Antigone [Paperback]

Sophocles (Author)

Book Description

ISBN-10: 1580493882 | ISBN-13: 978-1580493888 | Publication Date: December 1, 2005 | Edition: 2005

To make this quintessential Greek drama more accessible to the modern reader, this Prestwick House Literary Touchstone Edition™ includes a glossary of difficult terms, a list of vocabulary words, and convenient sidebar notes. By providing these, it is our intention that readers will more fully enjoy the beauty, wisdom, and intent of the play. The curse placed on Oedipus lingers and haunts a younger generation in this new and brilliant translation of Sophocles’ classic drama. The daughter of Oedipus and Jocasta, Antigone is an unconventional heroine who pits her beliefs against the King of Thebes in a bloody test of wills that leaves few unharmed. Emotions fly as she challenges the king for the right to bury her own brother. Determined but doomed, Antigone shows her inner strength throughout the play. Antigone raises issues of law and morality that are just as relevant today as they were more than two thousand years ago. Whether this is your first reading or your twentieth, Antigone will move you as few pieces of literature can.

Editorial Reviews

From the Publisher

This book is perfect for AP classes and is often selected for inclusion on the AP exam. The notes, reading pointers, and vocabulary in this addition will also help students at a lower reading level get the most out of these classics.

Product Details

• Paperback: 80 pages
• Publisher: Prestwick House, Inc.; 2005 edition (December 1, 2005)
• Language: English
• ISBN-10: 1580493882
• ISBN-13: 978-1580493888
• Product Dimensions: 8.8 x 5.8 x 0.2 inches
• Shipping Weight: 4 ounces (View shipping rates and policies)
• Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #5,470 in Books (See Top 100 in Books)
  • #2 in Books > 4-for-3 Books > Literature & Fiction > Drama > Greek & Roman
  • #2 in Books > 4-for-3 Books > Literature & Fiction > Drama > Playwrights, A-Z > ( S )
  • #7 in Books > Literature & Fiction > Drama > Greek & Roman

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12 of 14 people found the following review helpful:

5.0 out of 5 stars Essential reading for a classical education, December 15, 2006

By 

Michael A Neulander "Political Philosophy" (VA) - See all my reviews
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This review is from: Antigone (Paperback)

I read Sophocles Antigone for graduate Humanities class. It is an essential reading to understand Greek Tragedy. It is also a foundation stone of literature in studying Western Civilization.

Antigone, daughter of Oedipus in 3-cycle play, faces capital punishment for burying her brother who rebelled against Thebes. Obeying instincts of loyalty of love and the divine law, she defies Creon, the King and her uncle. Creon says laws of states outweigh all other laws, and family loyalty, when he finally relents it's too late.

Over the centuries there has been a great deal made about the conflicts played out in the play, law of state vs. law of goods, personal vs. state duties. Loves knowledge vs. state knowledge. Greek understanding of tragedy- Aristotle lays down understanding of Greek tragedy. He based it on Sophocles. Tragedy- most important thing for tragedy is plot, it is all essential. Tragedy defined as- is imitation of an action that is serious, complete and of a certain magnitude in language embellished with incidents arousing pity and fear ant to the audience it accomplishes catharsis of such emotions. Every tragedy must have six parts that determine its quality. 1. plot 2. character 3. diction 4. fault 5. spectacle and 6. melody.

According to Aristotle, tragedy is higher and more philosophical than history or poetry; it is one of the highest expressive forms because it dramatizes what may happen. History is a narrative that tells you what has happened tragedy shows what is possible. History deals with particulars, tragedy deals with the universal. Tragedy creates a cause and effect chain and shows how the world operates. It frames human experience in universal discourse, tragedy is central in this effort. Tragedy arouses pity and fear in audience because we can envision ourselves caught in this cause and effect chain. Plot most important feature, the arrangement of incidents, the way incidents, and action is structured. Tragedies outcome depends on the outcome of these cause and effect changes not on being character driven. Plot must be whole, beginning middle and end. Beginning must have a motivation that starts the cause and effect chain of events must be a center or climax that is caused by earlier incidents. There must be an end some kind of closure caused by earlier events in tragedy. This is all part of the complication of the tragedy all must be connected. You can't have a dues ex machnia in a superior tragedy.

In tragedy, the hero or heroine walks knowingly towards the fate that is written and can't be changed. Unity of action plot must be structurally self-contained, each action leading invariably to the next without outside intervention. The worst kinds of plots are episodic, like a Jerry Seinfeld sitcom, can't be something about nothing, must have unity of action. Magnitude, quantatively meaning length, and quality of action, it must be serious. Must be of universal significance, depth, and richness. Character- most important feature is the fatal flaw. Motivations of characters are important but character is there to support the plot. Character must be a prosperous renowned personage. Change of fortune from good to bad will really matter and bring fear and pity to the audience. In ideal tragedy, the hero will mistakenly bring about his own downfall. Because they make a mistake, because knowledge of our selves is always partial, we can't have complete knowledge of ourselves. Hall quotes Descartes in the article, "The limited error prone perspective of the individual. Subject is always imperfect and human and these limitations include our ability to know in any reliable way ourselves." The fact that we as subjects, as agents can never fully know ourselves means that we are always prone to error, error is the essence of the tragic hero, tragedy is the essential drama of human subjectivity.

What is Hegel's understanding of concept of tragedy? He revises Aristotelian principals and logic. Immensely influential German philosopher, he writes about; tragedy in the Aesthete 1820-29, he proposes, "the suffering of the tragic hero are merely the means of reconciling the opposing moral clients." According to Hegel's account of Greek tragedy, the conflict isn't between good and evil, but between competing goods, all is good. Between two entirely ethical worlds that clash and can't come together. Both characters have an ethical vision or belief that they have to follow it is there one-sidedness of their vision that clashes with the one-sidedness of the other character. Both sides of contradiction are justified. Conflict of irreconcilable justifiable ethical worlds, ethical visions. Just as his dialectic must lead to an ultimate synthesis, so to must tragedy lead to a synthesis. This is dramatized in the death of the tragic actor, which becomes the synthesis. Hegel says; "the characters are too good to live." They are too good to live in this world. What is interesting is that Hegel so wants to correct moral imbalances his emphasis is on moral balances.

Greek tragedy is great reading for people interested in aesthetics, history, psychology, and philosophy.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Great Teaching Tool, April 20, 2009

By 

Je Ann Will (Stuart, FL) - See all my reviews

This review is from: Antigone (Paperback)

I bought this book for my 10th grade English students to read. The language is understandable, but offers some challenging words to use for vocabulary purposes. The sidebar information is informative and helpful. The introductory information about the play itself, Greek mythology and Greek tragedy gives the students good background information. The book explains what a "classic" is and why classics are important. Finally, it gives the students what themes and conflicts to look for.

As a teacher, I would recommend this book.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Concise, graceful translation, January 23, 2009

By 

Irene Herz "web maven" (ossining, ny USA) - See all my reviews
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This review is from: Antigone (Paperback)

This play asks timeless moral questions. We had a 2 hour discussion on it, and left wanting to say more. This translation was much clearer and less wordy than some of the others the group had with them.