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Angel of Darkness [Hardcover]

Ernesto Sabato (Author), Andrew Hurley (Translator)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Editorial Reviews

From Library Journal

Argentine author Sabato places himself as a central character in this complex and satisfying urban intrigue. Seemingly unrelated characters are connected by hidden links to create the puzzle that forms the novel's plot. Sabato examines the struggle between good and evil in 1973 Buenos Aires and the relationship of torture and fanaticism to the urban drama. Characters such as the drunken Loco, who has ominous premonitions; a conglomeration of German refugees and Hungarian aristocrats; and Sabato himself, contribute to a tale of mounting suspense whose conclusion is both intriguing and devastating. Sabato's compelling vision, drawn from the political turmoil of Latin America, has earned him a place beside the greats of the new literature of the Americas.
- Mary Molinaro, Univ. of Kentucky, Lexington
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

A dense and often leaden novel by Argentinean writer Sabato (On Heroes and Tombs, 1981) that comes to life--and that only momentarily--in the last 40 or so pages. Ponderously cerebral, the story is essentially an examination of the increasing pervasiveness of evil. Set in Buenos Aires in the early 1970's at the height of the military dictatorship--when innocent young men were imprisoned, tortured and then ``disappeared'' without a trace--Sabato has more than enough material for this tale of a labyrinthine conspiracy of evil spreading through the city like an infection. The author himself is a character, not the author as a figure as in metafiction but as ``just another character, the same sort of character as all the rest, which however do come from the soul or spirit of anima of the author. The author would be a man maddened, somehow, and living with his own doubles, aspects of his own self.'' Accordingly, while S., the writer, follows a mysterious Dr. Schneider (who might be a former Nazi), is accused by a young idealist of selling out, and searches for a society of the blind rumored to be responsible for all that is wrong, a drunkard across town sees fiery dragons in the sky; a young man is tortured and killed for his beliefs; and, in the salons and bars alike, unease and despair are rife. These disparate parts abruptly all come together, and S. and Sabato find comfort in the notion of peace--``a melancholy restfulness that a child feels when he lays his head in his mother's lap and closes his eyes still filled with tears, after the terrors of a nightmare.'' Some interesting insights and searing accounts of torture, but these are so deeply mired in self-conscious intellectualism that their impact is soon lost. Heavy-going. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover
  • Publisher: Ballantine Books (P); 1st Ed. edition (October 1991)
  • Language: English
  • ISBN-10: 0831703989
  • ISBN-13: 978-0831703981
  • Product Dimensions: 9.5 x 6.4 x 1.4 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,364,092 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

7 of 9 people found the following review helpful:
4.0 out of 5 stars Dark, complex, difficult, important, March 15, 2004
By 
pnotley@hotmail.com (Edmonton, Alberta Canada) - See all my reviews
This review is from: Angel of Darkness (Hardcover)
Ernesto Sabato's third book, "The Angel of Darkness" is not an easy novel to summarize. Although it contains fantastic elements it is not a work of magic realism. It contains a number of themes and characters which do not develop in an orderly or chronological way. The major character in the book is Sabato himself, in a way that is not played for the usual metafictional tricks. The book contains various memoirs and memories, dialogues between the various characters, historical accounts (such as the last days of Che Guevera, who as it happens was Argentinian), an interview excerpted from Playboy which seems like a parody, but unfortunatley isn't, and a horrific description of torture. It is a tribute to the richness of the Latin American novel that Sabato could use such a complex form.

Some context is necessary. Many Latin American novelists of the boom were socialists and sympathetic to Castro. Jorge Luis Borges, of course the most famous of Argentinian writers, was by contrast noticeably conservative and indulgent of the various military regimes that inflicted themselves on the country intermittently between 1930 and 1983. Sabato himself could be described as a liberal, and there are several passages where Sabato defends literature and an authentic appreciation of Marx from the crude Social Realism of left-wing rebels. The time is 1973 and Argentina is ruled by yet another military regime. As English readers should be aware, 1973 marked the period of the false second coming of Peron. As the year went on the military regime found itself compelled to hold elections which the Peronists won. They soon arranged for Peron to return from exile and win the presidency himself with his shallow young wife as vice-president. In 1974 Peron died, his incompetent wife took power and Argentina was soon riven by left wing and right wing terrorists as Peronism's innate demagoguery proved unable to cope with severe economic crisis. It was overthrown by the army in 1976 who scarred Argentina by murdering or "disappearing" thousands of its citizens.

Sabato published his book in 1974 and so obviously could not have known about this. But this is a good period for taking an apocalyptic tone. Early in the book a drunken outcast will see the vision of the Great Beast of Revelation. Near the end he will tell others of what he has seen. Meanwhile Sabato, who was originally trained as a scientist, seeks out the supernatural and the mystical in order to find an antidote to Stalinism, simple-minded "Progress" and a superficial positivism. Throughout the book he finds himself with sinister mediums, some of whom were collaborators with the Nazis. He speculates about the geopolitican Haushofer and his links with both the Nazis and the Occult. The theme of Revelation is repeated, most strikingly when Sabato is accosted by a quack who provides an anti-semitic version of the Gnostic myth. One is tempted to see this as a subtle prophecy of the men who tortured Jacob Timmerman. As he passes through the streets Sabato sees or conjured up a young couple, a brother and sister who may be incestuous. Later on we meet them, and see the brother's disillusion with Sabato's "selling out" as well as his memories of his family's old anarchist retainer.

One of the things that disturbs Sabato is the ecological crisis and the fear of a vacuous dehumanized techonology. Looking back on them after thirty years these seem somewhat unimaginative and formulaic. Yet we should asks ourselves whether this is because we have become too complacent. We may look smugly as Sabato includes a press item that suggests that "all marine life will be decimated or even eradicated by industry." But then who would have thought that overfishing would destroy the Atlantic cod fishery? So one should be careful as one reads about a man whose entire body used to belong to other people, or the surreal nightmare of ads where Sabato is engaged to a television celebrity with Borges as his best man, or the series of press clippings which discuss a lynching, police courses on torture, Thor Heyerdahl confronted with pollution, a horrific abortion and an account of Hiroshima. Argentina started out the last century as the most "progressive" country in Latin America, the one most likely to join the European core of wealthy nations. But since the first world war it has faced relative decline, economic crisis and dictatorship. Over the past few decades the same hollow promise has been made to many other third world countries. So when at the end Sabato's friend speculates on death and the death of those close to him, there is something meaningul when he comments "that one day everything will be past and gone, forgotten, obliterated, even the formidable walls and the great moat that encircled the impregnable fortress."

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2 of 4 people found the following review helpful:
3.0 out of 5 stars An angel of darkness for your thoughts?, January 28, 2004
By A Customer
This review is from: Angel of Darkness (Hardcover)
I agree with Kirkus Reviews (above) that this book is "ponderously cerebral". It is slightly abstract and covers many subjects which are interesting at times. I doubt such a book would get published today without a big name having written it. It appears as if Sabato has had the luxury of writing his whim, which keeps justifying its social relevancy. I can't imagine many people including this text in their top 100, let alone top 10, unless they were already fans of Sabato or were seriously interested in Sth American writing. It is a book that you could go back to time and time again, and get something new out of it. Perhaps a subtle genius.
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0 of 1 people found the following review helpful:
4.0 out of 5 stars The inner psyche of Sabato, December 27, 2011
By 
This review is from: Angel of Darkness (Hardcover)
Ernesto Santos, part of the contemporary renaissance Latin American literature takes you into a deep journey in the Angel of Darkness.
His protagonists have different divulging paths that seem to be unrelated. These characters explore the triumphs and falls of the human experience. One experiences a dark vision, one is taken hostage, and another is on a quest to reconnect with his friend Sabato.
In the end they have peace. As Sabato writes in this book, "The inevitable fate of every person who is born to die; peace, because we are all alone captures the essence of life itself.
A morose story of the enduring guilt and contemplation of the Latin psyche, The Angel of Darkness by Ernesto Sabato shares a raw peek into true portrait of a people.

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