This study first examines ethnographical studies of Carpatho-Rusyns with respect to religious and folk art familiar to Warhol. It then examines the biographies of Warhol in regard to his ethnic beliefs, customs, and practices in relation to his art. It also examines the autobiographical and diary evidence by Warhol himself on his ethnic identity, concealments and disclosures; finally, it examines nearly four decades of his art.
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