Customer Reviews

Anthology

5 star:		(6)
4 star:		(3)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

This is the way record labels should create decent anthologies for performers like Joe Cocker. A single disc set would have left too many key tracks off and a box set (like the one A&M released several years ago) just seems way too much. Over the course of two, jam-packed discs, fans can regale themselves with all the key cuts that matter, an early, rare single and cuts from Sheffield Steel (his finest comeback album originally available from Island) as well as "Up Where We Belong". Beautifully remastered, lovingly annotated. This is a must-have for seventies rock fans who shouldn't feel guilty about retiring earlier best-of discs. Anthology lives up to its title and does Cocker justice.

"Anthology" shows just how much interesting material Joe Cocker has produced between his occasional monster hits. When this came out, the most-available JC collection was a Capitol best-of that reached no farther back than "Up Where We Belong," though a live version of "With a Little Help From My Friends" was thrown in to snag fans of "The Wonder Years" wanting that TV show's theme song. This package changed that, with a thoroughness unmatched by any of the other many Cocker collections released before or since.

Disc one opens with a rare 1964 single, a loyal version of the Beatles' "I'll Cry Instead." It's fine, but it wasn't a hit, so unfortunately it was back to the pubs for Joe a while (to sing, I mean). In 1969 came 2 albums from which the compilers take fourteen (14) tracks, far more than from any other albums surveyed here. "With a Little Help" is among these, as are "Feelin' Alright" and two more Beatles remakes. One of those, "She Came in Through the Bathroom Window," was Joe's first top 40 hit.

The next songs offered are "The Letter" and "Space Captain." "The Letter" was Cocker's first Top Ten hit. However, the CD's versions are not the same as the 45. This could disappoint fans who want the the hit version they recall from the radio. The back cover of the CD misleads by referring to these songs as a single release rather than as album cuts from Cocker's next, and by far most famous album, "Mad Dogs And Englishmen." (I would have missed this had someone not written to ICE Magazine about it, leading to my spending a tedious half hour comparing the 45 to this disc to confirm.) J.P. Bean's excellent liner notes indicate that the single version came from rehearsals for the "Mad Dog" tour.

Also from "Mad Dogs and Englishmen" are versions of "Honky Tonk Women," "Cry Me A River" (a hit single actually taken from the LP), and "Let's Go Get Stoned." "Stoned" had been a somewhat unusual hit for the venerable Ray Charles, noted throughout the liner notes as Mr. Cocker's hero and main inspiration. As one might guess upon hearing how many of these songs blend blues and gospel elements with rock. The backing singers on many of these songs often serve as rock Raelettes, sometimes as predominant in the mixes as Cocker.

While Disc 1 focused on just 3 albums over two years, Disc 2 covers 7 spanning from 1972-82. One two-sided hit from 1970, "Midnight Rider"/"Woman To Woman," is bypassed in favor of LP cut "Something To Say." The standard of quality holds up until we get to, from the LP "I Can Stand a Little Rain" the top 5 hit "You Are So Beautiful." Back in 1975, this was the first time Joe Cocker came to my attention. As I was about 10 years old, the impression wasn't good; unaware of Joe's rock credentials, we brats failed to distinguish this from "Feelings" and mocked it just as harshly. And seeing him freakishly contort his arms and face and arms while singing on TV made it worse. As if singing it hurt him as much as hearing it hurt us. Efforts to warm up to the song over the years ultimately failed upon the realization this has no verses, just the same two lines repeated with varying levels of angst, sank it forever for...or...meee...eeee.

The remaining songs are well worth hearing if you're still reading this far. There are reggae and very slight dance influences in some. There are no disco songs here, despite the complaints of an earlier reviewer who must be a lousy dancer and so fears anything with a beat. He's probably talking about "Fun Time," a good song which is way more rock than disco. That this is the only song included from 1978's "Luxury You Can Afford," however, does not bode well for the rest of that disc.

A nice inclusion is the minor hit with the Crusaders, called "I'm So Glad I'm Standing Here Today". Beautiful and inspirational. No wonder radio didn't play it (it stopped "climbing" at #97 in 1981).

This ends on a high note (mmph) with the Number One, Richard Gere sweeping Debra Winger into his arms and we liked it, "Up Where We Belong" from "An Officer and a Gentleman." I liked it, in part because I think Jennifer Warnes is a woefully underrated artist and also because I am able to separate this, mentally, from the deluge of godawful power ballads that followed in its wake.

I sense this will fall out of print soon. I think if you've read this far you need to buy it. And Amazon didn't even tell me to say that (will they edit this quip?).

This cd sums up all the years and stages Joe has experienced throughout his career. It is a must cd for any "JOE COCKER" fan!! The song "I'LL CRY INSTEAD..Was Joe's 1st single he ever recorded, untill now, it was impossiable to find. WELL WORTH ADDING TO ANY MUSIC LOVER"S COLLECTION!!

THIS IS PROBABLY THE BEST 2-DISC COLLECTION WE'RE GOING TO GET OF ONE OF THE MOST RECOGNIZABLE VOICES IN ROCK N' ROLL BUT IT'S MISSING ONE HIS BEST SONGS, You Can Leave Your Hat On, AND THE PRICE SHOULD BE UNDER $20. SURE IT BEATS BUYING THEM ALL BECAUSE MANY OF HIS RECORDS HAVE A LOT OF FILLER AND JUST A FEW GREAT CUTS (AND THERE AREN'T TOO MANY STINKERS IN HIS CATALOG) BUT FOR A ONE-STOP OVERVIEW YOU CAN'T DO BETTER

THIS IS A BRILLIANT COLLECTION OF JOE COCKER. I HAVE ALWAYS ADMIRED HIS STYLE OF VOCALS, AND I CAN SAY THAT I APPRECIATE THE
MUSIC THAT HE HAS GIVEN TO THE WORLD.THIS MAN IS NOT ONLY A PART OF THE MUSICAL WORLD, HE IS A PART OF MUSICAL HISTORY. *****

This anthology on two double-disc which covers his recording career from the late sixties, seventies and eighties. Featuring material with all his A&M labels Cocker recorded as a british rock artist legend.legend he was. After an early single from 1965 (a version of The Beatles' "I'll Cry Instead"). The set features two version of Lovin' Spoonful's and Eric Burdon & The Animals remakes with "Darling Be Home Soon" and "Don't Let Me Be Misunderstood". Also some of Cocker's U.S. top ten hits like "With A Little Help From My Friends" & "You Are So Beautiful". The last album track in addition features a duet song with Jennifer Warnes from the 1982 motion picture film An Officer And A Gentleman called "Up Where We Belong". If you're looking for a great collection on a entire Box Set CD. It's the most perfect definitive choice to a casual collector and to any Joe Cocker music fan will find it their marginal interest!

ANTHOLOGY, JOE COCKER!, WITH A LITTLE HELP FROM MY FRIENDS, MAD DOGS & ENGLISHMEN, THE ULTIMATE COLLECTION, SOMETHING TO SAY, I CAN STAND A LITTLE RAIN, and RESPECT YOURSELF, taken together, are the essential Joe Cocker. While the first three albums are nothing short of essential, You should get both anthologies and the later records I've mentioned as well because contrary to what some fans and critics will tell you, the later years have not been wasted entirely, and Cocker has also grown into a richer, deeper vocalist as he has aged. If you get all of the albums I've mentioned, you will not, in spite of what some revisionists might say, be cluttering up your living space. Instead, you will be hearing how a great voice has grown and developed through the years.

Originally looking for Cocker Happy album but unable to locate it, so I settled on this CD which has songs off Cocker Happy and more. Songs on the album are in release date order which is a good way to follow his career. Starting off with I'll Cry Instead, quite unrecognisable Joe Cocker and very 60's, to hits like Cry me a River, Something and You are so Beautiful. I find I'm still going over and over the Cocker Happy songs like Darlin' be Home Soon, Feelin' Alright and Do I still figure in your life? One of a kind artist and a Great Album.

Joe Cocker was one stylish blues oriented singer. Whereas song-writing was not his strength, he could certainly give certain songs a bluesy arrangement that was completely unmistakable.

The First CD would probably rate five stars or certainly four and one half. Loaded with his first #1 UK Smash With A Litte Help From My Friends. What a rendetion people. The Wonder Years certainly had the good sense to use this as the featured song for their sitcom. Covers of Feeling Alright, Something, Honkey Tonk Women, The Letter, She Came In Through The Bathroom Window are simple unforgettable in everyway. You also have to love his rendetion of Delta Lady, Space Cowboy, Hitchcock Railway and Lets Go Get Stoned. There's barely a weak song on this side. Just Like A Woman is a little slow but still has many merits. I'll Cry Instead strangely does not vary much from the original but is still passable.

The second CD is a bit spotty. The first three songs are very strong and upbeat especially High Time We Went. Great keyboard and guitar interplay on that one. After that the songs are very hit and miss. Most of the tuens are slow ballads without a good song structure. More easy listening pop that edgy blues which i more suitable for Cocker's style. The final song, Up Where We Belong is a deent ending but too much dead space in between. Therefore, the overall four star grade is justified.

Having been a long time fan of Cocker without actually buying any of his stuff, I never realized what a bipolar artist he is. There's some rough stuff here, some soulful Blues, some vaguely Psychedelic tunes, and some truly awful light Pop.

For me, the Mad Dogs & Englishmen stuff and Woodstock-era live stuff is Cocker's best. Heavily influenced by Ray Charles and other American soul acts of the 1950s and 60's, Cocker could growl with the best of them and knew how to wrestle a melody to his own uses.

I would have been willing to pay the same price for a single CD if it would have meant the exclusion of a couple of disco-ish tunes and that train wreck of a song from "Officer and A Gentleman."