Anthology

Strawberry Alarm Clock | Format: Audio CD

Product Details

• Audio CD (June 30, 1993)
• Number of Discs: 1
• Label: One Way Records Inc
• ASIN: B000002R3D
• Average Customer Review: 3.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #229,491 in Music (See Top 100 in Music)

Track Listings

1. Incense and Peppermints

2. Tomorrow

3. Sit With the Guru

4. Barefoot in Baltimore

5. Paxton's Back Street Carnival

6. The World's on Fire

7. Strawberries Mean Love

8. Rainy Day Mushroom Pillow

9. Sea Shell

10. Blues for a Young Girl Gone

11. Pretty Song from Psych-Out

12. The Birdman of Alkatrash

13. They Saw the Fat One Coming

14. Small Package

15. Love Me Again

16. Black Butter-Past

17. Black Butter-Present

18. Black Butter-Future

Editorial Reviews

This CD is an out of print collectible!It is the original 1993 One Way Records release. Catalog MCAD-22083.

Customer Reviews

Most Helpful Customer Reviews

16 of 18 people found the following review helpful:

4.0 out of 5 stars Harmless Psychedelia - And A Hit (Admit It!) You Had To Love, March 24, 2002

By 

BluesDuke "A sacred cow is worth but one thin... (Las Vegas, Nevada) - See all my reviews

This review is from: Anthology (Audio CD)

You can't get much better than the Strawberry Alarm Clock for what seems to have been a mild joke that turned into the blockbuster hit of early 1967: with a teenage friend of the band (who never became a full member) taking the mike on the session, what was supposed to be a B-side turned into "Incense and Peppermints" and, it's about time we all admitted it, you had to be among the smugger-than-thou True Hippie Culturesmog to say anything other than you were getting a terrific kick out of this cagey little rocker. If you were REALLY hip, you were catching onto the song's slightly whacky lyric sendup (probably of Simon and Garfunkel's "Scarborough Fair," what with the spice half-puns that make up about half the lyric), the sleek fuzz guitar break by future Lynyrd Skynyrd string-strangler Ed King, the magnificently cheesy electric organ, and the overall sense that what you had here was a band who couldn't decide whether they wanted to be the "Sgt. Pepper" Beatles or the Beach Boys of "The Beach Boys Today" (a later member of the band has said they liked surf music as much as Indian music) and decided indecision was a virtue if you had some great organ licks to tie it together and the chutzpah to play it with a straight face.

The trouble was, what started as a b-side shot to the top of the charts. And they never again hit the kind of in-the-pocket freak accident that "Incense and Peppermints" was, but neither were they complete stiffs. Their experimental eclecticism was actually more endearing than the hipsters' ideas of psychedelic earnestness were producing (any two minutes of the Strawberries' madness beat the living bejesus out of any two sides worth of the Great Jefferson Dead Messenger Starship), and they had a cheerfully offbeat melodic flair that anticipates some of the late 1970s-early 1980s retropsych experimenters (the early Echo and the Bunnymen, Icicle Works, and Teardrop Explodes come to mind). They seem to have been sunk predominantly by some shenanigans involving an early but fired manager (who put a bogus version of the band on the road while they were trying to push their followup singles, including the underrated "Tomorrow" and an early version of "Good Morning Starshine" - which might have been a hit but for, rumour has it, someone once associated with the band who sent their pre-release demo of the song to the singer who ended up charting with it: Oliver) and a round of personnel changes; by 1971 they were through.

The anthology here gathers up the better of the band's peculiar output. And you find, as you listen on, that it's no great shakes to keep repeating "Incense and Peppermints" until the rest of the material grows on you slowly, whichever selections do. They weren't the first band who couldn't live up to the inadvertent promise of an unexpected blockbuster and they won't be the last. But they gave it one of the more memorable shots and, anyway, "Incense and Peppermints" has outlived its critics (probably to the band's surprise as much as anyone else's) and still sounds as refreshing as a roll of Lifesavers.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Great CD, what a surprise!, August 2, 2009

By 

Michael Frank (Bellevue, WA United States) - See all my reviews

Amazon Verified Purchase

This review is from: Anthology (Audio CD)

The music is wonderful-- soft-and-psychedelic rock from 1967-69 or so, and is a COMPLETE representation of the best work from SAC. I was very pleased to find "Pretty Song from (the movie) 'Psych-Out'" on this CD, exactly the same version as used at the opening of the Susan Strasberg/Jack Nicholson 1968 film.

Several other songs of similar type are on this CD, taken from all of SAC's albums, making this a very complete compilation. Sound reproduction and clarity are excellent. Great stuff.

1 of 1 people found the following review helpful:

5.0 out of 5 stars classic, September 15, 2010

By 

Bill Your 'Free Form FM Handi Cyber Print DJ ... (Mahwah, NJ USA) - See all my reviews
(TOP 1000 REVIEWER)   

This review is from: Anthology (Audio CD)

I get so sick of seeing television adds with that farfisa tone of "Incense And Peppermints," that idiotically deep voice over declaring "the music that captured a generation." Is that all we now have to speak of rock's most fertile period? Some of our most important art?
'
The few who know or remember the Stawberry Alarm Clock probably think the band had that 1967 single and that is all they were good for.

This anthology will tell you the truth: these guys were one of the most melodic and inventive bands who never got their due.

Now, don't get me wrong: "Incense And Peppermints" is a kicker of a song. Garage and pop and psychedelia rolled into an amazing single. But listen to the marimba on "Barefoot In Baltimore." Add some gloss and make the topic human dysfunction, and you would have an early Steely Dan track, ripe for Countdown To Ecstasy. Even the longer jams, like "The World's On Fire," have a polish and a focus that was lost on bands like Quicksilver Messenger Service.

You only need hear, and when you do, this set will have you wanting to get the other shamefully under-available albums.

And if that were not enough, the band was able to adapt to basic rock as 1967 and 1968 changed into the back to the roots sound of 1969-70. Check out Strawberry Alarm Clock's amazing work on the soundtrack to Russ Meyer's Beyond the Valley of the Dolls.