Anymore for Anymore [Limited Edition, Original recording remastered]

Ronnie Lane, Slim Chance | Format: Audio CD

Product Details

• Audio CD (June 24, 2003)
• Number of Discs: 2
• Format: Limited Edition, Original recording remastered
• Label: Pilot
• ASIN: B000086ETJ
• Also Available in: Audio CD
• Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #451,286 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Careless Love

2. Don't You Cry for Me

3. (Bye & Bye) Gonna See the King

4. Silk Stockings

5. The Poacher

6. Roll on Babe

7. Tell Everyone

8. Amelia Earhart

9. Anymore for Anymore

10. Bird in a Gilded Cage

See all 18 tracks on this disc

Disc: 2

1. Give Me a Penny

2. Tin & Tambourine

3. You Never Can Tell

4. A Little Piece of Nothing

5. Winning with Women

6. Rat's Tails

7. Only You

8. Three Cool Cats

9. Richmond [Home Demo]

10. You're So Rude

See all 16 tracks on this disc

Editorial Reviews

2003 remastered reissue of 1974 album, Lane's first after leaving Rod Stewart & The Faces, includes the same seven bonus tracks as the U.S. edition but with the addition of a bonus disc with 16 rarities, 'Give Me A Penny', 'Tin & Tambourine', 'You Never C

Customer Reviews

Most Helpful Customer Reviews

11 of 14 people found the following review helpful:

5.0 out of 5 stars Stellar album of Lane originals, July 28, 2004

By 

WTDK "If at first the idea is not absurd, the... (My Little Blue Window, USA) - See all my reviews
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This review is from: Anymore for Anymore (Audio CD)

When Faces disbanded everyone knew who Rod Stewart was and that Ron Wood had joined The Rolling Stones. Their tenure together in Jeff Beck Group made it more likely that folks would know who they were. With one hit single and the status as the least well known best British band from the 60's, The Small Faces were revered by a core group of fans.

When Steve Marriott left The Small Faces to form Humble Pie, Stewart and Wood stepped in to form Faces with the remaining members. In all this the founding member and one of the most talented songwriters was largely forgotten by many fans and critics. Ronnie Lane's mixture of folk, blues & pure rock'n'roll invention along with his intense, sober reflections on life made him the secret weapon in both bands.

Over shadowed by both the flashier Marriott and Stewart, Lane left the best band of the 70's. A collection of some of Lane's best written songs, "Anymore" has now been expanded with bonus tracks as well as a worthwhile bonus disc. If you're a fan of Faces or rootsy sounding rock and blues, you'll enjoy this terrific album. Lane's album with The Who's Pete Townshend is also a worth listen as it, again, features some of Ronnie's best songs.

Sadly, Lane passed away in 1997 after a long battle with MS. His legacy of great music with The Small Faces, Faces and his solo work lives on. If you enjoy this album expose other people to Lane's unique genius. Your friends will thank you for it.

3 of 3 people found the following review helpful:

5.0 out of 5 stars Lane's first solo album, a must have!, January 21, 2007

By 

Elliot Knapp (Seattle, Washington United States) - See all my reviews

This review is from: Anymore for Anymore (Audio CD)

You've gotta love Ronnie Lane, at the very least as a great character in the history of rock music. After leaving the growing success of The Faces because he saw Rod Stewart's ego begin to get too big for the group's britches (Ronnie saw the same thing happening with Steve Mariott in The Small Faces a few years earlier), he started living in his mobile recording studio and making music that is sometimes the polar opposite of The Faces' very late-60's brand of loud bar rock. When you compare Ronnie to someone like Rod Stewart, who started out great only to care about his pocketbook a lot more than making good music, Ronnie becomes a spontaneous, organic, and music-driven artist--exactly what he was. Anymore For Anymore is the first of three top-notch solo studio albums in which Ronnie crafted his own brand of rock that included a pastiche of styles and instrumental combinations, backed by a sometimes large ensemble of mostly acoustic instruments.

As on most of The Faces' albums and his solo records, Ronnie and Slim Chance play a variety of covers and Ronnie's excellent original songs. Anymore For Anymore starts with "Careless Love," an excellent choice to set the tone for this album as well as Ronnie's solo career. It's a traditional song, arranged by Ronnie, featuring a blend of acoustic and electric instrumentation. This microcosm perfectly represents the macrocosm of Ronnie's project--tradition, roots, blended with contemporary sounds and styles and his own creative flair. The song rocks and...folks...at the same time. The rest of this album basically follows this blueprint, except that it's Ronnie's original songs that really shine, bookended by fun, easygoing covers played by a group of people who are enjoying the ride.

"Don't You Cry for Me" and "Bye and Bye" are great examples of this--Ronnie effortlessly blends rock and traditional styles into his originals, backing with some great dobro and Ronnie's signature acoustic. He's in fine voice--one of my favorite things about Ronnie Lane's music is that he always sings his soul out, and there's no guile at all in his heartfelt delivery. With "Silk Stockings," Slim Chance throws in a saxophone, a regular staple of this album (less so on the later ones), "The Poacher," and "Anymore For Anymore" are instant classics, the first with its orchestral arrangement, and the second with its real pastoral feel (it was recorded outside at Ronnie's farm). The mellow, mandolin-tinged "Roll On Babe" is a subtle and moving song, and the album closes on "Chicken Wired," on of Slim Chance's hardest rocking tunes--they sound almost like The Faces.

The version of Anymore For Anymore that I managed to pick up used not only fills the rest of the first disc with alternate versions and bonus tracks, there's an entire second disc (Tin and Tambourine) featuring even more unreleased tracks and embryonic versions of later Slim Chance classics. It's a lot of music, though it's generally not cheap. All I can say is it's worth it to me--this is great music that deserves to be heard by a wider audience. I understand Ronnie's estate is working on re-releasing his catalog (hopefully soon). Until then, probably the cheapest introduction is the recent Ronnie Lane's Slim Chance, which combines most of his 2nd and 3rd albums on one disc. Once you're hooked on that great music, definitely check out Anymore For Anymore--it's a gem that might even outshine those two albums.

5.0 out of 5 stars Ronnie Lane's First and Best solo record, August 27, 2011

By 

Russell U. Schlagbaum "The Durb" (Ottoville, Ohio) - See all my reviews
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This review is from: Anymore for Anymore (Audio CD)

This is Ronnie Lane's best solo work. I worked with Ronnie from June 1972 to November 1977 and was present at all the sessions for all his albums except his last, "See Me". The album "Anymore For Anymore" was the accumulated work Ronnie had amassed during his years with the FACES, songs that they could not or would not record. Ronnie had put together an exemplary ensemble of players and musicians including drummer Bruce Rowland (of Joe Cocker's Grease Band - Woodstock version). Benny Gallagher and Graham Lyle who played any stringed instrument thrown their way. Billy Livsey, an exuberant and talented pianist who adds such lift to the songs and a sax player, Jimmy Jewell, who has the sweetest sound of any horn player I have ever heard. The band, "Slim Chance" was solidly rounded out by bassist, Steve Bingham and a true Irish/Welsh folkster, Kevin Westlake. The album was recorded in a converted stone barn at Fishpool Farm, Ronnie's farm in Wales, on his 16 track mobile studio - LMS in April 1974. The title track was recorded live on the side of a hill complete with birds singing background and kids playing along to the tune. This collection demonstrates Ronnie's ability as a song writer and his love of English Vaudeville and Irish folk tunes. It is so different from the loud bashing Rock n' Roll that made the FACES popular that the listener will be amazed. This is one to own.