Customer Reviews

Antipoems, New and Selected

5 star:		(5)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

There are a wide variety of translations here; in both quality and fidelity to the original spanish. The fact that the poems are presented with both the original and the translation makes this book worth it. The Miller Williams and William Carlos Williams translations are wonderful, but some translations, like those by Ginsberg suffer from perhaps too much beat aesethetic co-oped into the work. Still, Parra is wonderful, full of grit and strange images; yet the Spanish, aside from a few words that are only found in Chilean Spanish, is clear and easy to read. I have even translated some of these poems myself. This is amazing work.

Between Miller Williams' original selected & Parra's visit to New York City in the Sixties, this poet made an indelible impression on so many United States poets who recognized that Chile was not a world away & that Parra was a fellow "American." &, be assured, "anti-poems" ARE poems.

With the aid of a good Spanish dictionary, the reader can find the cutting, untranslatable puns & sharp humor.

What a joy these poems are to read. One sees, very quickly, that "Outside are only great stretches of freedom." & learning that, one opens the door, walks out & seeks those stretches.

Bob Rixon WFMU-FM

I read the original in Spanish and definitely Parra is one of the more creative and original poets or anti-poets I have ever read. Anyone interested in Parra can get a feeling of his work looking to its anti-web in spanish,at www.antiweb.cl

This book is truly magnificent. Parra has one of the most clever minds in poetry today. His antipoems are very attractive as they move away from the old traditional poetic style. I understand Parra will be proposed for the Literature Nobel Prize next year (2001). I couldn't agree more.

Theodor Adorno claimed that to write poetry after Auschwitz is barbaric. If so, then Parra is the one man who can justifiably escape the charge of barbarity. What Parra writes is nothing less than a full-scale assault on poetry, or as he calls it, "anti-poetry". Parra's work stands in violation of everything that poetry has ever been. If you are used to lyricism and poetic embellishment and will accept nothing less, you will hate this book. Either that, or it will revolutionize how you see the poetic art. Parra is for poetry what the WWF is for entertainment: it is raw, crass and, as people say, "in your face". It is also brilliant. It is not poetry, but it is, in its own unique way, poetic. And like much of the best poetry always has been, it is immersed in life. Its themes are those we all recognize: crooked police, pestering grandchildren, the morning alarm. It expresses for us what we would all like to express but do not or will not. I suppose one could call it catharsis through anti-art. And perhaps in our post-holocaust world, the most genuine art IS anti-art.