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Andre Kertesz [Hardcover]

Sarah Greenough (Author), Robert Gurbo (Author), Sarah Kennel (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

January 24, 2005

In a career that spanned much of the twentieth century, Hungarian-born photographer André Kertész (1894-1985) created deceptively simple yet compelling and poetic photographs. This book presents approximately 120 of these striking images as well as previously unpublished archival material that sheds important light on the artist and his work.

Like the exhibition it accompanies, André Kertész takes us through Kertész's years in Budapest, Paris, and New York. Unlike other works on Kertész, it presents only vintage prints and includes several seldom seen photographs from throughout his career.

Written by renowned art historian Sarah Greenough and Kertész Foundation curator Robert Gurbo, André Kertész includes excerpts from the photographer's previously unexamined journals and correspondence--documents that prompted the authors to reexamine every period of Kertész's life and work. They reflect on their findings in essays covering each of the major phases in Kertész's career.

While the book includes examples of the artist's most important photographs, including Chez Mondrian, The Satiric Dancer, and The Eiffel Tower, it also focuses on the intensely autobiographical nature of his work. It elegantly demonstrates the ways in which Kertész injected his persona, both literally and metaphorically, into his work.

Accompanying the book's essays and exquisite tritone reproductions of his photographs are an illustrated chronology that corrects many previous errors, a comprehensive bibliography, and selections of previously unpublished writings by the photographer.

EXHIBITION SCHEDULE:

National Gallery of Art, Washington
February 6-May 15, 2005

Los Angeles County Museum of Art
June 12-September 5, 2005


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Editorial Reviews

Amazon.com Review

Hungarian photographer André Kertész eventually became famous for his wryly poetic images of everyday life. But achieving that distinction was a long slog, and Kertész--who emigrated to Paris in 1925 and New York in 1936--struggled for decades in near-obscurity and despair. Andre Kertész traces the artist's career with an engaging text and 250 exquisitely reproduced black-and-white photographs that span his long career. Throughout, he used his camera to create a visual diary of his life—haunting images suffused with a loner's sensibility. As a young man imbued with the romantic ideals of Hungarian nationalism, he photographed his handsome brother Jeno as Icarus, his exultant body silhouetted against the sky. Unable to find work after returning from the battlefields of World War I, Kertész tried his luck in Paris. It was the best move of his life. The City of Light was hungry for photographers to fill the new illustrated magazines. Avant-garde painters and sculptors opened up a new world of experimentation that prompted Kertész to photograph a series of female nudes seen in a funhouse mirror. And the new, lightweight Leica camera enabled him to snap scenes on the sly—a bum inspecting his toes on the banks of the Seine or a legless flower seller trying to tempt a passerby.

After marrying his Hungarian girlfriend, he sailed to New York, lured by the promise of steady work as a fashion photographer and a climate more hospitable to a Jewish artist. But the agency job didn't suit him, and his emotional style had little appeal for American magazines. In photographs like "Lost Cloud"--a tiny white puff suspended next to the impersonal face of a skyscraper--he mirrored his own sense of dislocation. In succeeding years, he would make classic photographs of the city, including "Washington Square," an elegant aerial view of a lone pedestrian in a snowy landscape of bare branches and benches. Major recognition finally came in the early 1960s, when Kertész was in his late sixties. Fortunately, he lived and worked for twenty more years, basking in the newly exalted status of art photography. Andre Kertész serves as the catalog for an exhibition at the National Gallery of Art (through May 15, 2005) that travels to the Los Angeles County Museum of Art (June 12-Sept. 5, 2005). —Cathy Curtis

Review

The age of the romantic sensibility in photography may be over, replaced by an age of irony. But as André Kertész demonstrates, its innocent charms remain beguiling.
(Andy Grundberg Washington Post )

People who know photography revere André Kertész as one of the medium's great practitioners, a modernist innovator. . . . But he never achieved the kind of popular name recognition that artists like Cartier-Cresson, Edward Steichen, Walker Evans and Ansel Adams did. . . . [T]hat makes his retrospective exhibition at the National Gallery of Art here that much more wonderfully revelatory. The show was organized by Sarah Greenough, head of the museum's photography department, and it is accompanied by an excellent catalog that provides an unusually illuminating biography of the artist. . . . What distinguishes Kertész's work is not a particular visual style or signature subject matter, but its emotional resonance. Undoubtedly Kertész was a great formalist, but in his most persuasive pictures, form is put to the service of feeling.
(Ken Johnson The New York Times )

A highly informative, thoughtful, and readable catalogue with excellent reproductions.
(Rex Weil ARTNews )

André Kertész saw with his heart's eye. He was a small, primly handsome Hungarian with a diaphanous vision--his camera did not so much peel away veils of reality as lay on a faint, pellucid veil of aesthetic contemplation. . . . [A]s the detail-rich essays in André Kertész by Sarah Greenough, Robert Gurbo and Sarah Kennel make clear, he was a deeply aware man.
(David Elliott San Diego Union-Tribune )

Product Details

  • Hardcover: 272 pages
  • Publisher: Princeton University Press; 1St Edition edition (January 24, 2005)
  • Language: English
  • ISBN-10: 0691121141
  • ISBN-13: 978-0691121147
  • Product Dimensions: 11.6 x 9.7 x 1.5 inches
  • Shipping Weight: 4.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,248,075 in Books (See Top 100 in Books)

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4 of 5 people found the following review helpful:
5.0 out of 5 stars A Masterpiece Presentation on a Great Artist, February 9, 2008
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This review is from: Andre Kertesz (Hardcover)
I have seen recently some of the master images made by Andre Kertesz at the Paul Getty Museum. The quality and presentation of the images in this book are as close as you can view the original prints. The text in the book effectively illuminates and enhance each image. I strongly recommend this book.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A "Must Have" for any photographer's library, December 7, 2009
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This review is from: Andre Kertesz (Hardcover)
Upon opening the book and gazing at the many extraordinary images contained within the pages, it is simply stunning. The book is one of the most expensive I own and well worth the price.

Each time I look at the images that Andre Kertesz captured (as seen in this book) I simply have a difficult time understanding how so long ago, Mr. Kertesz had the instinct to see and capture the visions he saw. I'm not aware of any specific training people may have had in photography nearly 100 years ago, and I suspect there was no training, classes available, but Kertesz obviously was gifted and very talented, if not formerly educated in this field.

The quality of the book is grand. The pages are thick and luxurious and the reproduction quality of Kertesz's images is wonderful. The editors are to be commended on this superb publication.
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9 of 15 people found the following review helpful:
5.0 out of 5 stars Andre Kertesz, March 14, 2006
This review is from: Andre Kertesz (Hardcover)
This is a superb collection and a true tribute to this incredible photographer.
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