Angle of Repose [Paperback]

Wallace Stegner (Author)

Product Details

• Paperback
• Publisher: Shawnee Press; First Edition edition (1976)
• ASIN: B000YDI8EI
• Average Customer Review: 4.4 out of 5 stars  See all reviews (190 customer reviews)

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Customer Reviews

Most Helpful Customer Reviews

243 of 258 people found the following review helpful:

5.0 out of 5 stars Brilliant, thoughtful, mesmerizing, June 23, 2003

By 

Peggy Vincent "author and reader" (Oakland, CA) - See all my reviews
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This review is from: Angle of Repose (Contemporary American Fiction) (Paperback)

Angle of Repose is a commentary on marriage, what makes it work and what makes it fail. A severely disabled (wheelchair bound) professor, whose marriage has failed, researches and writes the saga of his pioneer grandparents, a couple whose marriage lasted in spite of tremendous adversity and tragedy. The professor's attendant, the woman who bathes and dresses him, gets him up each morning and to bed each night, also has a failed marriage.
Stegner won the Pulitzer for Angle of Repose; even a casual reading of the first half of the book tells you why. It's a big, long, lush, slowly progressing story that weaves the distant past with the near past with the present beautifully and seamlessly.
Superb. Read this one and savor it. Don't rush yourself.

178 of 189 people found the following review helpful:

5.0 out of 5 stars One of the great novels about the real West, November 19, 2003

By 

Robert Moore (Chicago, IL USA) - See all my reviews
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This review is from: Angle of Repose (Contemporary American Fiction) (Paperback)

One of Wallace Stegner's greatest peeves as a Western writer was the myth of the West that was promulgated in the bulk of the books about the region. The vast majority of Western novels and movies tended to perpetuate utter myths about the West, instead of grappling with the West itself. Perhaps no American writer knew the West as well as Stegner, not excepting his student Edward Abbey. An inveterate hiker and explorer, he camped or walked nearly every area in the West. He wrote innumerable books about the West and took time to visit every spot he wrote about. For instance, in writing of John Wesley Powell's trip down the Colorado, he retraced his route to gain the greatest possible grasp of what he saw. He traveled the trails that the Mormons and others took in relocating to the West. He was one of the few people to hike along Glen Canyon before Lake Powell consumed it. Moreover, he was raised in the West, spending his childhood on what remained on the frontier.

Given all this, I find it utterly astonishing that a couple of reviewers should have the impression that he does not know whereof he wrote. For instance, one reviewer wrote, "Bottom line: the West has a geography, and its denizens a temperament, that demands that we write and read about it in a way that does justice to the hard realities of life in a barren place." Why he would imagine that Stegner, who was intimately familiar with the geography, was one of its denizens, and knew first hand the hard realities of the place by spending his childhood in a variety of barren places, utterly baffles me. I suspect that it is because the book writes about the REAL West and not the West of the Imagination.

Lyman Ward, distinguished historian (Stegner himself, though primarily a writer of fiction, was the author of several works of history, though the character was based on former colleague of his who suffered from a physical condition precisely like Ward's) is studying family documents with an eye to writing a book detailing the story of his grandmother and grandfather. The novel is brilliant on multiple levels. It is a fascinating study of the travails of an invalid struggling with his own enormous physical sufferings. It is a vivid and accurate retelling of a story of what life war actually life in the frontier in the late nineteenth century. But primarily it is a powerful and overwhelming reflection on the nature of human frailty, love, and the healing power of forgiveness. Although Ward reflects on the marriage of his grandparents, this is actually a surrogate for confronting the tragedies in his own, and whether he will rigidly refuse to forgive his wife for her wrongs against him, or whether he will allow redemption and healing to take place.

The novel has aroused considerable controversy among some feminist writers, for an interesting reason. Stegner himself was a very strong supporter of women's rights (indeed, although he was uncomfortable with the youth movements of the sixties, he remained an old school liberal all his life, with powerful convictions about toleration and acceptance of all people regardless of race, creed, or gender). Stegner became aware of the unpublished letters of the 19th century writer and painter Mary Hallock Foote. He gained permission from a family member to incorporate portions of those letters in a work of fiction, and he did so in ANGLE OF REPOSE, Foote providing the explicit model for Susan Burling Ward. The controversy has rested in whether Stegner used too much of the prose of Mary Hallock Foote in his book. Some have estimated that as much as 10% of the entire text might stem from Foote. My own take is that his use of Foote's letters was far more creative than plagiaristic. For one thing, he didn't so much take the story he tells from Foote's letters as builds a brilliant story around them. Also, some of the details of the novel of greatest import--such as the question of Susan Ward's possible adultery--were not part of Foote's story at all. Moreover, while the letters that Stegner uses are quite good, they do not match the other sections of the book where Stegner writes in his own voice. Stegner is clearly a better prose writer than Foote, and why a better writer would be thought to have need of a lesser one to generate a novel is difficult to explain. Moreover, Foote in no way contributed to the architecture of the novel as a whole, and she obviously played no role in the contemporary sections of the book. Finally, to the degree that Ms. Foote is remembered at all today, it is entirely because of Wallace Stegner. He not only included some of her work in anthologies he did earlier, but elevated part of her story to a central place in this very great novel. Given all this, I'm not sure how Stegner can be justly accused of any wrongdoing.

Regardless of the controversy, this remains not merely one of the greatest novels ever written about the West, but one of the finest American novels of the second half of the twentieth century. Stegner remains a staggeringly underappreciated as a writer. He wrote in a beautiful, distinctive, gorgeous prose that not even his extremely illustrious stable of students (Edward Abbey, Wendell Berry, Thomas McGuane, Ken Kesey and Larry McMurtry, Ivan Doig, and many, many others) has been able to match. Edward Abbey said shortly before Stegner's death following an automobile accident that he was the only living American writer deserving of the Nobel Prize, and I believe he was right.

90 of 97 people found the following review helpful:

5.0 out of 5 stars Wonderful, September 3, 2002

By 

Elizabeth Hendry (New Jersey USA) - See all my reviews
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This review is from: Angle of Repose (Penguin Twentieth-Century Classics) (Paperback)

Wallace Stegner's Angle of Repose is simply a wonderful novel--a serious piece of fiction about a marriage and marriage itself. Lyman Ward, a fifty-something professor whose own marriage has disintegrated has returned to his childhood home to write of the marriage of his grandparents, perhaps to determine why their marriage lasted through tremendous adversity when his own could not. His grandparents, Susan and Oliver Ward met in New York the 1870s, where she was a promising illustrator and he an engineer. They marry and travel West, living in various places, California, Idaho. Susan feels that she never quite fits into this "uncivilized" place, expressing her unsettleness beautifully in her letters to her good friend Augusta, who lives the life in New York that perhaps Susan felt she was destined to live. Lyman is fascinated with his grandmother, telling her story as he discovers how it unfolds through reading these Augusta letters, adding what he remembers from his own childhood. Lyman suffers from a degenerative bone disease and must rely on young Shelly Rasmussen to help him construct this book on his grandmother. Shelly has just escaped a failed "marriage" of her own. Lyman tells the story of his grandmother while also telling us both his and Shelly's stories seamlessly. Stegner's writing is beautiful and evocative. Angle of Repose is a big, beautiful, unique novel. Stegner's method of weaving the stories together works marvelously and so many of his sentences are simply perfect. Susan Ward's life(and Lyman's and Shelly's) is the believable story of a flawed human being--it's not picture perfect--there are no rosy endings for us here. However, the novel is very satisfying. Highly recommended.