Animals [Original recording reissued, Original recording remastered]

Pink Floyd | Format: Audio CD

Product Details

• Audio CD (April 25, 2000)
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Capitol
• ASIN: B000024D4R
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Music
• Average Customer Review: 4.7 out of 5 stars  See all reviews (679 customer reviews)
• Amazon Best Sellers Rank: #49,578 in Music (See Top 100 in Music)

Track Listings

1. Pigs On The Wing 1

2. Dogs

3. Pigs (Three Different Ones)

4. Sheep

5. Pigs On The Wing 2

Editorial Reviews

Amazon.com

Although not in the same vein as the deliciously hallucinogenic earlier Floyd works such as Ummagumma and Dark Side of the Moon, Animals is innovative and musically diverse in its own right. Inspired in part by George Orwell's political fable Animal Farm, Roger Waters condemns the avarice and inequalities of capitalism, metaphorically and musically grouping humans as pigs, dogs, and sheep. The pigs are self-righteous hypocrites inflicting their beliefs on everyone else, the dogs greedy money-grabbers, and the sheep witless followers. Dark, cynical, and brilliantly composed, Animals is an ingenious and under-acknowledged album. --Naomi Gesinger

Product Description

Pink Floyd - Animals Cd> Popular MusicCD > POPULAR MUSIC > ROCK

Most Helpful Customer Reviews

339 of 367 people found the following review helpful

5.0 out of 5 stars Look out -- Roger Waters is on a tear! July 12, 2000

By Sal Nudo VINE™ VOICE

Format:Audio CD

Roger Waters and David Gilmour composed "Animals" at a time in England when the face of rock music was drastically changing, 1977. Punk bands were forming everywhere, and they all hated Pink Floyd's brand of drawn-out, ethereal music -- stuff they felt was pompous. Thus, given the times, "Animals" turns out to be an impressively guitar-driven album, musical compositions that, despite it all, are also drawn-out and ethereal as only Pink Floyd can be. The middle of this great album courageously contains three lengthy songs, much too long- winded for radio, thus spoiling the album's commercial viability. Also, "Animals" strangely opens and closes with two short and melodically pleasing acoustic songs about love gone bad; "Pigs on the Wing," parts 1 and 2, somehow work well with the overall vibe of the album. Call it a settling of the nerves.

In many instances, "Animals" is fairly stripped-down, with Gilmour's soothing voice completely missing, and Richard Wright contributing absolutely nothing, thus nixing past creative keyboard elements. The possessive Waters writes all lyrics, and the concept of "Animals" is entirely his. In his harshest manner, Waters rips apart late-1970s society through the use of three types of animals: dogs, the materialistic and glib "yuppies" of a decade later, concerned only with wealth, good times, power and their own well-being; "Pigs" are no less flattering, high-positioned and self-righteous, they preach and dispense their high-minded, moralist views from atop the world's ranks; "Sheep" are the aimless and docile masses who get used and abused by the more powerful Dogs and Pigs in society. It's pretty acrimonious stuff, and downbeat lyrics like "all alone and dying of cancer" don't do much to lighten the mood. Weary of the corrupt and crumbling society surrounding him, Waters went on a musical rampage. Political foes, economic hardships and sleazy low-lifes all get their medicine from the non-apologetic Waters, within the confines of these thematically devised tunes.

Though he writes good, astute, observational lyrics, Waters is a bit of a "dog" himself, and he often comes across as self-imposing and self-righteous as the album moves on. Ultimately, "Animals" is great because of the actual MUSIC. Enter Gilmour, thankfully rescuing this one-man monopoly on creativity. Gilmour remains his usual melodic self, pushing forth the fairly paltry compositions with his brand of tunefulness and soaring guitars.

On "Dogs," an interesting moment occurs after Waters cheerily wails, "Have a good drown/Dragged down by the stone." The word "stone" is then repeated countless times through a haze of electronic muffling as dogs bark chillingly in the background and a synth sizzles quietly. Music like this is not heard everyday, and Pink Floyd should be commended for seriously reviving their music and changing with the times a bit back in 1977. The band's more quaint and drug-induced days of singing about lazy nature scenes or fairy-tale scenarios where one merely observes (see The Piper at the Gates of Dawn) were long over by "Animals." It became socio-political music with a harder edge, all run by Waters and Gilmour. There's a sense of purpose and direction from Waters on "Animals" that is eerily one-dimensional, but it's a prelude to an even better concept album to come. Though it's not Waters' creative apex (that would be The Wall (Deluxe Packaging Digitally Remastered), "Animals" is astoundingly excellent, profound music, and the continuation of the civil war within this band.

222 of 241 people found the following review helpful

5.0 out of 5 stars The most unfairly underrated album in rock. July 26, 2001

By "cyberwares"

Format:Audio CD

It's hard to call anything of Pink Floyd's underrated. The band has two entries in the 'Top 20 Best Selling Albums of All Time' list, matching the Eagles and the Beatles for two albums in the chart. Their best-known album, Dark Side of the Moon, spent 741 consecutive weeks (14+ years) in the Billboard 200 Album charts. Their devoted fan base includes millions. And that's not even half of their achievements. So to call anything of theirs underrated is rather unbelievable, but in the case of Animals, it's total truth.

For an opener, Pigs on the Wing (Part 1) is a rather fitting start. It's short, cynically romantic, and simple; just an acoustic guitar with vocals with an animal metaphor from the get-go.

Then comes Animals' most notable track, the seventeen minute 'Dogs.' Seventeen minutes is a rather long time on one subject, but in Pink Floyd style they make it count, with plenty of David Gilmour's wonderful guitar solos. For those who view rock and roll as guitar solo heaven, Gilmour is your god. Also add to the combination the lyrical genius that is Roger Waters. His imagery with the album-long metaphor of animals to humans is striking and fantastic. The dog in this song is a greedy businessman, who is always first to pick up stray meat, first to make a kill, etc. My favorite line is 'You have to keep trusted by the people that you lie to, so that when they turn their backs on you, you'll get the chance to put the knife in.' Even more incredible imagery fills the song as the lyrics describe the painful, lonely death of the dog, specifically from cancer.

Next on the album is 'Pigs (Three Different Ones).' Roger Waters' lyrics describe pigs as the overweight, overpowered authority of the 'farm.' This song spends more time criticizing authority figures like Mary Whitehouse (The Brit equivalent of Tipper Gore), than it does maintaining the pig metaphor. The song features plenty of grunts and voice box to decorate the song as it hops from one pig to another. You may have seen the South Park episode where Cartman tells his new fourth grade teacher 'ha ha charade you are, teach-a!' I say no more. Drummer Nick Mason keeps a great rhythm going through the slow track, certainly able to keep the beat.

The last opus of a song is the ten-minute rocker 'Sheep.' This is my favorite of the album. It features the trademark Pink Floyd 4/3 jumpy rock beat (as also heard in 'One of These Days' or 'Money'). Richard Wright gets his moment of shine with this song since his solos decorate much of the middle. Waters again delivers a powerful vocal as his lyrics describe the most submissive mammal, the sheep. They are pictured as mindless lemmings that do whatever they are told with no objections. They do rebel, however, as you can barely hear the satirical version of the 23rd Psalm, rewritten to include karate and meat grinders in the middle of the track. Do your research, it's funny. My favorite part of this song is the ending, the crushing guitar is as hard a rock as you're going to get out of Pink Floyd and its anthem-like tone will stay in your head long after the song ends.

The last track, Pigs on the Wing (Part 2) closes in its simplicity, ending what is a terrific album.

Apart from the music, the artwork of the cover is fantastic. That flying pig is actually an inflatable that was brought into the air above the power station. Its dream-like cloudy sky looks more like a painting, but ask cover artist Storm Thorgerson yourself and he'll tell you, it's photograph.

Just because you see two songs just over a minute and three songs averaging over ten, this does not mean the album is a messed up project or a throwaway. This album has such great consistency with defiant, symbolic lyrics, powerful guitar crush and Floyd cynicism. It was never appreciated when it was originally released, but it's totally worth reconsideration today.

59 of 62 people found the following review helpful

5.0 out of 5 stars Thoughts on the 2011 Remaster September 29, 2011

By Ron2112

Format:Audio CD

So enough has been said about this album in many other Amazon reviews. This is my favorite Pink Floyd album, although it didn't always hold this status. On first hearing, it can seem very dense and inaccessible, given the length of the three main tracks. But the old addage of "rewards repeated listens" certainly applies here. The only real knock is that Rick Wright seems missing-in-action on this record, a fact generally attributed to his heavy cocaine use during the recording of this record (and which would eventually lead to his outster after "The Wall" was recorded). So while I would rate "Wish You Were Here" a VERY close second, this remains the best PF album, IMO.

So....the big question is the sound quality. I owned the original CD pressing of this album, the 1992 box set version, the 1996 remaster, and now this version. My overall opinion is that there have been discernible improvements with every release, and this time is definitely no exception. The closest parallel I can think of is the Beatles' 2009 remaster campaign. This album, like those, seems to have a deeper sound, with more resolution around the bass end. The drums have a nice, throaty sound (most evident in the verse of "Pigs"), and I can definitely hear the bass line better now (and this is even more noticable on "Dark Side of the Moon," as an aside). During the acoustic portion of "Dogs," I swear I can hear the clicking of Gilmour's pick on the guitar strings. And the last verse of "Dogs" packs a bigger punch than on any version I can remember.

But with Pink Floyd, the silent parts are almost important as the notes they play, and it's here where I can really hear something different going on. Its the space BETWEEN the notes that sound really quiet and clean here, giving everything that much more punch with each drumbeat.

If you are an audiophile with even a modest setup, and if having the best version of the album is important to you, grab this release, and for $11.99 (at Best Buy), you will definitely not be disappointed. If you do most of your listening on an MP3 player at low encoding rates, the improvements here may be lost on you.