Customer Reviews

The Apartment

5 star:		(125)
4 star:		(20)
3 star:		(4)
2 star:		(4)
1 star:		(7)

 

 

The Apartment is an insightful movie made by one of cinema's most talented directors. The plot is fairly simple, but C.C. Baxter's (Jack Lemmon) is anything but. By innocently lending out his apartment to a coworker, Baxter's residence becomes the love nest for his philandering colleagues. Along the way, Baxter develops a friendship with Fran Kubelik (Shirley Maclaine), one of several attractive female elevator operators. Baxter is rewarded for his generosity by getting promoted by Jeff D. Sheldrake (Fred MacMurray). Little does he realize that Fran is Sheldrake's latest plaything. The Apartment has all that you expect from the best of Wilder: great performances, witty dialogue, and a plot that holds to this day, even if most of the depiction of the corporate office environment has changed dramatically (When was the last time you saw an elevator operator?). The three stars provide great characterizations, with MacMurray the real surprise here playing against type. This film is also notable for solidifying the Wilder/Lemmon team. With The Apartment, Lemmon was no longer playing second male leads or supporting roles. A worthwhile film that is still enjoyable today, but the DVD version leaves much to be desired. The picture quality is good, but the looping (the sound synchronization) is off and very distracting. Don't know the reason for this, but considering this film's place in cinema history, I would have thought it would have gotten the A treatment. The DVD is a disappointment.

This review refers to the DVD edtion(MGM) of "The Apartment"

This 1960 winner of the Academy Award for Best Picture of 1960,touched our hearts and made us smile 43 years ago and still does today. It has not lost one bit of it's charm and continues to add new fans all the time. It's a treasure chest of great cinema moments, and a must own for collectors of classics, Billy Wilder or Jack Lemmon films.

Lemmon's immense talent shines through as C.C. Baxter, one of thousands of office workers in a huge company who is quickly working his way to the top floor and the executive washroom. He's got what it takes to get ahead...he's a dedicated employee, and a hard worker, he's got they key to success...and it opens the door to his apartment! It seems the powers that be on the upper floors have discovered this single guy's bachelor pad and have badgered Baxter into letting them use it for their little extracurricular activities.

Things get complicated for C.C. though, when the big boss wants in on the action. He wants the apartment for his own use and now C.C. has a chance to go all the way to the top floor.But the rewards are bittersweet..Mr. Sheldrake's girl turns out to be the very sweet elevator operator Miss Fran Kubelik. The very girl that C.C. adores himself.

The moments as we watch C.C. agonize over this dilemma are touchingly funny,and poignant. Lemmon is brillant in his portrayal as he is able to bring all these emotions to the screen.The rest of the cast is excellent as well. Shirley MacLaine(Fran) will touch your heart, Fred MacMurray(Sheldrake) is marvelous at his turn as the philandering exec(you'll see him in a very different light from his "My Three Sons" role), and also look for such great notables as Ray Walston, Jack Kruschen, Joan Shawlee,Hope Holiday and the wonderful Edie Adams. Oscar also honored legendary director Billy Wlider for his work as director and another for screenplay along with I.A.L. Diamond. The music by Adolph Deutsch is as sweet as the story and will stay with you for quite some time after the view.

Overall the DVD was quite good. This 43 year old film looked pretty good. It could use a little improvement. There were times when it showed it's age, but the black and white images were clear and bright for the most part.The sound is in Dolby Dig MONO!...."Some Like It Hot" made only 1 year prior to this one, has been enhanced with Dol Dig 5.1(on both DVD editions) and sounds great.The Special Edition of "SLIH", even gives you the choice of watching it in the 5.1 or the original mono. This is a film that deserves at least the same attention. It may be veiwed in French and Spanish and has subtitles in those langauges as well. But..there are no subtitles or captions in English for hearing impaired viewers to enjoy this great classic and that is a shame. This is a film that should be enjoyed by all! MGM..maybe it's time for a new edition of this treasure.

"That's the way it crumbles....cookie-wise"(Shirley MacLaine to Fred MacMurray).....enjoy...Laurie

also recommended:
reading:Inside Oscar, 10th Anniversary Edition

viewing:Some Like It Hot

The Apartment is Billy Wilder's satirical look at office politics and the Man In The Grey Flannel Suit. Jack Lemmon stars as C.C. Baxter, a lowly office clerk in a huge corporation who is just another faceless working bee in an endless row of desks. When Baxter starts lending his apartment to executives in his firm so they can take their mistresses there, he finds himself moving up the corporate ladder. Although the constant loaning of his apartment starts to be an inconvenience, he keeps doing it as makes sense business wise. In meantime, he meets Fran, an elevator operator in his building, who is involved in affair with the big man in corporation, J.D. Sheldrake, played by Fred MacMurray. Mr. MacMurray is outstanding playing against type as the lascivious lowlife boss and philanderer (although is played another unscrupulous character quite well in The Caine Mutiny). Ms. MacLaine is excellent as the morose Fran who brings the situation between Baxter, Sheldrake and herself to head when she tries to commit suicide. Baxter must decide between his integrity and his career. Mr. Wilder masterfully fills the film with laughs and heart and his look at corporate politics is sharp and incisive. For his efforts, he yet again had a triple win at the Oscars, taking the 1960 Best Director, Screenwriting & Picture awards. The Apartment was also the last black & white film to win the Best Picture Oscar until Schindler's List (which has some elements of color) won in 1993.

This is not only one of the best romantic comedies ever made, it's one of the best films ever made, period. The screenplay structure is airtight and impeccable (expect nothing less from Billy Wilder), but the most interesting thing to me about it is that, even though the movie works as an essentially dialogue driven film, Wilder never neglects his duties as a visual artist. Every composition in this film is as beautiful as the dialogue is punchy. So much so that to watch this film without the letterbox would be a crime. Billy Wilder is a cinematic genius and The Apartment works as yet another piece of proof to that fact.

I usually get dragged into Shirley MacLaine movies kicking and screaming; that supposedly elfin charm of hers usually eludes me. Because of this, I neglected to watch "The Apartment" for years. All I can say about that now is, "Pardon me, Shirl, my mistake." This movie is a Wilder masterpiece and an absolute delight. One of the best things about it is that it shouldn't be funny; nearly everyone in it is a lying, abusive, double-crossing lecher with a heart of solid tin. There's adultery, alcoholism, and a suicide attempt, too. None of this would be remotely funny in lesser hands than Wilder's, let alone heart-warming, but the director manages this impossible feat handily. It helps that the central character, C.C. Baxter, is brought to life by Jack Lemmon; Lemmon's performance is one of the rare times in film you forget you're watching a star and genuinely believe in the character. Fred McMurray plays against type- amazingly well- as the slimy boss C.C. Baxter must please. Shirley MacLaine is, for once, the heartbreaking gamine she's cracked up to be. The supporting cast is terrific- Jack Kruschen is great as C.C. Baxter's next-door neighbor, a doctor. Joan Shawlee is her usual howlingly funny self as a floozy telephone operator, and Edie Adams gives herself over completely to an unsparing portrait of a scheming secretary. For my money, the best bit in the film is when C.C. Baxter, who has a cold, has been summoned to the boss' office for a talk that takes a VERY surprising turn. The sniffling, sneezing Baxter forgets he's holding his nose spray, and reflexively squeezes a six-foot stream of the stuff across the office. The film is richly detailled, with sets that blend seamlessly with the real New York City locations used. I spotted one inside joke in the movie- C.C. Baxter gets his first real promotion and, therefore, his first real office at the company. Of course, Baxter's name is on his door; the door of the next office says that T.W. Plews is the occupant. The name is actually that of Tom "Limey" Plews, prop master for this movie and hundreds more. This is one of the greats, and I can guarantee you won't be disappointed. There is one glitch in the video transfer you should know about; the original theatrical trailer is included on it, and the print of the trailer is absolutely terrible. Fortunately, the film itself is just fine. BUY this one, don't rent it- you'll want to see it again and again!

Most people consider Billy Wilder's best film to be SOME LIKE IT HOT, but while I love that movie, THE APARTMENT has not only been my favorite Billy Wilder film ever, but one of my favorite movies, period. Few movies have managed to blend together so many tragic, humorous, and romantic elements so completely and so well.

Over the years I had managed to see THE APARTMENT five or six times. Each time I had seen it either as a TV broadcast film or on VHS. Therefore, I had never seen it in widescreen format. Seeing it for the first time in its widescreen version brought the film home with greater power than ever. What a great movie!

The acting in this movie is utterly beyond reproach. In my opinion, this was Jack Lemmon's finest role. It is impossible to imagine anyone else playing C. C. Baxter. Cast anyone else in that role, and you have a lesser film. Although Fred MacMurray today is primarily remembered for his role on MY THREE SONS, he was also a highly capable villain, and he was never nastier than he was here. Shirley MacLaine was never more adorable than as Fran Kubelik. Unbelievably, she lost the Oscar that year to Elizabeth Taylor (for BUTTERFIELD 8. Although no one today would compare either Taylor's performance to MacLaine's in THE APARTMENT, at the time of the voting Taylor was seriously ill and appeared to be in danger of dying. Unfortunately, from time to time Oscars are awarded less on merit of performance, but for other reasons. For instance, in 1940, Jimmy Stewart won the Oscar for THE PHILADELPHIA STORY primarily because voters felt bad that he hadn't won the previous year for MR. SMITH GOES TO WASHINGTON. But Stewart's winning meant that one of the greatest performances in the history of American cinema, Henry Fonda's portrayal of Tom Joad in THE GRAPES OF WRATH, was not recognized with an Oscar. (Far from being cutthroat competitors, Fonda and Stewart were best friends.) In the spring of 1961, Elizabeth Taylor's health apparently was a greater factor than Shirley MacLaine's much stronger performance.

Having seen this movie several times, what strikes me is how many memorable though apparently everyday moments remain vivid over time: Jack Lemmon using a tennis racket as a spaghetti strainer; the way that Lemmon quickly rifles through cards on his desk; the game of cards that Baxter and Kubelik play in his apartment while she recovers; the toothpicks and olives arranged in a circle in a bar; the quirks and mannerisms of each of Baxter's immediate superiors; Lemmon starting to shave only to realize that he had earlier removed and hidden the blades in his razor.

I don't buy many DVDs or videos, but I bought this one the second that I saw that it was available in widescreen.

Legendary director, Billy Wilder?s "The Apartment" is one of those little jabs of tawdry pleasure that crop up every once in a while. It?s the tale of an overworked office jockey, C.C. Baxter (Jack Lemmon) who wants so desperately to gain access to the executive suite that he starts renting out his apartment to company executives that are having affairs with their secretaries. Baxter?s shy repartee with elevator operator, Fran Kubelik (Shirley MacLaine) seems promising enough for an office romance of his own. That is, until Baxter learns that Fran is in love with his boss, Jeff Sheldrake (Fred MacMurray). However, when Fran accepts that her affair with Jeff can go nowhere because he refuses to divorce his wife, she begins to realize her night in shining armor might not come with a key to the executive washroom, but is genuine and good for her nevertheless.

MGM DVD has done a below average job of remastering this DVD. The 2:35:1 anamorphic picture exhibits overly harsh, digital characteristics that are wholly unflattering. Though the gray scale is well balanced, offering fine detail, there are excessive amounts of shimmering, edge enhancement and aliasing throughout. Shadow delineation and contrast levels during the night scenes are poorly rendered. The soundtrack is mono and strident. There are no extras.

When watching `The Apartment' I expected something completely different. I expected something outlandish and slapstick and more in the vein of `The Odd Couple' and I think that because I really had no idea what this movie was about. I didn't bother reading the back of the DVD case because I knew I wanted to see it based on its reputation alone. Why spoil the surprise, and so I brought it home and popped it in and here I am now, writing my review of one of the best comedies I've ever seen.

The reason `The Apartment' is so great is because it is extremely smart. It's funny, sure, but in an honest and believable manner. It's witty and original and the chemistry between the stars Jack Lemmon and Shirley MacLaine is effortless.

The story is not a simple one to explain without giving too much away, and I hate giving too much away so I will attempt this the best I can. Jack Lemmon plays C.C. Baxter, a junior accountant for a New York City firm, who found an interesting way of climbing the corporate ladder. Baxter (of `Buddy Boy' as he is called by his workmates) lends out his apartment to the married men he works with who want to entertain their extramarital flings without their wives knowledge. This act leads to some confusion among those living in Baxter's building, garners him a bad reputation and proves to be quite the inconvenience to him, but professionally he is `moving on up'. Then he meets the beautiful Fran Kubelik and things look as though they might move in the right direction socially for him as well; but there are still a few roadblocks he must maneuver through before he's home free.

Jack Lemmon is irresistibly charming here. His `loser' Baxter is endearing to the viewer. When Fran asks why she can't fall in love with a man like him you are just jumping at the bit to convince her that he is the man for her. Shirley MacLaine is also great as Fran, truly mysterious but in a compelling way. She's sweet and charming and naturally and genuinely relatable. Fred MacMurray is fantastic as Sheldrake, Baxter's boss. He's got this genuine charm that aids to his manipulative nature and gives him a sense of reality. He is so real. Jack Kruschen is also great as Dr. Dreyfuss, but I would have nominated MacMurray over him if it were up to me.

`The Apartment' is a charming movie that is funny but one cannot overlook its dramatic air. There is a lot in this film that is `no laughing matter' so-to-speak, for it deals with some very serious subjects such as infidelity and suicide. Thankfully writer/director Billy Wilder approaches this with candor and grace, delivering a serious film that, while not making light of the subject, manages to infuse enough honest humor to make it utterly enjoyable.

Jack Lemmon gives an outstanding portrayal of C.C. Baxter, an insurance company employee for Consolidated Insurance in Manhattan. C.C. has been secretly lending the key to his apartment to co-workers so they could bring their mistresses somewhere to have an affair, often leaving him locked out. Fran Kubelik [Shirley MacLaine] is an elevator attendant in the office who C.C. has a crush on. Little does he know that she's been having an affair with his boss, J.D Sheldrake [Fred MacMurray], in his apartment.

I have never seen a movie where drama and comedy have been mixed together so well. The Apartment is one of the finest movies I've ever seen. The acting from all of the stars is superb and the writing is wonderful. In 1960, it won the Oscar for best picture, best screenplay and best director [Billy Wilder was great] and deserved all of them.

Although there aren't any special features with the DVD [the clarity is great, though], you don't care with a movie this good.

THE APARTMENT stars Jack Lemmon, Shirley MacLaine, and Fred MacMurray. THE APARTMENT also includes Edie Adams, who played the part of the devil in DAMNED YANKEES.

THE APARTMENT concerns a love triangle between an older top executive (Fred MacMurray), a twenty-something elevator operator, and a young and intelligent accountant (Jack Lemmon).

FRED MACMURRAY. Fred MacMurray is a married man with a couple of young sons, but his interests have gone seriously wayward, and he has been spending several months courting the elevator girl. Fred MacMurray's acting in many of his movies, in my opinion, is somewhat wooden and he seems to be a robot, where somebody else is putting words into his mouth. But in THE APARTMENT, Mr.MacMurray's acting is more genuine. Throughout the story, he plays a sleazy dilly-dallier. The narrative is made especially spicey by the snooping and gossiping of Mr.MacMurray's executive secretary, who eavesdrops on Mr.MacMurray's telephone calls.

JACK LEMMON. Mr.Lemmon plays a highly articulate batchelor, with the mannerism of making quick gestures. These rapid gestures make him appear more intelligent. He lives along in his "batchelor pad" and he dabbles in Italian cooking. Mr.Lemmon also operates a tryst-house. For reasons not explained in this story, Mr.Lemmon schedules trysts involving various male employees from his company, and their girlfriends. During these trysts, Mr.Lemmon strolls about the neighborhood, often late at night, and lurks out of sight to the side of the stairsteps of his apartment building. During the course of the movie, it becomes apparent that Mr.Lemmon's behavior in supplying a tryst-house to his colleagues at work (including to Fred MacMurray), plays a major part in his advancement up the corporate food chain. The fact that the Jack Lemmon operates a tryst-house seems highly unlikely, but it does make for a very interesting story, and it constitutes only a slight exaggeration from what sometimes happens in real life.

SHIRLEY MACLAINE. Shirley MacLaine plays a twenty-something elevator girl who is pretty, but not particularly skilled in anything. About half-way through the movie, we learn that she is not good at spelling words. And we also learn that she is not skilled at choosing boyfriends. For example, in addition to falling for the Fred MacMurray character (a married man), one of her boyfriends was sent to prison for corporate fraud. It is not really clear what makes Ms.MacLaine attractive to men, but THE APARTMENT is a dramatic piece, and there is no requirement in dramas that everything is made logical.

SHAKESPEARIAN TWISTS. Various things make this movie interesting. First of all, many viewers of THE APARTMENT are likely familiar with Fred MacMurray's roles in children's Disney movies, such as ABSENT MINDED PROFESSOR and SHAGGY DOG. What is intriguing is watching him play a contrasting role, namely, a corporate sleaze.

The film invites repeated viewings, because it contains many little clever nuances. For example, the first time that Mr.Lemmon meets with Fred MacMurray, Mr.Lemmon has a bad cold and is administering a squirting nose solution to his nostrils. But at the same moment that Fred MacMurray proclaims, "We don't want any leaks about this situation," Mr.Lemmon's squirt solution accidently leaks and sends a jet of nose solution through the air.

Another very clever nuance occurs near the end of the story. In Fred MacMurray's office, a black shoeshine man is busy shining Mr.MacMurray's shoes. When the shine is done, Mr.MacMurray tosses a shiney coin to the shoeshine man. The act of payment by way of tossing a coin symbolizes the fact that Mr.MacMurray, a white executive, is superior to a mere shoe-shine man. Ordinarily, this would appear to be a reflection of the occasional overt racism that is depicted in movies before the 1960s. But wait. There was a distinct reason for the shoeshine episode. What happens a minute later is that Jack Lemmon tosses a shiney key into Fred MacMurray's hands. This act symbolizes the fact that Jack Lemmon is morally superior to Fred MacMurray. In the case of the coin, the shoeshine man is kneeling on the floor, and is physically located below Fred MacMurray. In the case of the key, Mr.MacMurray is sitting in a chair, and is physically located below Jack Lemmon, who is standing. The symbolism of the coin-tossing/key-tossing scene could not be more clear. It was an act of script-writing genius.

What also makes the movie intersting are the many Shakespearian twists and misunderstandings. For example, Mr.Lemmon's neighbors have been rightly convinced that it is Mr.Lemmon himself who has many girlfriends (when in fact, it is his colleagues at work who are visiting at night with their girlfriends). Another interesting twist concerns flip-flops in keys, that is, the key to Mr.Lemmon's apartment and the key to the corporate washroom. Throughout the entire movie, the viewer is faced with the ambiguity of whether Shirley MacLaine is going to stay with Mr.Lemmon, or whether she is going to stay with Fred MacMurray.

The intrigue and twists continue until the very last minute of THE APARTMENT. Just to note one of the many clever features of the movie, is Mr.Lemmon's use of a tennis racket as a spaghetti strainer. The spaghetti strainer scene is a little work of art. By the way, ther are no swear words in the entire movie, and there are no steamy scenes. Therefore, this is an excellent movie for children. The story provides an honest slice-of-life picture of humanity and, in my opinion, could be used to supplement Sunday school teachings in morality. FIVE STARS.