Amazon.com Review
"A few days before it all started, three men raped a crazy woman in the garden in front of my building. It was around then that my neighbor's dog vaulted from a third-story window, landed on the street, and walked away unharmed. And the leper who sells lottery tickets ... gave birth to a healthy, beautiful baby." To Mona, a cynical young reporter for one of Bogota's many popular tabloids, these events seem significant only in retrospect. "Surely those were signs, among many others," she remarks, "but then again this insane city gives off so many doomsday warnings that no one pays attention anymore." Certainly, Mona's own great adventure begins ordinarily enough when she is told to investigate the presence of an angel in one of the city's poorest neighborhoods. At first she assumes that this is yet another example of Colombian journalists warming up "what is already passé in Miami." But when she arrives in Galilea in a cold, driving rain, and is taken to see the tall, dark, handsome--and nearly naked--celestial spirit, she begins to wonder if the stories might not be true.
Of course, this being Colombia, it isn't long before the angel becomes both the object of a religious cult and the rallying point for a revolutionary movement. As peasants flock to him, the army and the church hunt him down. Meanwhile Mona finds herself falling in love with this possibly fallen angel, even as she continues to dig for less supernatural explanations for his strange power. Though Laura Restrepo's prose occasionally overheats, for the most part her writing is refreshingly matter-of-fact with just a touch of irony, allowing even those who would be happy never to see another of Raphael's cherubs peering out from a T-shirt or coffee mug to enjoy this angelic tale. --Alix Wilber
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Like her fellow countryman, painter and sculptor Fernando Botero, Restrepo uses smoothly inflated characters exuding innocence and sensuality to recount a story rooted in the religious and social traditions of her native Colombia. The narrator of this internationally bestselling novel is a cynical Colombian reporter known as La Monita (or, "Blondie"). When she is assigned to cover the appearance of an angel in Galilea, one of Bogota's poorest neighborhoods, she finds her skepticism challenged. She's seduced first by the peasants' enormous faith and then by the loveliness of the huge angel himself. The plot thickens when a malevolent priest and his gang of youths persecute the angel, but it's softened by prose that's as light as a feather and by wit as sharp as a toot from Gabriel's horn. Although La Monita spares no effort to find out if the angel is real or if other, more earthly explanations ?epilepsy or drug abuse mixed with superstition?can explain him, the point of the narrative has more to do with the people's special need for angels. As La Monita says, "Colombia happens to be the country in the world with the most miracles per square foot... we maintain a direct line with the other worlds, and can only survive as a nation with a daily dose of superstition." If that is so, then this work is Restrepo's serum for her country and a teaspoon of sugar for the rest of us.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.