Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity [Paperback]

Terry Smith (Editor), Okwui Enwezor (Editor), Nancy Condee (Editor)

Book Description

Publication Date: January 16, 2009 | ISBN-10: 0822342030 | ISBN-13: 978-0822342038

In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment.

In the volume’s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their “contemporaneity,” a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri’s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor’s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss’s defense of artistic modernism to Jonathan Hay’s characterization of contemporary developments in terms of doubled and even para-modernities. The volume’s centerpiece is a sequence of photographs from Zoe Leonard’s Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind.

Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark

Editorial Reviews

Review

“Anyone wishing to assess the state of contemporary art and its relation to institutions, politics, social movements, and indeed, the entire project of imagining and naming the world at the present moment will find this brilliant book essential and disturbing reading. It offers no grand synthesis but provides a shattered mosaic of the crucial elements that will have to be assembled by any future historian looking back on the early twenty-first century.”—W. J. T. Mitchell, author of What Do Pictures Want? The Lives and Loves of Images

“This is a provocative and indeed challenging assessment of the relation between ‘art’ and ‘culture’ (in scare quotes because both concepts are questioned) in the post-post-modernist moment. The essays successfully reposition discussion in a genuinely worldwide perspective, redefine modernism on a global scale, and push avant-garde thinking in new directions.”—Hayden White, University Professor Emeritus, University of California, and Professor of Comparative Literature, Stanford University

“This remarkable orchestration of voices, visualities, and political visions lays bare the antinomies and contradictions that haunt the sovereign claims of globalization. Each consummate essay is an artful reflection on the complex resistances and revisions that emanate from cultural practices that transform the aesthetic and ethical realities of embedded and embattled localities. I warmly recommend Antinomies of Art and Culture.”—Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University

About the Author

Terry Smith is the Andrew W. Mellon Professor of Contemporary Art History and Theory in the Department of the History of Art and Architecture at the University of Pittsburgh, and a visiting professor in the Faculty of Architecture at the University of Sydney. He is the author of several books including The Architecture of Aftermath and Making the Modern: Industry, Art, and Design in America.

Okwui Enwezor is Dean of Academic Affairs and Senior Vice President at the San Francisco Art Institute. He has curated numerous art exhibitions, including the 2nd Seville Biennial of Contemporary Art, Documenta 11 (Kassel, 1998–2002), and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography in New York, where he serves as Adjunct Curator.

Nancy Condee is Director of the Graduate Program for Cultural Studies at the University of Pittsburgh. She is the author of The Imperial Trace: Recent Russian Cinema (forthcoming) and editor of Soviet Hieroglyphics: Visual Culture in Late-Twentieth-Century Russia.

Product Details

• Paperback: 456 pages
• Publisher: Duke University Press Books (January 16, 2009)
• Language: English
• ISBN-10: 0822342030
• ISBN-13: 978-0822342038
• Product Dimensions: 9.1 x 6.1 x 1.1 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #145,642 in Books (See Top 100 in Books)

More About the Author

Nancy Condee is on the Slavic and Film Studies faculty at the University of Pittsburgh. Publications include _The Imperial Trace_, _Antinomies of Art and Culture (co-edited with Terry Smith and Okwui Enwezor), _Soviet Hieroglyphics_, and _Endquote_ (co-edited with Marina Baline and Evgeny Dobrenko). She is co-founder and co-editor of the journal Studies in Russian and Soviet Cinema , and serves on a number of editorial and advisory boards, including Kinokultura, Critical Quarterly , and Russian Studies in Literature. She is a member of the Russian Guild of Cinema Scholars and Critics (Union of Cinematographers of the Russian Federation). She served for six years as Chair of the Board of Directors of the National Council for Eurasian and East European Research, the largest US grant agency for social-science research in the former socialist bloc. Her work has appeared in _The Washington Post_, _The Nation_, _October_, _New Left Review_, and major Soviet and Russian publications including _Seans_, _Iskusstvo kino_, _NLO_, and _Voprosy literatury_.