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An energetic and excitable fellow, Baum's devotion to make-believe began in his early 20s, when he joined a small touring theatrical troupe on the East Coast. Later attempts to run a general store and a newspaper in South Dakota (then the Wild West) failed miserably. Although few of his business ventures or artistic efforts had met with success, in 1897 Baum's "Father Goose" rhymes (designed and illustrated by Denslow) became a surprise bestseller, and Baum was able to buy his family a summer cottage on Lake Michigan, christened "The Sign of the Goose," for which he made most of the furniture (goose-themed, of course) and stenciled the walls with a frieze of green geese.
The idea for The Wonderful Wizard of Oz, "a modern fairy tale," as he considered it, soon followed, and the book appeared in May 1900. The 10,000-copy first printing sold out in two weeks, and about 90,000 sold within the first year. Hearn goes on to describe the many books that followed, as well as the 1902 musical extravaganza The Wizard of Oz and Baum's subsequent, ill-starred attempts to depict the world of Oz on film. (He died long before the 1939 MGM musical made his fairy tale known around the globe.) In 1907, he told a reporter for the Grand Rapids Herald why he preferred young readers:
To write fairy stories for children, to amuse them, to divert restless children, sick children, to keep them out of mischief on rainy days, seems of greater importance than to write grown-up novels. Few of the popular novels last the year out, responding as they do to a certain psychological demand, characteristic of the time; whereas, a child's book is, comparatively speaking, the same always, since children are always the same kind of folks with the same needs to be satisfied.Hearn has gone to great lengths in his notes to this facsimile of The Wonderful Wizard of Oz, often referring to subsequent volumes in the series, slowly building a key to the rules and history of Oz, pointing out inconsistencies as well as hints to Baum's literary sources (such as Bunyan's Pilgrim's Progress), and providing, among other delights, a mini-treatise on malevolent vegetation in Oz. This is an essential volume for the Oz aficionado or the student of children's literature, and a wonderful resource for parents of young readers. --Regina Marler --This text refers to an alternate Hardcover edition.
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Most Helpful Customer Reviews
50 of 50 people found the following review helpful:
5.0 out of 5 stars
A true delight for Oz fans!,
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This review is from: The Annotated Wizard of Oz (Centennial Edition) (Hardcover)
This beautiful, oversize, lavishly illustrated Centennial Edition of L. Frank Baum's "The Wonderful Wizard of Oz" is a cornucopia of enjoyment for Oz fans. Edited by Oz expert Michael Patrick Hearn, it's annotated in a manner similar to Martin Gardner's "Annotated Alice" (Gardner contributes a preface outlining the history of the "The Annotated Wizard of Oz").There's a hundred-page introduction, with lots of photos and color illustrations, covering Baum's life, his family, his non-Oz books, and the history of the Oz phenomenon (books, plays, musicals, movies, other Oz authors, and much more). The story itself is reproduced from the 1900 edition. W.W. Denslow's original illustrations, including all 24 color plates, are here too. Hearn's notes are entertaining, informative and very extensive. For example, there are three double-columned pages dealing with Baum's brief one-page introduction alone! Anyone who loves the Oz books will find countless hours of pleasure in this delightful book. It's well worth the price!
43 of 45 people found the following review helpful:
4.0 out of 5 stars
A good reference book.,
By A Customer
This review is from: The Annotated Wizard of Oz: The Wonderful Wizard of Oz (Hardcover)
This is quite a thorough reference book for Baum's The Wonderful Wizard of Oz. It contains about 70 pages of biographical information about Baum, a history of the Oz series including some color plates, and related discussions; a reproduction of The Wonderful Wizard of Oz printed with correct colors with thorough annotations; a 20 page section about W. W. Denslow's illustrations beyond the collaboration with Baum; and 20 pages of bibliography.Hearn makes a point of saying that the reproduction of the Wizard reproduces the colors correctly; this is probably less of an issue now that high quality facsimile editions are available, unlike say the Dover edition of 1960. There are plenty of annotations, often fairly long, which are interesting but aren't in the category of opening up whole new worlds of perspective on the book. There are also some b&w photos and some other illustrations which hadn't been previously published. The Annotated Wizard is probably most of interest to those with a particular fascination about Oz, and those who are interested in a historical perspective and context for Baum's first Oz book. It would have been nice if it were printed on higher quality paper -- especially the color plates. 28 x 22 cm (landscape), hardcover, 384 pages + 32 unnumbered pages of color plates. New York: Clarkson N. Potter Inc, 1973. LCCN 72-80842.
30 of 30 people found the following review helpful:
5.0 out of 5 stars
A CLASSIC ABOUT A CLASSIC!,
This review is from: The Annotated Wizard of Oz (Centennial Edition) (Hardcover)
This is THE book to honor the centennial of Oz. Everyone in my family - from my 4-year-old grandson to my 89-year old mother is crazy about it. It has everything you ever wanted to know about OZ and more. But seriously, Hearn is the world's leading authority on Baum and his work. (If you saw the delightful TV movie DREAMER OF OZ - it was based on Hearn's work in progress.)The story behind this book is fascinating in itself. Hearn wrote it while an undergraduate at Bard College, finishing it at age 21; and, with the blessing of Martin Gardner, author of THE ANNOTATED ALICE, Hearn's book was published in 1973 when Hearn was but 23. In the ensuing decades, Hearn has never ceased researching and uncovering more and more incredible Ozzy facts and folklore. All who love Oz will find their appreciation of both the book and the famous movie increased 100-fold (seriously!) by this amazing investigative work. The reader will learn not only all there is to know about Oz, but will also be greatly enriched by the historical and cultural contexts in which Hearn places Baum's work. It is a glorious volume with all of the original illustrations by W. W. Denslow in their original colors, plus many other rare and previously unknown pictures.
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