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261 of 281 people found the following review helpful:
5.0 out of 5 stars
The best season yet of a remarkable show, October 30, 2003
Warning: Lots of spoilers.Season Three of Angel remains, in many ways, my favorite of the show's run. The shows are persistently good, but if I had to put my finger on a specific reason I like it so much, it is that the cast meshes together perfectly. By the end of the season, there would be major--at the time seemingly impossible to mend--rifts between some of the members of Angel Investigations, but the core group was the best to date. Angel, restored to the group as their spiritual if not technical leader, has recovered his sense of purpose. Cordy (whose presence is missed mightily in the Fifth Season--I hope she and Joss Whedon patch up their differences and work her back into the show where she belongs--Note: their differences, apart from the official rhetoric, apparently revolving around her leaving the show for a few episodes near the end of this season, and her delayed announcement of her real-life pregnancy in Season Four, causing significantly rewriting--my gut feeling is that she will be back after a period of "punishment") has completely accepted her role as the contact to the Powers That Be, and both works hard at becoming a more important member of the team and manages to work a compromise to deal with the extraordinary physical toll the visions are taking on her (by becoming part demon--a gigantic step that one could hardly imagine the Cordelia of the first three years of Buffy making). Wesley and Gunn are both taken by the new resident of Hotel Angel, Winifred aka Fred, the scientifically brilliant but psychologically traumatized young woman they had rescued from Pylea. And finally, Lorne, formerly known as The Host, moves in when his karaoke bar has to close. It is a great group, and the interaction between all of them is extraordinary. And the romance! Well, the potential of romance. Fred is initially smitten with Angel, her rescuer. Wes and Gunn gradually fall in love with Fred. And Cordy and Angel are both quite obviously growing closer and closer to one another. Against this background of interpersonal relationships, Angel unexpectedly becomes a father. Darla, with whom he had had sex in Season Two in a futile attempt to lose his soul, returns to LA, in an exceedingly pregnant state, all the more remarkable for the fact that vampires cannot reproduce sexually (they reproduce through that biting thing). The result is a cute baby Angel dubs Connor, which is all well and good until he is kidnapped and taken to a demon dimension, where he grows up to be an uber angry, obnoxious kid bent solely on revenging himself on Angel, who he has been taught to hate by the man who kidnapped him. In the entirety of Buffy/Angel, the Connor story line might be the least popular in the history of the show. Still, it doesn't keep this from being a very good season indeed. Unlike most years of Buffy/Angel, Season Three is carried less by the season-long story arcs than by the individual episodes. There are some great shows, and many marvelous moments. The most harrowing might be the torturous decision that Wes has to make, and the enormous payment he has to pay for attempting to obey the dictates of conscience. One of my favorite moments in the season occurs when the writers engage in one of the great in-jokes in TV history. On Season Six of Buffy, Buffy is so broke that she has to take a demeaning job slinging hamburgers and frying processed chicken product patties at a fast-food joint called Doublemeat Palace. It is probably the most biting joke at the expense of the fast-food industry in the history of TV (especially ironic given the fact that Sarah Michelle Gellar's career began as a very small child in a famous series of commercials for Burger King explicitly attacking MacDonald's). As a result of the Doublemeat Palace episodes, MacDonald's and other food outlets ceased advertising on Buffy. Meanwhile, on Angel, Wesley is researching a prophecy and is striving to solve the last piece of the puzzle. To do so, he needs to consult an idol in the shape of a statue, but when he goes to the coordinates, he sees not an imposing statue, but a personified plastic hamburger (think the Hamburgler from MacDonald's). The image of a dumb plastic hamburger person being a powerful and all knowing entity is funny enough on its own, but knowing about the conflict with the fast food industry on Angel's sister show gives the scene an entire different dimension. The show ends on a spectacularly chaotic note. Angel, unlike Buffy, has tended to end each year with far more loose ends. Every season ends with as many questions raised as answered. Of no season closer is this truer than this year. The final episode sees Angel and Cordy, both obviously with strong feelings for one another, agreeing to meet on the beach near Malibu to "have a talk." (No mention is made about that nasty little curse afflicting Angel, which I found curious. No curse and Angel would have been back with Buffy.) But Cordy is unexpectedly called upon to become a Higher Being and ends the season by ascending into the Higher Realm, and Angel is bushwhacked by Connor and, in one of the most nightmarish moments in the show, encased in a metal cage and lowered to the bottom of the Pacific. The season started off with everyone feeling pretty good about things, but ends with Cordy no longer on Earth, Angel on the bottom of the ocean, and Wesley recovering from a near-deadly wound and utterly alienated from all his friends. And all of this sets up the utterly remarkable fourth season.
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