Customer Reviews

The Animator's Workbook: Step-By-Step Techniques of Drawn Animation

5 star:		(13)
4 star:		(3)
3 star:		(1)
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1 star:		(1)

 

 

If you are an aspiring animator you have probably squeezed all you can out of Preston Blair. If "Illusion of Life" is too expensive or too heavy for you to lift, this is the book for you. One thing all three of these animation books have in common is they include pretty much everything you need to know about the fundamentals of animation. While all three books are excellent Tony White's may be the best balance of content and being a beautiful book to look at. The content contains the principals and industry insight you need to succeed in making a quality piece of animation. The book is fun to read and fun look at. The animation illustrations are very charming colorful and entertaining and reminds you of the reasons you became interested in animation in the first place. The flip animation in the corners of the pages are full color and really fun especially nice since the paper is the right thickness to give a good flip without the usual skip. This is one of the top books for you animator wannabees. If you can get your hands on the out of print Cawley/Korkis book "How to Create Animation" by Pioneer Press, and have these three others you will have every animation book for the aspiring animator you will ever need or likely want.

Agreeing with all the great things previously said about this book, I can only add that "The Animator's Workbook" is the best book suited for artists just starting out in animation. It is thorough, practical and motivating, without being intimidating. If you know anybody - young or old - who wants to get into animation but does not know where to start, studying "The Animator's Workbook" is a great beginning.

I first stumbled upon this book when I was learning to do character animation with a 3D computer program. I found that I could learn the principles easily by doing the exercises in the book with my 3D software. Now I teach character animation, and I use Tony's section on the walk cycle to teach students how to do it in 3D. The book is clear and easy to understand, there are lots and lots of illustrations, and the price is great. If you want to learn character animation in 3D and you know little or nothing about it, this is THE book to get. It contains all the principles you'll find in higher-priced books on digital character animation.

This book is one of the best all round books used to learn animation techniques; a perfect text for teachers. Animation techniques are illuminated from squash and stretch, to stop action puppet, to cell painting. Included is a great reference section for finding unique materials and building your own animation stand. This is more than a simple how to do manual. It is a companion to any future artist animator for it opens the reader to the sophisticated path of animation as tool articulate movements rather than simply as a squash and stretch manipulator of cartoon characters.

I just ordered this book. Many flash animators have recommended "The Animator's Workbook", "Cartoon Animation", "Cartooning: Animation 1 with Preston Blair (HT26)" or "The Animator's Survival Kit" in order to create flash cartoons.
I also have "Cartooning: Animation 1 with Preston Blair (HT26)". I have browsed through Richard Williams' "The Animator's Survival Kit" and that seemed too much for me to handle. I'm not an animator by trade but a wannabe. I look forward to improving my animation skills with this book! I also got this book for an excellent price!

6/14/05 - I just received my book. I will be using flash to create web based cartoons! This book is very appealing to me and doesn't intimidate me. I need a book like this because I'm not an animator by trade. You must pick this book, "Cartooning: Animation 1 with Preston Blair (HT26)" or "Cartoon Animation" if you are a beginner. All three books are excellent choices if you want to create flash cartoons! I prefer "Cartooning: Animation 1 with Preston Blair (HT26)" more than the other books.

I bought this book a while ago, but recently got my hands on Richard Williams' "The Animator's Survival Kit" and it is astonishingly stronger in every way. I just bought that one tonight actually. Skip this one and go straight to Williams' book, it is strong for beginners, and even stronger for people like myself who need something more detailed and insightful than "The Animator's Workbook." I didn't know there was more that I could learn about the basics and subtleties for a great foundation until I read "Survival Kit." Please learn from my mistake and do yourself a favor by buying that one. You'll be way ahead of the curve.

When I first wrote this book I never believed it would generate the interest has. It was originally conceived as a low budget paperback edition for students. However, the publisher's vision was infinitely greater than mine.....and I am extremely grateful to Watson Guptil for that. I am glad too that so many professional animators (some eventually working at my studio, Animus, in London) started with this book. It is especially rewarding when one's work touches so many people. I therefore thank all those who bought it....and especially those who worked with it. It shows the great art of drawn animation is not dead and buried just yet! Thank you one an all! Tony White.

If you are an animator or a wanna-be animator, this book is for you! It is very good. Easy to read and has lots of pictures that go along with the steps. Learn to animate a walk, a run, anticipation, etc etc etc. This is for drawn animation, but I have found it to work great with Computer Animation. If you wanna learn to animate your characters realisticly get this book

I won't gloss over what's already been said about this book, but the chapter on special effect animation alone is worth the price many times over

This is a must have for an artist's library. The product arrived on time, and in the condition requested. Thank you!