Images of women were ubiquitous in America at the turn of the last century. This study argues that the artists' concept of art coincided with the construction of gender in American culture. It looks at these images of women across stylistic boundaries and within the wider context of European art.
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Book Description
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About the Author
Bailey Van Hook is Associate Professor of Art History at Virginia Polytechnic Institute and State University.
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classic school, blue kimono, female allegories, mural movement, decorative compositions, rarefied realm Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Boston School, Kenyon Cox, Library of Congress, Robert Reid, World's Columbian Exposition, Smithsonian Institution, Edward Simmons, Metropolitan Museum of Art, United States, George Fuller, National Museum of American Art, John White Alexander, Edmund Tarbell, Childe Hassam, Siddons Mowbray, Thomas Dewing, Frank Benson, Royal Cortissoz, Frank Millet, Walter Shirlaw, Wyatt Eaton, American Girl, Abbott Thayer, Edwin Blashfield Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
classic school, blue kimono, female allegories, mural movement, decorative compositions, rarefied realm Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Boston School, Kenyon Cox, Library of Congress, Robert Reid, World's Columbian Exposition, Smithsonian Institution, Edward Simmons, Metropolitan Museum of Art, United States, George Fuller, National Museum of American Art, John White Alexander, Edmund Tarbell, Childe Hassam, Siddons Mowbray, Thomas Dewing, Frank Benson, Royal Cortissoz, Frank Millet, Walter Shirlaw, Wyatt Eaton, American Girl, Abbott Thayer, Edwin Blashfield Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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2
books
cite this book:
- in Back Matter
- A Studio of Her Own: Women Artists in Boston 1870-1940 by Erica E. Hirshler in Back Matter
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