From Publishers Weekly
Originally published in 1957, Kuskin's (Roar and More) energetic ode to the Flood receives equally upbeat, playful treatment in Grejniec's (Albert's Nap) watercolors. In the opening lines, Noah mysteriously divines the coming rainstorm (with no mention of God): "He said, `I think it's going to pour./ It's going to rain and rain some more./ The sun will dim,/ the day turn dark,/ with all that rain/ I'll need an Ark.' " The poet's rhythm and rhyme unfold with deceptive ease, yet she varies the schemes to create a sense of urgency or to pause for a laugh for instance, she describes the cargo area of the vessel: "with room inside/ for the fowl of the air/ for the mole from his hole/ and the lynx from his lair/ for rats/ and cats/ and calves and cows/ for rams and lambs/ and snakes/ and sows." Grejniec exploits the syncopation and the humor with a spread of the named animals; silhouetted as white space within its own bold block of color, each animal is simultaneously present and absent. The artist's signature technique of greatly magnifying his compositions highlights the texture of the paper, adding to the visual intrigue. As the Ark nearly disappears within the torrents of rain, Kuskin lessens the danger by depicting the animals as very much like children: they "ate and slept and played inside/ at `Hide-and-Seek' and `Make a Nice Motion'/ while the whole wide world was covered with ocean." This cheerful tale closes not with an olive branch, but with the sun breaking through the clouds. By focusing on the experience of the animals rather than theology, author and artist provide an unusually friendly entree to the story of the Ark. Ages 3-8.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
reschool-Grade 3--This version of the story speeds along in overdrive. From the moment Noah decides he needs an ark, the pace to build and load the vessel proceeds rapidly. Life on board is equally hectic. The constant noise and activity culminate in a foldout montage of frantic animals "when the fighting and crying were awful and fearful." Kuskin's verse doesn't falter until the story screeches to a halt once the sun reappears. The frenetic watercolor illustrations push the pace over the edge rather than reinforce it. Garish colors and overlapping animals create a sense of chaos. At times the illustrations make the text difficult to read, notably in the double-page spread engulfed by torrents of rain. Those in search of brightly colored, simple illustrations would do better with Lucy Cousins's Noah's Ark (Candlewick, 1993). More focused considerations of shipboard life include Patricia Hooper's A Stormy Ride on Noah's Ark (Putnam, 2001).
Kathy Piehl, Minnesota State University, MankatoCopyright 2002 Cahners Business Information, Inc.