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Autobiographical movies rarely get more truthfully moving than
Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknownst to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party.
--Jeff Shannon
"Oprah" for men. Fisher's horrific childhood-he was abandoned by his mother and then sexually molested in his Cleveland foster home-gets the full Hollywood treatment in Denzel Washington's directorial début. The self-congratulatory autobiographical script, written by Fisher, concentrates on his relationship with a psychologist (played by Washington) who provides him with the key to conquering his past. Derek Luke, as the title character, and Joy Bryant, as his love interest, give performances that raise the film above its inspirational message, but just barely. Washington directs in his own image-the movie is sturdy and handsomely made, but lacks grit and complexity. -Bruce Diones
Copyright © 2006
The New Yorker