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Used: Very Good | Details
Condition: Used: Very Good
Comment: Publisher: BlazeVOX [books]
Date of Publication: 2010
Binding: soft cover
Edition:
Condition: Very Good
Description: 9781609640194 No owners' marks; pages are clean, crisp and bright; binding is square and tight; there is some delicate wear and a few small thumbnail creases along the free edges of the soft cover, otherwise excellent.
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Apparition Poems Paperback – June 3, 2010


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Product Details

  • Paperback: 150 pages
  • Publisher: BlazeVOX [books] (June 3, 2010)
  • Language: English
  • ISBN-10: 1609640195
  • ISBN-13: 978-1609640194
  • Product Dimensions: 9.2 x 7.5 x 0.3 inches
  • Shipping Weight: 12.3 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #8,786,873 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Adam Fieled is a poet based in Philadelphia. He has released three print books: "Opera Bufa" (Otoliths, 2007), "When You Bit..." (Otoliths, 2008), and "Chimes" (Blazevox, 2009), as well as numerous chaps, e-chaps, and e-books, including "Posit" (Dusie Press, 2007), "Beams" (Blazevox, 2007), and "The White Album" (ungovernable press, 2009). He has work in journals like Tears in the Fence, Great Works, The Argotist, Upstairs at Duroc, Jacket, on PennSound, in the &Now Awards Anthology from Lake Forest College Press, and an essay forthcoming in Poetry Salzburg Review from University of Salzburg Press. A magna cum laude graduate of the University of Pennsylvania, he also holds an MFA from New England College and an MA from Temple University, where he is completing his PhD

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0 of 1 people found the following review helpful By Adam Fieled on May 10, 2014
Format: Paperback
Bob Sheppard's Star Student Scott Desmond's Words Flyte Fielded.

Yes, yes, one read the pose by this 'poet, critic, and musician' colleague, currently where erm, you were a year ago, nearing the end of that long hard road to attainment as a pro in doctoral po-biz, Jeff - collegiately alleging a claim that nearly everything to follow Four Quartets has been 'dross'.

One chuckled at the ambition, audacity and foolishness of deploying such a term in the forum of Letters; before turning one's focus to adducing the verse and other critical prose assays by the author Adam attempting to pull off such a theatrically audacious play as this.

"She told me I love boy/girl poems, love
scenes in them based on a deep degeneracy
inherited from too much heat around my
genitals, as manifest in tangents I could only
see if I was getting laid. She told me this as
I was getting laid in such a way that any notion

of telling was subsumed in an ass as stately as
a mansion, which I filled with the liquid
cobwebs of my imagination."

Yeats would be proud of the cant and ergo argoist, very very classy Adam Fieled's verse. Proper spillage. High Art indeed from our playboy crown-prince doing what one does.

Effecting agreement among this reader, on X and Y being the only two one is on collegiate amity and perfect accord with Adam about, as a bosom buddy chum and prophetical practitoner with the imbas to know why, when, what and how, for example, Eliot can successfully operate as a symbol for agreement between Fieled and oneself.
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