Angels of the Flood [Hardcover]

Joanna Hines (Author)

Book Description

Publication Date: April 5, 2004

When Kate Holland, an internationally respected conservator, is anonymously sent a priceless Italian painting, she discovers it has been crudely tampered with. The mysterious message contained in the painting plunges Kate back to a place in her past she has been trying to forget ever since...Florence 1967, a city devastated by a horrific flood. No tourists, no cars, just a sea of oily mud. The young volunteers from overseas who came to rescue the buildings, paintings and sculptures, became known as the 'Angels of the Flood'. Kate Holland was one of these angels, until the hideous death of her friend Francesca forced her back to England with a vow never to return. Now, for the first time in thirty years, she is drawn back. Her trail leads Kate back to Francesca's family home...a family whose dark secrets are as abundant as their priceless works of art. And when she meets the younger sister again, Kate's life is suddenly in danger. Two women, guilt and friendship, deception, blackmail and murder, are all at the heart of this chilling mystery from the highly acclaimed Joanna Hines.

Editorial Reviews

About the Author

Joanna Hines was born in London. She read history at Somerville College, Oxford, then studied at the LSE. She divides her time between London and Cornwall, and is the author of, among others, IMPROVISING CARLA and SURFACE TENSION.

Product Details

• Hardcover: 352 pages
• Publisher: Simon & Schuster (April 5, 2004)
• Language: English
• ISBN-10: 0743240170
• ISBN-13: 978-0743240178
• Product Dimensions: 9.2 x 6.3 x 1.5 inches
• Shipping Weight: 1.5 pounds
• Average Customer Review: 1.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #5,397,806 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

2 of 4 people found the following review helpful:

1.0 out of 5 stars Penny Dreadfuls Cost a Lot More than a Penny These Days...., March 17, 2006

By 

Wendell Ricketts "Wendell Ricketts" (San Francisco, CA) - See all my reviews
(REAL NAME)   

This review is from: Angels of the Flood (Paperback)

*Angels of the Flood* is the kind of book that the word "potboiler" was invented to describe. I probably shouldn't be amazed that Simon & Schuster gave Hines a contract for this, um, work, but -- color me naive -- I am. Full of the kind of clichés of Italian culture that you'd expect from someone trying to appeal to the lowest common denominator, this book can satisfy only those readers for whom fiction has essentially the same function as a bowl of potato chips. Dialogue isn't Hines' forte, and the conversations here (esp. when she's trying to render Italian in English) are decidedly on the trite side. What's worse, the plot is, in a word, unbelievable. Though the early pages may hook you with their promise of an intriguing mystery to be unraveled (Hines suggests that forged paintings, an art restorer with a tragic past, and a not-entirely-explained death might have something to do with the story she's telling), you will be tempted to hurl this book out the window when the "secret" is ultimately revealed. I bought *Angels of the Flood* in large part because (I'll confess) I got hooked on the set-in-Italy format after *Angels and Demons* (which this book does not, in its wildest dreams, resemble), and I thought Hines might actually have done some research into the Florence/Pisa flood of 1966 or into art restoration. But in turns out she didn't. You learn that museums in Florence were filled with mud when the flood waters receded and that volunteers used talcum powder to absorb water from the walls of buildings -- which is the sort of colorful "detail" you'll find if you spend about 10 minutes researching the flood on the internet. Missing is any real sense of "setting"; the book unravels (rather than develops) in and around Florence, but aside from the usual banalities about "beauty" and "art" and "skies where you can see the stars," you could be in Montenegro for all it matters that the book is set in Italy. Similarly, the fact that the main character is an art restorer is likewise an utter coincidence; Hines could just as well have made her a plumber. Characterizations are daubed in with a trowel, with exactly the subtlety you'd expect, and I'm not sure why the Italian Anti-Defamation League isn't burning this book for its stereotypical, sixteenth-of-an-inch-deep representations of Italians. All in all, a disappointment. I'd like my money back.