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Animals Original recording remastered

794 customer reviews

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Audio CD, Original recording remastered, September 27, 2011
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Editorial Reviews

Featuring the striking cover image of a pig floating above London’s Battersea Power Station, Animals from 1977 provides an analysis of the social-political society of 1970’s Britain, and was also created as a response to the punk rock movement of the time. The new Discovery version presents the original studio album, digitally remastered by James Guthrie and reissued with newly designed Digipak and a new 12 page booklet designed by Storm Thorgerson.


The ‘Discovery’ collection: 14 Remastered Studio Albums

Since 1967 Pink Floyd have produced one of the most outstanding and enduring catalogues in the history of recorded music. All 14 original Studio albums have now been painstakingly digitally remastered by James Guthrie (co-producer of The Wall), and are reissued with newly crafted packaging and booklets created by the band’s long-time artwork collaborator Storm Thorgerson.

‘Discovery’ albums are designed as an introduction to the artist, with all booklets including full album lyrics.
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Product Details

  • Audio CD (September 27, 2011)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Capitol Records
  • ASIN: B004ZN9UZO
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (794 customer reviews)
  • Amazon Best Sellers Rank: #10,754 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews

258 of 278 people found the following review helpful By Jeff on July 26, 2001
Format: Audio CD
It's hard to call anything of Pink Floyd's underrated. The band has two entries in the 'Top 20 Best Selling Albums of All Time' list, matching the Eagles and the Beatles for two albums in the chart. Their best-known album, Dark Side of the Moon, spent 741 consecutive weeks (14+ years) in the Billboard 200 Album charts. Their devoted fan base includes millions. And that's not even half of their achievements. So to call anything of theirs underrated is rather unbelievable, but in the case of Animals, it's total truth.
For an opener, Pigs on the Wing (Part 1) is a rather fitting start. It's short, cynically romantic, and simple; just an acoustic guitar with vocals with an animal metaphor from the get-go.
Then comes Animals' most notable track, the seventeen minute 'Dogs.' Seventeen minutes is a rather long time on one subject, but in Pink Floyd style they make it count, with plenty of David Gilmour's wonderful guitar solos. For those who view rock and roll as guitar solo heaven, Gilmour is your god. Also add to the combination the lyrical genius that is Roger Waters. His imagery with the album-long metaphor of animals to humans is striking and fantastic. The dog in this song is a greedy businessman, who is always first to pick up stray meat, first to make a kill, etc. My favorite line is 'You have to keep trusted by the people that you lie to, so that when they turn their backs on you, you'll get the chance to put the knife in.' Even more incredible imagery fills the song as the lyrics describe the painful, lonely death of the dog, specifically from cancer.
Next on the album is 'Pigs (Three Different Ones).' Roger Waters' lyrics describe pigs as the overweight, overpowered authority of the 'farm.
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97 of 102 people found the following review helpful By Ron2112 on September 29, 2011
Format: Audio CD
So enough has been said about this album in many other Amazon reviews. This is my favorite Pink Floyd album, although it didn't always hold this status. On first hearing, it can seem very dense and inaccessible, given the length of the three main tracks. But the old addage of "rewards repeated listens" certainly applies here. The only real knock is that Rick Wright seems missing-in-action on this record, a fact generally attributed to his heavy cocaine use during the recording of this record (and which would eventually lead to his outster after "The Wall" was recorded). So while I would rate "Wish You Were Here" a VERY close second, this remains the best PF album, IMO.

So....the big question is the sound quality. I owned the original CD pressing of this album, the 1992 box set version, the 1996 remaster, and now this version. My overall opinion is that there have been discernible improvements with every release, and this time is definitely no exception. The closest parallel I can think of is the Beatles' 2009 remaster campaign. This album, like those, seems to have a deeper sound, with more resolution around the bass end. The drums have a nice, throaty sound (most evident in the verse of "Pigs"), and I can definitely hear the bass line better now (and this is even more noticable on "Dark Side of the Moon," as an aside). During the acoustic portion of "Dogs," I swear I can hear the clicking of Gilmour's pick on the guitar strings. And the last verse of "Dogs" packs a bigger punch than on any version I can remember.

But with Pink Floyd, the silent parts are almost important as the notes they play, and it's here where I can really hear something different going on.
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360 of 395 people found the following review helpful By Sal Nudo VINE VOICE on July 12, 2000
Format: Audio CD
Roger Waters and David Gilmour composed "Animals" at a time in England when the face of rock music was drastically changing, 1977. Punk bands were forming everywhere, and they all hated Pink Floyd's brand of drawn-out, ethereal music -- stuff they felt was pompous. Thus, given the times, "Animals" turns out to be an impressively guitar-driven album, musical compositions that, despite it all, are also drawn-out and ethereal as only Pink Floyd can be. The middle of this great album courageously contains three lengthy songs, much too long- winded for radio, thus spoiling the album's commercial viability. Also, "Animals" strangely opens and closes with two short and melodically pleasing acoustic songs about love gone bad; "Pigs on the Wing," parts 1 and 2, somehow work well with the overall vibe of the album. Call it a settling of the nerves.

In many instances, "Animals" is fairly stripped-down, with Gilmour's soothing voice completely missing, and Richard Wright contributing absolutely nothing, thus nixing past creative keyboard elements. The possessive Waters writes all lyrics, and the concept of "Animals" is entirely his. In his harshest manner, Waters rips apart late-1970s society through the use of three types of animals: dogs, the materialistic and glib "yuppies" of a decade later, concerned only with wealth, good times, power and their own well-being; "Pigs" are no less flattering, high-positioned and self-righteous, they preach and dispense their high-minded, moralist views from atop the world's ranks; "Sheep" are the aimless and docile masses who get used and abused by the more powerful Dogs and Pigs in society.
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