" Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.
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Book Description
--This text refers to the
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Editorial Reviews
Review
“Comprehensive and well-researched.” -- Church History
“Has much to offer in the way of articulating a thorough cultural analysis of the fragmented reality of CCM.” -- Sojouners
“Has much to offer in the way of articulating a thorough cultural analysis of the fragmented reality of CCM.” -- Sojouners
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13 of 13 people found the following review helpful:
4.0 out of 5 stars
Good history of little studied world,
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This review is from: Apostles of Rock (Hardcover)
Apostles of rock is an interesting look at the world of Contemporary Christian Music. It is part history, part study of the tension between christ and culture. The authors try to show how Christian muscians attempt to reach a wide audience and still remain true to their Christian ideals. The book is well researched and enjoyable to read. I would recommmend this to students of modern chrisitan culture and artists trying to balance their faith and the world of entertainment
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Inside This Book
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First Sentence:
In his history of popular music and the emergence of rock and roll, Philip Ennis opens with a metaphor drawn from the schoolyard. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
separational artists, transformational artists, sanctified entertainment, elevator muzik, dry bones dance, positive pop, evangelical market, music art world, integrational approach, mainstream music industry, gospel music industry, contemplative critic, transformational perspective, evangelical subculture, rock aesthetic, wholesome alternative, mainstream marketplace, mainstream popular music, contemporary evangelicalism, crossover success, mainstream success, grey world Key Phrases - Capitalized Phrases (CAPs): (learn more)
Amy Grant, Jesus Christ, The Imperials, Mark Heard, Solid Rock, Apostles of Rock, Daniel Amos, Larry Norman, Art House, John Fischer, Keith Green, Charlie Peacock, Brian Quincy Newcomb, Michael Card, The Choir, Elvis Presley, Exit Records, Randy Stonehill, Steve Camp, The Prayer Chain, Hank Williams, House of Love, Island Records, Leslie Phillips, Star Song New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
In his history of popular music and the emergence of rock and roll, Philip Ennis opens with a metaphor drawn from the schoolyard. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
separational artists, transformational artists, sanctified entertainment, elevator muzik, dry bones dance, positive pop, evangelical market, music art world, integrational approach, mainstream music industry, gospel music industry, contemplative critic, transformational perspective, evangelical subculture, rock aesthetic, wholesome alternative, mainstream marketplace, mainstream popular music, contemporary evangelicalism, crossover success, mainstream success, grey world Key Phrases - Capitalized Phrases (CAPs): (learn more)
Amy Grant, Jesus Christ, The Imperials, Mark Heard, Solid Rock, Apostles of Rock, Daniel Amos, Larry Norman, Art House, John Fischer, Keith Green, Charlie Peacock, Brian Quincy Newcomb, Michael Card, The Choir, Elvis Presley, Exit Records, Randy Stonehill, Steve Camp, The Prayer Chain, Hank Williams, House of Love, Island Records, Leslie Phillips, Star Song New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
See all 100 books this book cites
5
books
cite this book:
- Christ and Culture (Torchbooks) by H. Richard Niebuhr on 6 pages
- No Compromise: The Life Story of Keith Green by Melody Green on 5 pages
- God in Popular Culture by Andrew M. Greeley on 4 pages
- Art and the Bible: Two Essays (L'Abri Pamphlets) by Francis A. Schaeffer on 4 pages
- The Late Great Planet Earth by Hal Lindsey on page 57, Back Matter (1), and Back Matter (2)
See all 100 books this book cites
- Body Piercing Saved My Life: Inside the Phenomenon of Christian Rock by Andrew Beaujon on page 62, and Back Matter
- Stones for Bread: A Critique of Contemporary Worship by A. Daniel Frankforter in Back Matter (1), and Back Matter (2)
- Church and Worship Music: A Research and Information Guide (Routledge Music Bibliographies) by James Michael Floyd on page 212
- Materialising Religion: Expression, Performance And Ritual (Theology and Religion in Interdisciplinary Perspective Series in Association With the Bsa ... the Bsa Sociology of Religion Study Group) by Elisabeth Arweck on page 88
- The Cambridge Companion to Blues and Gospel Music (Cambridge Companions to Music) by Allan Moore in Back Matter
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