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Animation and America [Library Binding]

Paul Wells (Author)


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Book Description

September 1, 2002
The "cartoon"in the output of the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck in Looney Tunes, and the satiric vision of the Simpsons on television is synonymous with the United States, but the genre rarely is taken seriously. Nevertheless, cartoons are important artistic and cultural achievements, and are an essential ingredient in how America is viewed, both by itself and by others.

In Animation and America, Paul Wells looks afresh at this unique art, discussing the distinctiveness of the cartoon form, as well as myriad other types of animation production. Insisting upon the "modernity" of the genre, Wells examines its importance as a barometer of the social conditions in which it is made and which it reflects. This book is not a standard history of animation in America, but rather uses animation as a way of discussing social and political change. Wells concentrates on the ways in which the form continues to grow, experiment, and remain subversiveand, increasingly, gaining acclaim and recognition. Now in the vanguard of visual culture, animation occupies an important position in representing both the outcomes and impacts of new technologies, and it also has laid the foundations for a new understanding of social and artistic practice.


Editorial Reviews

Review

This readable, analytical, and rather full treatment touches on the artistry and the commercial and technical aspects of animation -- Choice

From the Back Cover

The "cartoon"-in the output of the all conquering Disney studio, the anarchic antics of Bugs Bunny and Daffy Duck in Looney Tunes, and the satiric vision of the Simpsons on television- is synonymous with the United States, but the genre rarely is taken seriously. Nevertheless, cartoons are important artistic and cultural achievements, and are an essential ingredient in how America is viewed, both by itself and by others. In Animation and America, Paul Wells looks afresh at this unique art, discussing the distinctiveness of the cartoon form, as well as myriad other types of animation production. Insisting upon the "modernity" of the genre, Wells examines its importance as a barometer of the social conditions in which it is made and which it reflects. This book is not a standard history of animation in America, but rather uses animation as a way of discussing social and political change. Wells concentrates on the ways in which the form continues to grow, experiment, and remain subversive-and, increasingly, gaining acclaim and recognition. Now in the vanguard of visual culture, animation occupies an important position in representing both the outcomes and impacts of new technologies, and it also has laid the foundations for a new understanding of social and artistic practice.

Product Details

  • Library Binding: 172 pages
  • Publisher: Rutgers University Press (September 1, 2002)
  • Language: English
  • ISBN-10: 0813531594
  • ISBN-13: 978-0813531595
  • Product Dimensions: 8.1 x 5.3 x 0.6 inches
  • Shipping Weight: 12.2 ounces
  • Amazon Best Sellers Rank: #9,683,581 in Books (See Top 100 in Books)

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Inside This Book (learn more)
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
synaesthetic cinema, animated form, new animation, animated text, graphic space, machine culture, cartoon animation, animated film
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Warner Bros, Toy Story, United States, Walt Disney, The Flintstones, Hanna Barbera, Snow White, Mickey Mouse, Mighty Mouse, The Disney Version, Bugs Bunny, Pluto Press, Betty Boop, Chuck Jones, Indiana University Press, Michael Joseph, American Animation In Its Golden Age, Deconstructing Disney, Fleischer Brothers, Hollywood Cartoons, Reading the Rabbit, Richard Schickel, Rutgers University Press, Donald Duck
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