The Apocalypse Reader (Paperback)

by Justin Taylor (Editor) "NYARLATHOTEP . . . THE CRAWLING CHAOS ... I am the last... I will tell the audient void. . . . I do not recall..." (more)
Key Phrases: lah lah lah, story first appeared, crane operator, Sven Ronsen, Bin Laden, Ben Ahmed (more...)

Editorial Reviews

Product Description

These are the ways the world ends. Thirty-four new and selected Doomsday scenarios: an enthralling collection of work by canonical literary figures, contemporary masters, and a few rising stars, all of whom have looked into the future and found it missing. Across boundaries of place and time, these writers celebrate the variety and vitality of the short story as a form by writing their own conclusions to the story of the world. Obliteration has never hurt so good. Contributors include Grace Aguilar, Steve Aylett, Robert Bradley, Dennis Cooper, Lucy Corin, Elliott David, Matthew Derby, Carol Emshwiller, Brian Evenson, Neil Gaiman, Jeff Goldberg, Theodora Goss, Nathaniel Hawthorne, Jared Hohl, Shelley Jackson, Ursula K. Le Guin, Stacey Levine, Tao Lin, Kelly Link, H.P. Lovecraft, Gary Lutz, Rick Moody, Michael Moorcock, Adam Nemett, Josip Novakovich, Joyce Carol Oates, Colette Phair, Edgar Allan Poe, Terese Svoboda, Justin Taylor, Lynne Tillman, Deb Olin, Unferth, H.G. Wells, Allison Whittenberg, and Diane Williams.

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Product Details Paperback: 336 pages Publisher: Running Press (May 21, 2007) Language: English ISBN-10: 1560259590 ISBN-13: 978-1560259596 Product Dimensions: 8 x 5.5 x 0.6 inches Shipping Weight: 8 ounces (View shipping rates and policies) Average Customer Review: 3.5 out of 5 stars See all reviews (6 customer reviews) Amazon.com Sales Rank: #431,683 in Books (See Bestsellers in Books)

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First Sentence:
NYARLATHOTEP . . . THE CRAWLING CHAOS ... I am the last... I will tell the audient void. . . . I do not recall distinctly when it began, but it was months ago. Read the first page

Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lah lah lah, story first appeared, crane operator

Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sven Ronsen, Bin Laden, Ben Ahmed, Alvar Rodriguez, Miss Kansas, Holy Office, Miss New Jersey, Aaron Carter, Hyde Park, Miss America, Miss Pennsylvania, Miss Rhode Island, New Testament, White House, Jesus Christ, John the Divine, Miss Arkansas, Miss Colorado, Miss Texas, Tap Room, Chapin House, Johnsons Peculiar Garden of Lights, Khmer Rouge, Last Toper, Saint Dalmatian

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Customer Reviews

6 Reviews 5 star:  (2) 4 star:  (1) 3 star:  (1) 2 star:  (2) 1 star:    (0)           Average Customer Review 3.5 out of 5 stars (6 customer reviews)		Share your thoughts with other customers:
Most Helpful Customer Reviews 16 of 18 people found the following review helpful: 5.0 out of 5 stars These Zombies Are Not A Metaphor, May 15, 2007 By  James Sidey (Austin, TX USA) - See all my reviews (REAL NAME)    This is a fun collection of stories from some well known and serious talent (Gaiman, Lovecraft, Poe) and some newly minted authors. I found myself particularly amused by "These Zombies Are Not A Metaphor," the work of one of the new authors named Jeff Goldberg. I'll be keeping an eye peeled for future work from him. 9 of 11 people found the following review helpful: 4.0 out of 5 stars A gorgeous book, from presentation to content., September 18, 2007 By  Kaolin Fire "GUD Magazine" (Acton, CA USA) - See all my reviews (REAL NAME)    "THESE ARE THE WAYS THE WORLD ENDS--THIRTY-FOUR NEW AND SELECTED DOOMSDAY SCENARIOS" This is a gorgeous book, from presentation to content. The selections are humorous, serious, simple, complex, and much more--thirty-four stories, some short, some long, make for a wide spectrum of apocalypses. Taylor, in the foreword, expounds on his conception of an apocalypse: "It's worth pointing out that the word Apocalypse comes from the Greek, and literally means "a revelation" or "an unveiling." It can be used to describe cataclysmic changes of any sort. Revolution, for example, or social upheaval. [...] There are micro-Apocalypses that mark moments in our lives: childhood's end, a relationship's sudden implosion, Death." The selections do span the gamut--some were written so long ago as to be in the public domain, and some were freshly minted in the late 2000's; some focus on religious upheavals, some macro, some micro; there are personal upheavals, student rantings, surreal recountings of madmen; and of course many take the reader through more conventional "end of the world" scenarios. And even with all that diversity, perhaps guided by the introduction, the theme of the anthology runs strong. If there were a criticism I could make of this volume, that, ironically, would be it. I consider myself a bit of an Apocalypse afficionado--I particularly enjoy reading such stories, along with dystopias--and I would have thought that I could never grow tired of reading well-wrought incarnations of such--and these stories were all well-wrought and well-edited, there is no doubt about that--but this volume overwhelmed me. I was tired, even weary, by the time I had wended my way through the collection (and that in the course of several "sittings").. The lead story, a piece of flash fiction by H. P. Lovecraft, starts the anthology out elegantly, and slowly. It warns you, implicitly, that you're in for some heavy reading, even if you're a fan of Mr. Lovecraft's writing (and not just his mythos, which more people are familiar with, and is much easier to get into third hand). On that end of the scale, there's also a piece from Edgar Allan Poe that is ponderous but worth an examination, entitled "The Conversation of Eiros and Charmion". Some of my favorites included: "The Apocalypse Commentery of Bob Paisner" by Rick Moody -- This is an essay detailing the allegorical depths of the Book of Revelation with regard to Bob Paisner's life. The tone is both erudite and a bit delirious, and the piece as a whole is both informative and immersive--I found myself eagerly wondering where Moody was going to take us next, what dark or clinical humor would next be presented. "Fraise, Menthe, et Poivre 1978" by Jared Hohl -- Another piece of meta-fiction, this follows a group of people through the more traditional trope of being the last survivors in a ruined post-apocalyptic city. What makes this piece stand out is the manic bent of the narrator and the push for the show to go on--the story weaves the primary narrative with a small handful of abbreviated stageplays that emphasize much about human nature, hope, and despair, while retaining a very human humor. "An Accounting" by Brian Evenson -- An "honest" accounting of how one explorer fell into becoming a reborn Jesus and how he helps his flock survive. I don't want to say too much about this, but the voice is clear, the narrative is well woven and unrolls at a compelling pace, and other than, perhaps, the initial fanaticism he encounters, it is all quite believable. "Some Approaches to the Problem of the Shortage of Time" by Ursula K. Le Guin -- This is a clever set of abstracts that are ever timely and consider a novel scenario for the end of the modern-day universe. The shortage of time is pervasive, and this story is brief to give you a maximum pleasure for what it takes. "Think Warm Thoughts" by Allison Whittenberg -- A bite-sized slice of apocalypse that is poetically poignant; every word counts. "When We Went to See the End of the World by Dawnie Morningside, age 11 1/4" by Neil Gaiman -- This is the end of the world, everyone and everything together, through the playful, somewhat naiive eyes of an eleven year old. It's told in the vein of "What I did over Summer vacation", and is very evocative, sweet, and strange. "The Escape--a Tale of 1755" by Grace Aguilar -- This is an elegant tale of a woman's love for her husband, religious persecution, and a prison escape. It is written with a very modern feel despite its age (originally published in 1844). That's not to say I disliked the other stories; and on another day I would have different favorites, though there were some pieces that didn't work for me. But I hope this selection will help give you a feel for the collection as a whole, beyond my simple regard for it. In all, it's a beautiful collection, and I recommend it strongly, with the caveat that you may want to take it in small doses. 17 of 23 people found the following review helpful: 2.0 out of 5 stars too esoteric to feed my apocalypse-hungry soul, September 11, 2007 By  Ravinia (our nation's capital) - See all my reviews I was initially excited to discover the collection and didn't see how such a broad-based compilation could go wrong. I'm an avid reader of post-apocalyptic fiction, science fiction and futurism, so I'm no slouch, but this turned out to be quite different from what I was hoping for. While a few of the pieces are good reads, so many of them are abstract, esoteric, or even reminiscent of the scribblings from slightly disturbed angst-ridden teenage diaries. There's no good "meat" here, no concrete scenarios, suspense or drama to drive fear into your heart and make your mind race. The circumstances under which "apocalypse" occurs are rarely even revealed. Even the subject matter is open to interpretation - "apocalypse" is made to mean many things, not simply the end of the world. Which it does, of course, but that's not what I was hungry for when I picked up this book. The book description should have done a better job of managing those expectations. Perhaps if you are looking for a broad literary "treatment" of the subject, that kind of interpretation will appeal to you (or if you enjoy the just plain bizarre) then this collection is for you. It was not for me.		Ad feedback   Most Recent Customer Reviews 3.0 out of 5 stars Some gems but many stories are too vague Of the 34 stories in this collection I can honestly say that only 9 of them really impressed me. Another 4 just completely confused me while the rest I could take or leave... Read more Published 26 days ago by TammyJo Eckhart 5.0 out of 5 stars Fun and smart Justin Taylor has put together a wide-ranging, mind-bogglingly excellent anthology about one of my favorite subjects. Every piece inspires. I couldn't recommend it more highly. Published 14 months ago by Blair Mastbaum 2.0 out of 5 stars Disappointing Like other reviewers, I am sadly disappointed by this collection of work. I was (mistakenly) expecting science fiction, which this book is NOT. Read more Published 16 months ago by Made in DNA Search Customer Reviews Only search this product's reviews

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Product Details

• Paperback: 336 pages
• Publisher: Running Press (May 21, 2007)
• Language: English
• ISBN-10: 1560259590
• ISBN-13: 978-1560259596
• Product Dimensions: 8 x 5.5 x 0.6 inches
• Shipping Weight: 8 ounces (View shipping rates and policies)
• Average Customer Review: 3.5 out of 5 stars See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #431,683 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

16 of 18 people found the following review helpful:

5.0 out of 5 stars These Zombies Are Not A Metaphor, May 15, 2007

By	James Sidey (Austin, TX USA) - See all my reviews (REAL NAME)

This is a fun collection of stories from some well known and serious talent (Gaiman, Lovecraft, Poe) and some newly minted authors. I found myself particularly amused by "These Zombies Are Not A Metaphor," the work of one of the new authors named Jeff Goldberg. I'll be keeping an eye peeled for future work from him.

9 of 11 people found the following review helpful:

4.0 out of 5 stars A gorgeous book, from presentation to content., September 18, 2007

By	Kaolin Fire "GUD Magazine" (Acton, CA USA) - See all my reviews (REAL NAME)

"THESE ARE THE WAYS THE WORLD ENDS--THIRTY-FOUR NEW AND SELECTED DOOMSDAY SCENARIOS"

This is a gorgeous book, from presentation to content. The selections are humorous, serious, simple, complex, and much more--thirty-four stories, some short, some long, make for a wide spectrum of apocalypses. Taylor, in the foreword, expounds on his conception of an apocalypse:

"It's worth pointing out that the word Apocalypse comes from the Greek, and literally means "a revelation" or "an unveiling." It can be used to describe cataclysmic changes of any sort. Revolution, for example, or social upheaval. [...] There are micro-Apocalypses that mark moments in our lives: childhood's end, a relationship's sudden implosion, Death."



The selections do span the gamut--some were written so long ago as to be in the public domain, and some were freshly minted in the late 2000's; some focus on religious upheavals, some macro, some micro; there are personal upheavals, student rantings, surreal recountings of madmen; and of course many take the reader through more conventional "end of the world" scenarios. And even with all that diversity, perhaps guided by the introduction, the theme of the anthology runs strong.

If there were a criticism I could make of this volume, that, ironically, would be it. I consider myself a bit of an Apocalypse afficionado--I particularly enjoy reading such stories, along with dystopias--and I would have thought that I could never grow tired of reading well-wrought incarnations of such--and these stories were all well-wrought and well-edited, there is no doubt about that--but this volume overwhelmed me. I was tired, even weary, by the time I had wended my way through the collection (and that in the course of several "sittings")..

The lead story, a piece of flash fiction by H. P. Lovecraft, starts the anthology out elegantly, and slowly. It warns you, implicitly, that you're in for some heavy reading, even if you're a fan of Mr. Lovecraft's writing (and not just his mythos, which more people are familiar with, and is much easier to get into third hand). On that end of the scale, there's also a piece from Edgar Allan Poe that is ponderous but worth an examination, entitled "The Conversation of Eiros and Charmion".

Some of my favorites included:

"The Apocalypse Commentery of Bob Paisner" by Rick Moody -- This is an essay detailing the allegorical depths of the Book of Revelation with regard to Bob Paisner's life. The tone is both erudite and a bit delirious, and the piece as a whole is both informative and immersive--I found myself eagerly wondering where Moody was going to take us next, what dark or clinical humor would next be presented.

"Fraise, Menthe, et Poivre 1978" by Jared Hohl -- Another piece of meta-fiction, this follows a group of people through the more traditional trope of being the last survivors in a ruined post-apocalyptic city. What makes this piece stand out is the manic bent of the narrator and the push for the show to go on--the story weaves the primary narrative with a small handful of abbreviated stageplays that emphasize much about human nature, hope, and despair, while retaining a very human humor.

"An Accounting" by Brian Evenson -- An "honest" accounting of how one explorer fell into becoming a reborn Jesus and how he helps his flock survive. I don't want to say too much about this, but the voice is clear, the narrative is well woven and unrolls at a compelling pace, and other than, perhaps, the initial fanaticism he encounters, it is all quite believable.

"Some Approaches to the Problem of the Shortage of Time" by Ursula K. Le Guin -- This is a clever set of abstracts that are ever timely and consider a novel scenario for the end of the modern-day universe. The shortage of time is pervasive, and this story is brief to give you a maximum pleasure for what it takes.

"Think Warm Thoughts" by Allison Whittenberg -- A bite-sized slice of apocalypse that is poetically poignant; every word counts.

"When We Went to See the End of the World by Dawnie Morningside, age 11 1/4" by Neil Gaiman -- This is the end of the world, everyone and everything together, through the playful, somewhat naiive eyes of an eleven year old. It's told in the vein of "What I did over Summer vacation", and is very evocative, sweet, and strange.

"The Escape--a Tale of 1755" by Grace Aguilar -- This is an elegant tale of a woman's love for her husband, religious persecution, and a prison escape. It is written with a very modern feel despite its age (originally published in 1844).

That's not to say I disliked the other stories; and on another day I would have different favorites, though there were some pieces that didn't work for me. But I hope this selection will help give you a feel for the collection as a whole, beyond my simple regard for it. In all, it's a beautiful collection, and I recommend it strongly, with the caveat that you may want to take it in small doses.

17 of 23 people found the following review helpful:

2.0 out of 5 stars too esoteric to feed my apocalypse-hungry soul, September 11, 2007

By	Ravinia (our nation's capital) - See all my reviews

I was initially excited to discover the collection and didn't see how such a broad-based compilation could go wrong. I'm an avid reader of post-apocalyptic fiction, science fiction and futurism, so I'm no slouch, but this turned out to be quite different from what I was hoping for.

While a few of the pieces are good reads, so many of them are abstract, esoteric, or even reminiscent of the scribblings from slightly disturbed angst-ridden teenage diaries. There's no good "meat" here, no concrete scenarios, suspense or drama to drive fear into your heart and make your mind race. The circumstances under which "apocalypse" occurs are rarely even revealed. Even the subject matter is open to interpretation - "apocalypse" is made to mean many things, not simply the end of the world. Which it does, of course, but that's not what I was hungry for when I picked up this book. The book description should have done a better job of managing those expectations.

Perhaps if you are looking for a broad literary "treatment" of the subject, that kind of interpretation will appeal to you (or if you enjoy the just plain bizarre) then this collection is for you. It was not for me.