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Starred Review. It's been years since Parker has won a major literary award for a novel (he did collect a Grand Master trophy from MWA in 2002), but that may change with this stunning western, a serious contender for a Spur. This is only Parker's second western, after the Wyatt Earp story Gunman's Rhapsody (or third if you count the Spenser PI quasi-western Potshot), but he takes command of the genre, telling an indelible story of two Old West lawmen. The chief one is Virgil Cole, new marshal of the mining/ranching town of Appaloosa (probably in Colorado); his deputy is Everett Hitch, and it's Hitch who tells the tale, playing Watson to Cole's Holmes. The novel's outline is classic western: Cole and Hitch take on the corrupt rancher, Randall Bragg, who ordered the killing of the previous marshal and his deputy. Bragg is arrested, tried and sentenced to be hung, but hired guns bust him out, leading to a long chase through Indian territory, a traditional high noon (albeit at 2:41 p.m.) shootout between Cole's men and Bragg's, a further escape and, at book's end, a final showdown. Along the way, Cole falls for a piano-playing beauty with a malevolent heart, whose manipulations lead to that final, fatal confrontation. With such familiar elements, Parker breaks no new ground. What he does, and to a magnificent degree, is to invest classic tropes with vigor, through depth of character revealed by a glance, a gesture or even silence. A consummate pro, Parker never tells, always shows, through writing that's bone clean and through a superb transferal of the moral issues of his acclaimed mysteries (e.g., the importance of honor) to the western. This is one of Parker's finest. Agent, Helen Brann. (June) --This text refers to an out of print or unavailable edition of this title.
Taking a break from his long-running series of Spenser novels, Parker moseys back to the Old West. Hes eyed this back-acre before in Gunmans Rhapsody, a fictionalization of the Wyatt Earp story, but critics feel Appaloosas original plot allows him more room to develop his trademark themes of personal honor and masculine camaraderie. With sharp dialogue and a plot that "gallops to a perfect, almost mythical ending," its clear that Parker can swap genres and not lose a step (St. Petersburg Times). In fact, a few critics even note that he seems refreshed by the change of scenery.
Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.See all Editorial Reviews
First of this series I have read, and I will read more. I am not normally a fan of Westerns, but this is nicely done, and has sufficient plot twists to keep interest.Published 1 month ago by John R. Hoag
Great story, easy read, wonderful characters, unique writing style.Published 1 month ago by Thomas G. Berg
Nothing heavy in this book. It reads like a dime novel from days ago. If you are looking for something easy to read, this may be it.Published 1 month ago by Tex
The movie followed the book very closely - I really liked the movie and the book too.Published 3 months ago by C. Solum
To me this was what I call a dime store western. Quick easy read. Not my style of readPublished 3 months ago by Terry Root