Merwin. . . . Beautifully blends short story and prose poem. . . . Mermaids, subways, floods, cucumbers, magicians. . . .The book is a gallery of marvels. Phillips guides us through the 'Hall of Nostalgia For Things We Have Never Seen,' 'the factory where the virgins are made,' and 'the Anne Frank School for Expectant Mothers.' A depressed Noah admits he 'didn't get them all,' a wife guesses which of two identical men is her husband, a regime orders citizens to grow raspberries on windowsills. [Helen Phillips'] quietly elegant sentences are as clear as spring water, haunting as our own childhood memories."—Michael Dirda

"A deeply interesting mind is at work in these wry, lyrical stories. Phillips exploits the duality of our nature to create a timeless and most engaging collection."—Amy Hempel

"Haunted and lyrical and edible all at once."—Rivka Galchen

A young couple sets out to build a life together in an unstable world haunted by monsters, plagued by disasters, full of longing—but also one of transformation, wonder, and delight, peopled by the likes of Noah, Bob Dylan, the Virgin Mary, and Anne Frank. Hovering between reality and fantasy, whimsy and darkness, these linked fables describe a universe both surreal and familiar.

Helen Phillips received a 2009 Rona Jaffe Writer's Award, 2009 Meridian Editors' Prize, and 2008 Italo Calvino Fabulist Fiction Prize. Her work has appeared in many literary journals and two anthologies. She holds degrees from Yale University and Brooklyn College, and teaches creative writing at Brooklyn College.


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Editorial Reviews

From Publishers Weekly

Milestones-emotional, familial, biblical-feature heavily in Phillips's imaginative debut. The stories are organized around themes-floods, fights, punishments, "the Helens"-and embark on marvelous flights of character and metaphor: in "flood #2" as the waters are rising, a despairing Noah walks into a bar, muttering, "I didn't get them all," while in "fight #2," a battling couple repeatedly take on bizarre transformations, he, for instance, into a rainstorm and she into a fire. The narrator of "fight #5" invites a statue of the Virgin Mary to a cup of tea, only to feel sharp disappointment at Mary's remarks regarding the narrator's emotional needs. The "far-flung family" episodes consist of an anecdote about ancestors building a covered wagon and heading west, and one about the king's daughter who has married "the clever yet dirty craftsman." "The envies" concerns the jealousy of two sisters of "The girls in Maxfield Parish paintings," while "mistake #5" compels the narrator to find Santa, only to be rebuffed by the bitter old man. Mothers, weddings, and monsters are all treated with irreverence in this cunning work that winks at reality as it carves out its niche deep in fable territory. (May)
(c) Copyright PWxyz, LLC. All rights reserved.

Review


"[Helen] Phillips' brashly experimental debut novel charts via linked fables the course of a young couple who fall in love, survive many floods, get married, have fights, make mistakes, and create a family—the whole shebang revealed in completely surreal yet oddly everyday prose."—Elle

"Surreal miniaturist Helen Phillips’s debut collection, And Yet They Were Happy, is full of gems."—Vanity Fair

Product Details

  • Paperback: 180 pages
  • Publisher: Leapfrog Press (May 17, 2011)
  • Language: English
  • ISBN-10: 1935248189
  • ISBN-13: 978-1935248187
  • Product Dimensions: 0.9 x 5.1 x 7.5 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #547,039 in Books (See Top 100 in Books)

More About the Author

Helen Phillips is the author of the novel-in-fables AND YET THEY WERE HAPPY (Leapfrog Press, 2011) and the children's adventure novel HERE WHERE THE SUNBEAMS ARE GREEN (Random House Children's Division/Delacorte Press, 2012), also published internationally as UPSIDE DOWN IN THE JUNGLE (Chicken House Press/Scholastic, 2012). She is the recipient of a Rona Jaffe Foundation Writer's Award, the Italo Calvino Prize in Fabulist Fiction, the Iowa Review Nonfiction Award, the DIAGRAM Innovative Fiction Award, and the Meridian Editors' Prize. Her work has been nominated for a Pushcart Prize and appeared on NPR's Selected Shorts. A graduate of Yale and the Brooklyn College MFA program, she teaches creative writing at Brooklyn College. Originally from Colorado, Helen lives in Brooklyn with her husband, artist Adam Douglas Thompson. Visit her website at www.helencphillips.com.

Customer Reviews

4.6 out of 5 stars
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful
Format:Paperback
And Yet They Were Happy is a perceptive and funny book. Helen Phillips writes about being getting married and being a wife. She also writes about the relationship between mothers and daughters and the shared experience of going through a flood. She expresses so many ideas in this book. Each thought is just two pages long, but these thoughts linger with me long after I finished reading them. And Yet They Were Happy is truly a show case of her talent.

She ponders a world where everything is made of paper. She lauds the brave wife who can cut an onion without crying. She tries to convince her parents to visit her in New York City by describing it as a place lush with vegetation and wild animals. She writes about her perceptions about a woman who is blind. She sparks my interest in an artist named Maxfield Parrish. He is a painter that she admires very much. Some of her writing is vividly creative but also bizzare. She writes about an albino squirrel that bites off the tips of a person's fingers and eats it. This is unusual to read, but it is an inventive piece of creative writing.

Phillips writes about feeling a sense of anixety before giving a speech. I can identify with this. I often long for the peace and solitude of a rest room under stress. Another experience I can relate is feeling embarassed by not having enough money to pay a restaurant bill. Some of her writings involve famous dead people. She shares what it would feel like to be the bride of Charlie Chaplin and the student of Anne Frank. Both of these writings are amusing to read. She also writes the end of the world and of civility. There is a lot of truth in the ideas she expresses in this book. I love the honesty in her writing. And Yet They Were Happy is a very entertaining book.
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2 of 2 people found the following review helpful
3.0 out of 5 stars An Intriguing Compilation July 7, 2011
Format:Paperback
This collection of essays describes the loneliness, courtship, marriage, and life building of a young couple. These narratives of day dreams and nightmares may be difficult for the reader to enter into at first; but then, one of the essays will touch your heart. The reader may feel that the author has illustrated a part of their lives with surprising clarity. For instance, "failure #1" captures the essence of knowing or not knowing simply how to live. And "envy #4" explains a feeling that many might have considered frivolous;"those who achieve even five minutes of such perfection-mediated or no-deserve our envy."
Adult readers will find essays in the collection which enlighten their own thoughts and feelings in entertaining, lyrical prose.

*Complimentary copy received for this review, does not affect my opinion in any way*
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1 of 1 people found the following review helpful
Format:Paperback
On the recommendation of Elle Magazine I picked up a copy of Helen Phillips' And Yet They Were Happy (LeapLit). I turned the page expecting long chapters and a traditional narrative, but found, instead, over a hundred connected short form pieces - about two pages apiece - with narrators that shifted, apocalyptic overtones, characters from Greek mythology and the Bible, and monsters. Of course, I fell in love with the book. (Snow White even makes an appearance!) From "Regime #6:" Because our government is concerned about the low number of infants being produced by our population on an annual basis, a National Reproduction Day is declared, and the lights on the subway are turned to their lowest, rosiest settings. Slender white candles are given out free of charge. All married citizens of childbearing age are ordered to stay home." This book lit up my imagination and created the fascinating portrait of a highly interesting inner life.
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5.0 out of 5 stars Dark Truths, Tender Possibilities June 27, 2012
Format:Paperback
Deceptively easy to read because of Helen Phillips' effective use of everyday language, And Yet They Were Happy dances between reality and fantasy as it follows a young woman and her partner, starting out to build a life together. In nineteen sections, each containing a set of two-page stories, the author chronicles the challenges of their modern existence in fables that offer unexpected twists. Yet the feelings and situations are achingly familiar.

In "Bride #3" the woman's vision of her dream wedding outfit seems impossible to fulfill. No store in New York City has the enormous straw hat that she has imagined, and she is deeply disappointed that "reality lags so very far behind everything else." Yet the author brings us along quickly, without any sense of rushing, as the bride discovers that her imagination can reshape itself around a hat chosen by her husband-to-be.

Though Phillips doesn't shy away from looking hard at the range of human frailty, cruelty, and strangeness, she leaves us with the feeling that we can reshape our imaginations around people and events, and so make new discoveries, open minds, and find hope. Her unblinking look at the world is balanced by her striking willingness to explore wild possibility. And the brief glimpses of her characters are so evocative that they stir deep emotion and offer genuine insight, all the more powerful for having been gained in so few words.

Open to any page, and a brief but complete story is spread open before you. The challenge of such a short form is tremendous, but when managed well, as it certainly is here, it has the impact of a good poem or painting. A small world is revealed, and we are connected to it. Strung together, the seemingly disparate parts show us something larger.
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