TITIAX,-SKETCII OF IllS LIFE. The name of this illnstriolls paintcr was Tizinno Vecellio or ·Y ccelli, and he is called by thc Italians, '1'iziano y' cecIlio da Cadore. lIe was dc~ccnJec1 of n noble family; born at the castle of Catlorc in tIle l"rillli in 1477, and tiied in 1.570, accnnlillg to Hi<. lolfi; though Yasari nIHl ~anJrart place l,i:-; hirth in lit --0. Lanzi Hays he died in l;j7(), ag-cJ ~19 yearR. ]I c early 8howcu a pns~ioll for t he art, which was carefully cultivatcd uy his pnrl'llt~.I Janzi ~ays in a note, that it i:-; pretty dearly ascertr, ined that he rccei'cJ his first instruction ii·mll .. ntonia nos~i, a painter of end oro : if ~, it wa~ at ~l
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CONTENTS ; •••; Titiar~-Sketch of his Life, •; ', , ~I; ~ ) lJan s anncrs, ; Titian's "orks, ••; TJ·t ·J an ,s I mJ tators _; fJI'J·t·t an , s T enus and Ad om s, ; Ti tian and the Emperor Charles V, __ ; Titian and Philip II, 0 •••••••••• 0 •• o 0 •• 0 •••; Titian's Last Supper and EI Mudo, •; Titian's Old Age, • 0 ••••••••••• 0 " 0 ••••; ~lonl1m('nt to Titian, ; IIorace r crnet, 0 ••••••••••••••• 0 •••••; The Colosseum, , ; Nineveh and it'} Hemain~, 0 ••••• ' •••••••••••••••; Description of a Palace Exhumecl at Nirnroud, ••; Origin and Antiquity of the Arch, ; Antiquities of Herculaneum, Pompeii, and Stabiro _; :ncicnt Fresco and ~Iosaic Painting, 0 ••••• 0; :Mosaic of the Battle of Platrea, 0 •••••••••• - ••; The Aldobrandini Ycdtling, _ __ 0000 ••••; The Portland Vase, 0 ••••••••• _ •••••• _ ••• 0; Ancil!nt Pictures on Glass,_ 0 •• o 0 0 00 ••• 0 •••••••• -; Henr; Fu!'cli; his Birth, o •• 0 0 0 • o 0 0 •• 0; Fuscli's early Lo,·o of Art, • 0 •••• 00 •••• 0 •••; 1; 5; 6 -~; 8; 10; 13; 14; 15; 15; 16; 29; 34; 37; 41; 43; 55; 55; 56; 56; 58; 59; 59 Salvator Rosa's Desire to be Considered an Histo·; rical Painter, 112; Don l1ario Ghigi, his Physician, and' Salvator Rosa, 113; Death of Salva tor Rosa, 115; Domenichino, • • 121;
Table of Contents
CONTENTS ; •••; Titiar~-Sketch of his Life, •; ', , ~I; ~ ) lJan s anncrs, ; Titian's "orks, ••; TJ·t ·J an ,s I mJ tators _; fJI'J·t·t an , s T enus and Ad om s, ; Ti tian and the Emperor Charles V, __ ; Titian and Philip II, 0 •••••••••• 0 •• o 0 •• 0 •••; Titian's Last Supper and EI Mudo, •; Titian's Old Age, • 0 ••••••••••• 0 " 0 ••••; ~lonl1m('nt to Titian, ; IIorace r crnet, 0 ••••••••••••••• 0 •••••; The Colosseum, , ; Nineveh and it'} Hemain~, 0 ••••• ' •••••••••••••••; Description of a Palace Exhumecl at Nirnroud, ••; Origin and Antiquity of the Arch, ; Antiquities of Herculaneum, Pompeii, and Stabiro _; :ncicnt Fresco and ~Iosaic Painting, 0 ••••• 0; :Mosaic of the Battle of Platrea, 0 •••••••••• - ••; The Aldobrandini Ycdtling, _ __ 0000 ••••; The Portland Vase, 0 ••••••••• _ •••••• _ ••• 0; Ancil!nt Pictures on Glass,_ 0 •• o 0 0 00 ••• 0 •••••••• -; Henr; Fu!'cli; his Birth, o •• 0 0 0 • o 0 0 •• 0; Fuscli's early Lo,·o of Art, • 0 •••• 00 •••• 0 •••; 1; 5; 6 -~; 8; 10; 13; 14; 15; 15; 16; 29; 34; 37; 41; 43; 55; 55; 56; 56; 58; 59; 59 Salvator Rosa's Desire to be Considered an Histo·; rical Painter, 112; Don l1ario Ghigi, his Physician, and' Salvator Rosa, 113; Death of Salva tor Rosa, 115; Domenichino, • • 121;
