From Publishers Weekly
The subtly exquisite sky- and seascapes in Tibo's paintings more than compensate for his vacant-featured lovers in this interpretation of the classic poem. All ages.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Grade 6 Up Tibo's stagy illustrations, lightly misted and suffused with a mildly eerie inner glow, form an adequate accompaniment to Poe's famous paean to idyllic love lost. Ignoring the vacant-eyed faces of the children, one can even admire the modulation of the artist's palette, as the initial pastels change to a darkling combination of blues and blacks complementing the downward spiral of the text. The real question, however, is not one of synchronizing words and pictures but of choice: why illustrate this particular poem at all, let alone in picture book format? The language is certainly vivid enough to evoke its own images, unaided by artistic intervention. Although ``Annabel'' has doubtless plucked many a prepubescent heart string (when longing for lost love may seem much less threatening than hanky panky in the last row at the local movie theater), these illustrations are too young for that age group. And what the post-sandbox set could or would make of ``sepulcher there by the sea/ In her tomb by the sounding sea,'' is something else altogether. Such expenditure of artistic effort should be preceded by educated selection. Kristi Thomas Beavin, Arlington County Public Library, Va.
Copyright 1987 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.