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Anton Karas
 
 
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Anton Karas [IMPORT]

Paul Abraham (Composer), Ralph Benatzky (Composer), Nico Dostal (Composer), Edmund Eisler (Composer), Leo Fall (Composer), Hugo Felix (Composer), Bruno Granichstaedten (Composer), Imre (Emmerich) Kalman (Composer), Anton Karas (Composer), Ernst Kuenecke (Composer), Franz Lehar (Composer), Paul Lincke (Composer), Carl Millocker (Composer), Fred Raymond (Composer), Robert Stolz (Composer), Oscar Straus (Composer), Johann II Strauss (Composer), Franz von Suppe (Composer), Carl Zeller (Composer), Carl Michael Ziehrer (Composer)
4.0 out of 5 stars See all reviews (1 customer review) | More about this product
List Price: $11.98
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Product Details

  • Composer: Paul Abraham, Ralph Benatzky, Nico Dostal, Edmund Eisler, Leo Fall, et al.
  • Audio CD (March 26, 1996)
  • SPARS Code: ADD
  • Number of Discs: 1
  • Format: Import
  • Label: Tuxedo
  • ASIN: B000005MZ6
  • Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
  • Amazon.com Sales Rank: #441,573 in Music (See Bestsellers in Music)

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Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
 
1. Unspecified excerpt
2. Hier in diesem Land
3. Mäderl fein, sag nicht nein
4. Weiber Marsch
5. Was geh'n mich an die Leute
6. Meine Liebe, Deine Liebe
7. [Unspecified excerpt]
On this CD:
  1. The Third Man, film score
    Composed by Anton Karas
    with Anton Karas
    Conducted by Hans Hagen

  2. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511) Hier in diesem Land
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

  3. Ach, ich hab Sie ja nur auf die Schulter geküsst
    Composed by Carl Millocker
    with Anton Karas
    Conducted by Hans Hagen

  4. Work(s) Mäderl fein, sag nicht nein
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  5. Wie mei Ahnl 20 Jahr
    Composed by Carl Zeller
    with Anton Karas
    Conducted by Hans Hagen

  6. Ballsirenen Waltzes, for orchestra (on themes from "The Merry Widow")
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  7. Ganz ohne Weiber geht die Schosse nicht
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  8. Die Mädis, die Mädis
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  9. Schenkt man sich Rosen im Tirol
    Composed by Carl Zeller
    with Anton Karas
    Conducted by Hans Hagen

  10. Die lustige Witwe (The Merry Widow), operetta Weiber Marsch
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  11. Da geh' ich zu Maxim, for voice & piano (or orchestra) (from "Die lustige Witwe")
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  12. Wolgalied (Ein steht ein Soldat am Wolgastrand), for voice & piano (or orchestra) (from "Der Zarewitsch")
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  13. Work(s) Was geh'n mich an die Leute
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  14. Komm' mit mir ich tanz mit Dir
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  15. Glücklich ist, wer vergißt!, polka-mazurka for orchestra, Op. 368 (RV 368)
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

  16. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511)
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

  17. Im Leben geht alles hübsch langsam
    Composed by Bruno Granichstaedten
    with Anton Karas
    Conducted by Hans Hagen

  18. Hurra, Hurra!
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  19. Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") Meine Liebe, Deine Liebe
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  20. Im Salzkammergut
    Composed by Ralph [Rudolph Josef Frantisek] Benatzky
    with Anton Karas
    Conducted by Hans Hagen

  21. Im weissen Rössl (The White Horse Inn), operetta
    Composed by Ralph [Rudolph Josef Frantisek] Benatzky
    with Anton Karas
    Conducted by Hans Hagen

  22. Leise ganz leise
    Composed by Oscar Straus
    with Anton Karas
    Conducted by Hans Hagen

  23. Was kann der Sigismund dafür...
    Composed by Ralph [Rudolph Josef Frantisek] Benatzky
    with Anton Karas
    Conducted by Hans Hagen

  24. Legt Dein Händchen fest in meine Hand
    Composed by Carl Michael Ziehrer
    with Anton Karas
    Conducted by Hans Hagen

  25. Der Rastelbinder, operetta in 2 acts
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  26. Nimm mich mit in Dein Kämmerlein
    Composed by Paul Lincke
    with Anton Karas
    Conducted by Hans Hagen

  27. Der Zigeunerbaron (The Gypsy Baron), operetta (RV 511)
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

  28. Reich mir nochmals zum Abschied die Hände
    Composed by Paul Abraham
    with Anton Karas
    Conducted by Hans Hagen

  29. Legt Dein Händchen fest in meine Hand
    Composed by Carl Michael Ziehrer
    with Anton Karas
    Conducted by Hans Hagen

  30. Fein schmeckt uns der Wein
    Composed by Edmund Eisler
    with Anton Karas
    Conducted by Hans Hagen

  31. Hab ich nur Deine Liebe
    Composed by Franz von Suppe
    with Anton Karas
    Conducted by Hans Hagen

  32. Dein ist mein ganzes Herz, for voice & piano (or orchestra) (from "Das Land des Lächelns")
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  33. Karasitäten
    Composed by Anton Karas
    with Anton Karas
    Conducted by Hans Hagen

  34. Phantasie
    Composed by Anton Karas
    with Anton Karas
    Conducted by Hans Hagen

  35. Tanzen möcht ich
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  36. Die Csárdásfürstin (The Gypsy Princess), operetta Machen wir's den Schwalben nach
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  37. Mutterl Lied
    Composed by Edmund Eisler
    with Anton Karas
    Conducted by Hans Hagen

  38. Weana Mäd'ln Walzer, Op. 388
    Composed by Carl Michael Ziehrer
    with Anton Karas
    Conducted by Hans Hagen

  39. Tarantella
    Composed by Carl Millocker
    with Anton Karas
    Conducted by Hans Hagen

  40. Wem bring ich den Pokal
    Composed by Carl Zeller
    with Anton Karas
    Conducted by Hans Hagen

  41. Als geblüht der Kirschenbaum
    Composed by Carl Zeller
    with Anton Karas
    Conducted by Hans Hagen

  42. Sei nicht bös
    Composed by Carl Zeller
    with Anton Karas
    Conducted by Hans Hagen

  43. Ich bin nur ein armer Wandergesell
    Composed by Ernst Kuenecke
    with Anton Karas
    Conducted by Hans Hagen

  44. S'Glückerl
    Composed by Robert Stolz
    with Anton Karas
    Conducted by Hans Hagen

  45. Grüss mir die reizenden Frauen
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  46. Wann die Muse spielt
    Composed by Leo Fall
    with Anton Karas
    Conducted by Hans Hagen

  47. Küssen ist keine Sünd
    Composed by Edmund Eisler
    with Anton Karas
    Conducted by Hans Hagen

  48. Ich bin verliebt
    Composed by Nico Dostal
    with Anton Karas
    Conducted by Hans Hagen

  49. Komm mit nach Varasdin
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  50. Der Zarewitsch, operetta in 3 acts Warum hat jeder Frühling ach nur einen Mai
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  51. Eine Nacht in Venedig (A Night in Venice), operetta (RV 510) Komm in die Gondel
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

  52. Die Blume von Hawaii, operetta
    Composed by Paul Abraham
    with Anton Karas
    Conducted by Hans Hagen

  53. Oh mein liebes Wien
    Composed by Carl Michael Ziehrer
    with Anton Karas
    Conducted by Hans Hagen

  54. Vilja-Lied, for voice & piano (or orchestra) (from "Die lustige Witwe")
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  55. Kusslied
    Composed by Imre (Emmerich) Kalman
    with Anton Karas
    Conducted by Hans Hagen

  56. Das Land des Lächelns (The Land of Smiles), operetta in 3 acts (revision of "Die gelbe Jacke") Immer nur lacheln
    Composed by Franz Lehar
    with Anton Karas
    Conducted by Hans Hagen

  57. Lindenbaum
    Composed by Hugo Felix
    with Anton Karas
    Conducted by Hans Hagen

  58. Man soll sich wie man in Wien sagt, nicht zu viel strapazieren
    Composed by Fred Raymond
    with Anton Karas
    Conducted by Hans Hagen

  59. Work(s) Unspecified work
    Composed by Johann II Strauss
    with Anton Karas
    Conducted by Hans Hagen

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Customer Reviews

1 Review
5 star:    (0)
4 star:
 (1)
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Average Customer Review
4.0 out of 5 stars (1 customer review)
 
 
 
 
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Most Helpful Customer Reviews

 
18 of 18 people found the following review helpful:
4.0 out of 5 stars Great album except for the Title Track, May 1, 2000
By "jwilliammiller" (Columbus, OH USA) - See all my reviews
The third man theme orchestration on the first track is simply awful (bad enough to be humorous)! The rest of the CD is delightful with just zither with accordian accompanyment. There might be other instruments, but I'm not sure. Karras used a zither that was especially built for him which produced a very full and rather aggressive sound. He also repeatedly plucked the strings in many songs to produce a sustaining tone. I find that style of playing very interesting. "The Third Man" is one of my favorite movies. The opening credit showing Karras' hands playing the zither is, in my opinion, one of the great graphic achievements of that era. Most of the album is made-up of various themes from Strauss and operetta strung together. Each track may contain 3-5 themes. My favorite theme is #2 on track 21. The good original analog recording is nicely transferred to digital with little noise and appropriate dynamic range. Listening to this recording is like taking a quick trip to one of my favorite cities--Vienna!
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