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Angels Flight (Harry Bosch) Mass Market Paperback – January 1, 2000


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Product Details

  • Series: Harry Bosch
  • Mass Market Paperback: 480 pages
  • Publisher: Grand Central Publishing; Reprint edition (January 1, 2000)
  • Language: English
  • ISBN-10: 0446607274
  • ISBN-13: 978-0446607278
  • Product Dimensions: 4.2 x 1.2 x 7 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (560 customer reviews)
  • Amazon Best Sellers Rank: #282,531 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Michael Connelly, whose novel The Poet won the 1997 Anthony Award for Best Mystery, is already recognized as one of the smartest and most vivid scribes of the hard-boiled police procedural. Now, with his much-anticipated sixth Harry Bosch novel, Angels Flight, Connelly offers one of the finest pieces of mystery writing to appear in 1998. Bosch is awakened in the middle of the night and, out of rotation, he is assigned to the murder investigation of the high-profile African American attorney Howard Elias. When Bosch arrives at the scene, it seems that almost the entire LAPD is present, including the IAD (the Internal Affairs Division). Elias, who made a career out of suing the police, was sadistically gunned down on the Angels Flight tram just as he was beginning a case that would have struck the core of the department; not surprisingly, L.A.'s men and women in blue become the center of the investigation. Haunted by the ghost of the L.A. riots, plagued by incessant media attention, and facing turmoil at home, Bosch suddenly finds himself questioning friends and associates while working side by side with some longtime enemies.

Angels Flight is a detective's nightmare scenario and is disturbingly relevant to the racially tense last decade of the 20th century. Amidst the twists and turns of his complex narrative, Connelly affirms his rightful place among the masters of contemporary mystery fiction. --Patrick O'Kelley --This text refers to the Hardcover edition.

From Publishers Weekly

Connelly's novel follows series hero Harry Bosch's investigation into the murder of an African-American defense attorney who made a career of courtroom victories at the expense of the Los Angeles Police Department. This installment in the series is especially dark, and narrator Peter Giles's reads in a voice that echoes with the dry croaking of a lifelong smoker—something that establishes a noirlike mood from the get-go. The narrator ably matches Bosch's downbeat mood, shifting from anger at having to deal with racism, not just in his city but within the ranks of the LAPD, to weariness, sadness, and frustration at his inability to stop the disintegration of his marriage. Giles sands some of the roughness from his voice and pitches it slightly higher for the book's female characters, like the detective's soon-to-be-separated wife and his partner, Kiz Rider. But there's still an edge rough enough to remind us we're not listening to an Agatha Christie cozy. A Grand Central paperback. (June) --This text refers to the Audio CD edition.

Customer Reviews

Hard to put this book down once you start reading.
Sherry Russell
Strong character development, solid plot with a number of well formed and very interesting side stories.
Sissy
It's not fast paced, it's not scary, but it's a very good police crime book.
Johnny B. Good

Most Helpful Customer Reviews

82 of 92 people found the following review helpful By Douglas A. Greenberg VINE VOICE on December 22, 2000
Format: Mass Market Paperback
Ever since I read Connelly's *The Black Echo*, the first of the Harry Bosch mysteries, I've been hooked on these wonderfully complex, fabulously written novels. Bosch is (predictably) "hard-boiled and melancholy, but with a heart of gold," as befits this venerable fictional genre. Yes, there are many, MANY cop/P.I. detective series out there, but in my estimation, Connelly's Bosch series is the best, and *Angels Flight* shows why.
The theme in this novel is the atmosphere of racial distrust and recriminations against the Los Angeles police that has emerged in the wake of the Rodney King cases and the O.J. Simpson trial. Connelly succeeds for the most part in capturing the tragic essence of what has been wrought by the legacy of police misconduct and the African American reaction to it in the city of angels.
Not surprisingly, he is most effective in presenting the police perspective here: the outrage and frustration at the deterioration of police credibilty in the community overall; the combination of anger and grudging admiration that a get-the-police black attorney might elicit from conscientious police professionals; the increasing disillusionment as the politicization of police affairs becomes ever more complete.
If there is a weakness in Connelly's adventuresome foray into political territory, it's related to the delicate and difficult race-related theme he has addressed here. To succeed totally in this endeavor, Connelly must navigate through some extremely tricky sociological issues, and it becomes apparent that he might be in a bit over his head in this regard. When attempting to provide the African American perspective on police presence and conduct in LA, for example, Connelly does a decent but not outstanding job.
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9 of 9 people found the following review helpful By J. Norburn on December 13, 2008
Format: Mass Market Paperback
I have generally regarded The Concrete Blonde as the best of the Connelly catalogue, but that view has changed. Angels Flight is an exceptionally good novel. The mystery element is good but it's not what makes this a great novel. Connelly has always been good at exposing the reader to the politics of the LAPD, but never more so than in Angels Flight. There is a racially charged element to the murder in this novel that results in political maneuvering and gamesmanship that I found fascinating. The novel effectively explores issues of racism in the context of a city rocked by Rodney King and OJ Simpson.

Bosch is a character with real depth and he's given a lot to deal with in this novel. His relationship with his wife is unraveling and he doesn't understand why, a former partner is being used as a scapegoat, and his team is being used as pawns in a high stakes political game. Harry is a flawed and real human being who occasionally missteps, who questions his own judgment at times, who occasionally lets his temper get the better of him but who can also be pragmatic enough to know when he has to `go along to get along' - even when it doesn't sit well with him.

This is a well plotted novel. Admittedly, some of the plot twists are a little predictable, but this is a very entertaining police procedural elevated by Connelly's insight into the LAPD and the fully realized character of Harry Bosch. This is an intelligent, compelling page turner that is easily one of the best crime novels I have ever read.

Highly recommended.
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15 of 17 people found the following review helpful By Peter W. Lindsey on December 22, 1999
Format: Mass Market Paperback
Connelly continues his first rate series concerning Harry Boesch and the L.A.P.D. As usual with Connelly, the plotting is tight and the story moves at a fast pace. This Boesch story is especially compelling with its focus on the Los Angeles racial tensions between Blacks and the Police. A prominent Black attorney is murdered on the eve of an important civil rights case which may seriously tarnish the reputation of the L.A.P.D. Connelly masterfully mines this fertile material for maximum impact and relevance to the current racial climate in Los Angeles. As usual, Harry Boesch is an excellent character who brings some compassion and humanity into another ugly situation. This is one of Connelly's best books.
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6 of 6 people found the following review helpful By Paul Weiss on September 15, 2008
Format: Mass Market Paperback
Howard Elias is part of the Los Angeles upper crust. As a very high profile African-American attorney and racial activist, his lucrative practice consists in large part of suing the LAPD for real, perceived or imagined civil rights infractions against the black community in LA. When he is murdered in a particularly vindictive fashion on the very eve of an important trial against four white officers, the administration of the LAPD recognizes that it has no choice but to investigate its own members and let the chips fall where they may. The case is assigned to Harry Bosch and his Hollywood homicide squad, rookie black female officer, Kiz Rider and a senior detective, Jerry Edgar, also a black officer in good standing. The political considerations behind the choice of this team to investigate the case are obvious. Bosch, Rider and Edgar, probably more through good luck than good management, have never been sued by Elias. That the squad has two black members obviously makes the choice even more politically palatable.

Michael Connelly has stepped up to the plate once again and treated us to an exciting police procedural that will thrill Harry Bosch fans to their very toes. Los Angeles is graphically portrayed as a tinder box ready to explode into a reprise of the Watts riots that took place in the aftermath of the Rodney King trial. As we've come to expect, Bosch continues to be a come-what-may investigator whose only pursuit is the truth. As Bosch's former partner, Frank Sheehan, comes under suspicion for the murder, Bosch's friendship, his loyalty and the steadfastness of his principles are tested to their limits.

This might not be the best novel that Connelly ever wrote.
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More About the Author

Michael Connelly was born in Philadelphia, PA on July 21, 1956. He moved to Florida with his family when he was 12 years old. Michael decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing -- a curriculum in which one of his teachers was novelist Harry Crews.

After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. The magazine story also moved Connelly into the upper levels of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and bringing him to the city of which his literary hero, Chandler, had written.

After three years on the crime beat in L.A., Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles, was published in 1992 and won the Edgar Award for Best First Novel by the Mystery Writers of America. Connelly followed up with three more Bosch books, The Black Ice, The Concrete Blonde, and The Last Coyote, before publishing The Poet in 1996--a thriller with a newspaper reporter as a protagonist. In 1997, he went back to Bosch with Trunk Music, and in 1998 another non-series thriller, Blood Work, was published. It was inspired in part by a friend's receiving a heart transplant and the attendant "survivor's guilt" the friend experienced, knowing that someone died in order that he have the chance to live. Connelly had been interested and fascinated by those same feelings as expressed by the survivors of the plane crash he wrote about years before. The movie adaptation of Blood Work was released in 2002, directed by and starring Clint Eastwood.

Connelly's next book, Angels Flight, was released in 1999 and was another entry in the Harry Bosch series. The non-series novel Void Moon was released in 2000 and introduced a new character, Cassie Black, a high-stakes Las Vegas thief. His 2001 release, A Darkness More Than Night, united Harry Bosch with Terry McCaleb from Blood Work, and was named one of the Best Books of the Year by the Los Angeles Times.

In 2002, Connelly released two novels. The first, the Harry Bosch book City Of Bones, was named a Notable Book of the Year by the New York Times. The second release was a stand-alone thriller, Chasing The Dime, which was named one of the Best Books of the Year by the Los Angeles Times.

Lost Light was published in 2003 and named one of the Best Books of 2003 by the Los Angeles Times. It is another in the Harry Bosch series but the first written in first person.
Connelly's 2004 novel, The Narrows, is the sequel to The Poet. It was named one of the Best Books of 2004 by the Los Angeles Times. His 11th Harry Bosch novel, The Closers, was published in 2005, and debuted at #1 on the New York Times bestseller list. The Lincoln Lawyer, Connelly's first-ever legal thriller and his 16th novel, was published in 2005 and also debuted at #1 on the New York Times bestseller list. This book introduced Mickey Haller, a Los Angeles defense attorney who works out of the back seat of his Lincoln Town Car. The movie adaptation, starring Matthew McConaughey as Haller, was released in 2011. This is the second film adapted from a Connelly novel.

Crime Beat, a non-fiction collection of crime stories from Michael's days as a journalist, was released in 2006, as was the Harry Bosch novel, Echo Park. The Overlook, Michael's 18th novel, was originally serialized in the New York Times Magazine. This Harry Bosch story was published as a book with additional material in 2007.

Michael's 19th novel, The Brass Verdict, was released in 2008, and debuted at #1 on the New York Times bestseller list. It introduces Lincoln lawyer Mickey Haller to LAPD Detective Harry Bosch in a fast-paced legal thriller. Michael's 20th novel, The Scarecrow, was released in 2009, and reunites reporter Jack McEvoy and FBI Agent Rachel Walling for the first time since The Poet. It too debuted at #1 on the New York Times bestseller list. Michael released a second book in 2009, the 15th Harry Bosch novel, Nine Dragons. In this story, Bosch goes to Hong Kong to find his missing daughter.

In 2010, The Reversal was released and debuted at #1 on the New York Times bestseller list. This book has Mickey Haller and Harry Bosch working together on the high-profile retrial of a brutal child murder. The Fifth Witness, a Mickey Haller novel, was released in 2011 and also debuted at #1. Michael's 2011 novel, The Drop, a Harry Bosch novel, debuted at #1. Another #1 ranked book, The Black Box, focuses on Harry Bosch once again and is Michael's 25th novel. Its release came in Michael's 20th year in publishing, 2012. The Gods of Guilt , a Mickey Haller novel, was released in 2013, and debuted at #1 on the New York Times bestseller list. The Burning Room, a Harry Bosch novel, was released in 2014 and debuted at #1 on the New York Times bestseller list.

Fifty-eight million copies of Connelly's books have sold worldwide and he has been translated into thirty-nine foreign languages. He has won the Edgar Award, Anthony Award, Macavity Award, Los Angeles Times Best Mystery/Thriller Award, Shamus Award, Dilys Award, Nero Award, Barry Award, Audie Award, Ridley Award, Maltese Falcon Award (Japan), .38 Caliber Award (France), Grand Prix Award (France), Premio Bancarella Award (Italy), and the Pepe Carvalho award (Spain) .

In addition to his literary work, Michael is one of the producers and writers of the TV show, "Bosch," which is streaming on Amazon Prime Instant Video now. All 10 episodes can be watched here: http://amzn.to/1A1czNc

Michael lives with his family in Florida.

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