From Publishers Weekly
In this monumental biography of one of Russia's-and the 20th century's-greatest poets, Reeder, editor of the poet's complete works, deftly combines incisive literary analysis with a complex portrait of Akhmatova (1889-1966) and her turbulent times. Initially influenced by the Symbolists and Imagists, the poet became more oracular, moving from the "chamber intimacy" of her earlier work to poetry that increasingly addressed the oppressiveness of the Russian people: "I-am your voice," one poem proclaims. So fervently did Akhmatova embrace this role that Stalin's regime suppressed her poetry for 20 years. Drawing upon interviews with the poet's friends and colleagues, some interviewed for the first time for publication, Reeder humanizes a woman lionized by the Russian people. Oppressed by governmental scrutiny, she was sometimes afraid to commit poetry to paper, relying instead on her memory and on those of her friends. Her romantic entanglements with Modigliani and Pasternak (whose persistent advances she rebuffed), as well as a sense of self-mockery about her exalted status, give further depth to Reeder's absorbing study. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
"The chamber intimacy of Akhmatova... what meaning [does it] have for our harsh, iron age?" asked the poet Vladimir Mayakovsky in the early days of the revolution. That intimacy has in fact proved remarkably enduring, but for decades Akhmatova faced censure, deprivation, and the imprisonment and death of loved ones before her genius-recognized in the early 1900s-was again acknowledged by the regime. Reeder, editor of The Complete Works of Anna Akhamatova (LJ 4/1/90), does not emulate her subject's spare, lucid verse, offering instead a richly detailed, exhaustively-indeed, exhaustingly-researched work. She brings in other writers with whom Akhmatova was linked, analyzing and quoting from their works as well as Akhmatova's, and while the result is a nice overview of the era, the poet does get lost in the process. Reeder seems to have hunted down every last reminiscence, however peripheral, and some filtering might have resulted in a stronger portrait. Still, this major study of a major poet usefully assembles a breadth of material. Recommended for academic and larger public libraries.
--Barbara Hoffert, "Library Journal"Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.