Do Androids Dream of Electric Sheep? [Kindle Edition]

Philip K. Dick (Author), Roger Zelazny (Introduction)

Book Description

"The most consistently brilliant science fiction writer in the world."
--John Brunner

THE INSPIRATION FOR BLADERUNNER. . .

Do Androids Dream of Electric Sheep? was published in 1968. Grim and foreboding, even today it is a masterpiece ahead of its time.

By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep. . . They even built humans.

Emigrées to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.

Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.

"[Dick] sees all the sparkling and terrifying possibilities. . . that other authors shy away from."
--Paul Williams, Rolling Stone


From the Trade Paperback edition.

Editorial Reviews

Amazon.com Review

Do Androids Dream of Electric Sheep? is a book that most people think they remember and almost always get more or less wrong. Ridley Scott's film Blade Runner took a lot from it, and threw a lot away. Wonderful in itself, the film is a flash thriller, whereas Dick's novel is a sober meditation. As we all know, bounty hunter Rick Deckard is stalking a group of androids who have returned from space with short life spans and murder on their minds--where Scott's Deckard was Harrison Ford, Dick's is a financially strapped municipal employee with bills to pay and a depressed wife. In a world where most animals have died, and pet keeping is a social duty, he can only afford a robot imitation, unless he gets a big financial break.

The genetically warped "chickenhead" John Isidore has visions of a tomb-world where entropy has finally won. And everyone plugs in to the spiritual agony of Mercer, whose sufferings for the sins of humanity are broadcast several times a day. Prefiguring the religious obsessions of Dick's last novels, this book asks dark questions about identity and altruism. After all, is it right to kill the killers just because Mercer says so? --Roz Kaveney, Amazon.co.uk

From Publishers Weekly

In Dick's futuristic dystopian novel, life has become a tenuous existence for those who have stayed behind after the war and exodus to other planets. Rick Deckard struggles as a bounty hunter in San Francisco to destroy a new breed of androids nearly undetectable to humans. However, he finds himself battling with empathy for the supposed lifeless beings—especially when he must team up with one to achieve his goal. Dick blends the detective story with science fiction and a bit of philosophy. Brick is a perfect match for one of Dick's most memorable novels. He maintains Deckard's grittier disposition and a range of other human and inhuman characters, but also provides the inflection and morose tones found in the story's more somber moments. Not all of his female voices are completely believable. However, one of Brick's most gifted abilities lies in his quivering voice used throughout for emphasis and mood. A Del Rey paperback. (Nov.)
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Product Details

• File Size: 316 KB
• Print Length: 258 pages
• Page Numbers Source ISBN: 0345404475
• Publisher: Ballantine Books (February 26, 2008)
• Sold by: Random House Digital, Inc.
• Language: English
• ASIN: B000SEGTI0
• Text-to-Speech: Enabled
• X-Ray: Enabled
• Lending: Not Enabled
• Amazon Best Sellers Rank: #5,925 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
  • #12 in Kindle Store > Kindle eBooks > Literature & Fiction > Genre Fiction > Science Fiction > TV, Movie, Video Game Adaptations
  • #18 in Kindle Store > Kindle eBooks > Literature & Fiction > Genre Fiction > Science Fiction > Classics
  • #24 in Kindle Store > Kindle eBooks > Literature & Fiction > Genre Fiction > Movie Tie-Ins

Most Helpful Customer Reviews

186 of 198 people found the following review helpful

5.0 out of 5 stars Things Pretending to be People March 23, 2007

By J. Whelan

Format:Paperback

This anti-robot novel is oft misunderstood by those who come to it with expectations formed by the pro-robot movie. The novel is essentially a paranoid fantasy about machines which pretend to be people. The pretense is so horrifyingly effective that a bounty hunter engaged in the entirely necessary task of rooting out and destroying these monsters finds that his own humanity has become imperiled.

The novel "DO ANDROIDS DREAM OF ELECTRIC SHEEP?" re-titled "BLADE RUNNER" to tie it to the Ridley Scott film loosely based on it, remains available under either title (and with separate entries on AMAZON), but it is the same book. The film studio wanted to market a "novelization" of the film, but PKD adamantly refused to authorize this, forcing them to instead market his original novel under the film's title. Good move, Phil!

This decision, however, has led to confusion and/or disappointment when readers approach the novel with expectations formed by the film. Many reviewers here (whether they like the book, the film, or both) have commented on how different they are. Few seem to realize, however, the extent that they are in direct and fundamental conflict. Some praise the book for tearing down the distinction between man and machine or promoting other nihilistic views and pro-robot messages that the author would have found abhorrent. Others pan it for lack of focus, or for otherwise failing to promote the film's pro-robot agenda as effectively as the film did.

The book is anti-robot and pro-human, and seeks to uphold the distinction between robot and human, and between illusion and reality, in the face of a most-insidious challenge. The common man is celebrated for his basic decency -- specifically his capacity for basic empathy and compassion -- and the robots are deplored for their complete lack of these qualities. In the book, even a "chickenhead" (a mentally retarded human mutant) is infinitely more valuable than the smartest robot.

The film was pro-robot and anti-human, promoting the idea that a compelling illusion is equivalent to reality. It glorifies the android as a sort of superman ("more human than human") -- stronger, faster, more beautiful, more intelligent, -- who seem poised to inherit the future on a dying Earth. The film even seems to admire the robots for their ruthlessness.

The book makes Deckard (the protagonist) human, and loyal to humans. The film has Deckard switch sides and join the robots. Indeed, in the film (not the book) Deckard may himself be a robot (the latter is never made explicit, but director has made clear it is what he intended). This means that, in the FILM, there are virtually no sympathetic human characters -- those characters who suggest that a man is worth more than a computer program are portrayed as bigots.

In PKD's view, the androids are unquestionably monsters who must be destroyed. The irony, and the central problem posed in the novel, is that their ability to SEEM human (which,, in the NOVEL, is never more than meticulously-programmed fakery), means that those who must destroy robots risk damage to their own humanity in the process. Thus, the author approves of Deckard's wife, whose sympathy for the "poor andys" is evidence of her humanity, while still approving of Deckard's assignment.

In the novel, the robots' increased ability to fool the VK test is merely an advance in programmed mimicry of human test responses. The film, on the other hand, treats the improved performance on the VK test as evidence that the robots are truly "human". But the film's robots do not demonstrate compassion in any meaningful way. The agenda of the film is NOT so mcuh to show that robots are as compassionate as humans, but rather to show that humans are as ruthless as robots (as evidenced, mainly, by their willingness to kill robots). This agenda is eerily similar to that of the TV androids near the end of the novel, who set out to expose human empathy as a myth.

In the novel, the title question must be answered in the negative. Androids DON'T care about other creatures. It is humans who have the capacity care about other creatures -- ironically, even about androids -- even electric sheep.

So many, even among the author's admirers, have missed the novel's true focus that it may be best to defend my interpretation with a quote from the author himself, made shortly before his death (quoted in the book "Future Noir"):

"To me, the replicants are deplorable. They are cruel, they are cold,
they are heartless. They have no empathy, which is how the
Voight-Kampff test catches them out, and don't care about what happens
to other creatures. They are essentially less-than-human entities.

"Ridley, on the other hand, said he regarded them as supermen who
couldn't fly. He said they were smarter, stronger, and had faster
reflexes than humans. 'Golly!' That's all I could think of to reply
to that one. I mean, Ridley's attitude was quite a divergence from my
original point of view, since the theme of my book is that Deckard is
dehumanized through tracking down the androids. When I mentioned
this, Ridley said that he considered it an intellectual idea, and that
he was not interested in making an esoteric film."

131 of 153 people found the following review helpful

5.0 out of 5 stars It's life, Rick, but not as we know it... December 10, 1997

By A Customer

Format:Paperback

Sometimes one wonders why some people even bother to read. If you are a fan of the movie Blade Runner, and you are a little disapointed by this book, then shame on you. You shouldn't be reading books in the first place then! Rarely can movies capture all the themes and ideas of a book, and rarely can books capture the artistic cinematography of film. The two media are separate. Treat them as such.

What Blade Runner and Do Androids Dream of Electric Sheep? are about is the routine of police bounty hunter Rick Deckard. His job is to hunt down and "retire" fugitive androids. But what the movie only scratched the surface of is WHY those androids are fugitives. Fans of the character of Data from Star Trek, or of the computer Mike from Heinlein's The Moon is a Harsh Mistress will find the familiar theme of what it is that defines the difference between artificial intelligence and artificial life.

This is the realization that Deckard comes to and must deal with: these androids are not mere machines with off-switches, they are living creatures, aware of their own existence and their own mortality. In the post-nuclear holocaust world that Deckard exists in, humans define life by their ability to feel empathy. Empathy for the lives of each other, empathy for the lives of the remaining animal species of earth decimated by fallout, or empathy for artificial life. Eventually, Deckard questions his own ability to feel empathy, and therefore, his own humanity. For if being alive is about feeling empathy, then how can he truly be alive without feeling empathy for the living machines whose job it is for him to kill.

In the film version, Rutger Hauer's performance as one of the androids briefly captured the theme of the book, but it was never really explored and was instead sacrificed for artistic license. If you were intrigued by special effects, skip this book and rent Terminator 2. If you were intrigued by the question of artificial intelligence and artificial life, then you may want to ask if androids really DO dream of electric sheep.

44 of 49 people found the following review helpful

4.0 out of 5 stars thought provoking but less than great prose June 30, 2005

By E. Cetin

Format:Paperback

Androids takes place in a not-so-distant future where a world war has spread a cloud of radioactive dust across the globe, many forms of animal species are extinct, many of the survivors have emigrated to colonies on Mars and the remaining humans are encouraged to emigrate, except for those who have been tested and classified as "specials" meaning the ones with diminished mental abilities because they have been affected severely from radiation. Emigrants are given androids, very sophisticated robots, as slaves. As the technology gets better, newly manufactured androids become more and more human-like, both in appearance and behavior, to the point that they are very hard to distinguish. Discontented androids sometimes kill their masters and find ways to smuggle themselves to earth, in hopes for a better life. In the post-world war earth, life is regarded so precious that owning and caring for an animal is both considered a highly moral life and a status symbol. Because real animals are so rare, many people have fake, very sophisticated and real-like electronic animals that they care for and hide from their neighbors the fact that their animal is fake. On the one hand there are bounty hunters who catch and kill androids, human robots which dreamt of a better life, evidently with some feelings. And on the other hand there is the value which people place upon animal robots. On the one hand there are intelligent, sophisticated androids like the one who made a successful carrier on earth as an opera singer; on the other hand there are hunters who emotionlessly kill her without regard to her artistic talent, or there are simple-minded specials. Throughout the plot, readers are given a lot to think about questions like what is life, what is empathy, where do you draw a line between the value of real and artificial life? It is a philosophical novel and the author puts all these questions before us with brilliant comparisons between characters. The only negative feeling that one might get is the unusual, somewhat simple prose style but overall, a very good, thought provoking novel.