Apple Venus Volume 1

XTC

Product Details

• Audio CD (February 23, 1999)
• Original Release Date: February 23, 1999
• Number of Discs: 2
• Label: Tvt
• ASIN: B00000I4JT
• Also Available in: Audio Cassette
• Average Customer Review: 4.4 out of 5 stars See all reviews (179 customer reviews)
• Amazon.com Sales Rank: #35,240 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #24 in	Music > Indie Music > Alternative Rock > New Wave
  #82 in	Music > Alternative Rock > Indie & Lo-Fi > Chamber Pop

Editorial Reviews

Amazon.com's Best of 1999
The first XTC album after a six-year hiatus opens with the plink of a water drop, just a hint of the musical downpour to come. Add an interplay with a plucked cello and the low pulse of French horns, and soon Apple Venus Volume One bursts into a festival of symphonic excess. Wedding Andy Partridge's impeccable, overtime-working pop senses to the warmth and lushness of acoustic orchestral arrangements is an inspired move, not only recasting XTC's long career, but resulting in one of the year's most splendorous recordings. --Tod Nelson

Product Description
First album in seven years by Swindon, England's finest export. Down to a duo of Andy Partridge and Colin Moulding, this highly anticipated album relies heavily on acoustic and orchestrated arrangements. 11 tracks total, including the single 'I'd Like That'. 1999 release.

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars A great comeback, and an essential purchase for XTC fans, January 12, 2000

By	Nathan M DeHoff (Absurd City) - See all my reviews

I think I became an XTC fan at just the right time. Right after I had completed the majority of my collection of their older albums, they made a comeback with this excellent release, which ranks among their best. The sound this time is lush and pastoral (somewhat reminiscent of the earlier Skylarking (Why doesn't this format allow italics?), with many full orchestral arrangements. The best tracks tend to be the ones that fit the basic theme of the record, such as "Green Man," "River Of Orchids," "Harvest Festival," and "Easter Theatre," although there are also some interesting diversions, such as Colin Moulding's pun-filled "Fruit Nut," and Andy Partridge's catchy love song, "I'd Like That." It's not a perfect record; "Knights In Shining Karma" is somewhat dull, "Your Dictionary" doesn't really work, and I haven't entirely grown into "I Can't Own Her." Overall, though, it's an excellent album, and a great comeback for XTC.

8 of 8 people found the following review helpful:

3.0 out of 5 stars More mature, December 23, 1999

By	Marc Kloszewski (Indiana, PA United States) - See all my reviews (REAL NAME)

We all get older, and our tastes change at least somewhat, whether you're a listener or a composer. I see most of the reviews of this CD are either glowing or frowning upon the laid-back atmosphere of this disc. Reportedly XTC recorded a whole bunch of songs in the long gap between this and Nonsuch, while they wrangled to get out of their contract with Virgin. Eventually it was decided that they would release two separate discs--budget problems?, and they are of two different camps. This one is the acoustic stuff, with the "harder" stuff to come in Volume 2. I agree with some of the reviewers that it does take some time to get into the album--but it is worth it, and there are some very good songs here. I especially like the opener "River of Orchids", with its expert layering of orchestral instruments and voices in round-style. It's like nothing they've ever done before--almost classical in nature--utterly beautiful. "I'd Like That" has fun with wordplay and a good chugging beat. "Easter Theatre" and "Harvest Festival" are wonderfully rich-sounding ballads, contemplative of the past, thoughtful. Same for Colin's songs ("Frivolous Tonight" and "Fruit Nut"), though they are more lighthearted. The one I don't really care for is "Your Dictionary," which I read Andy really didn't want on the CD because he wrote it in a fit of anger towards his ex-wife--but he was outvoted. It seems rather simplistic and obvious from what we've come to expect from one of the better lyricists of recent years. Still, this by no means should scare any fans away--and I always have hope that each new release will bring them more fans. Listening to this CD reminded me of the change Joe Jackson made about 5 years ago when he decided to steer away from the rock scene and concentrate on different genres--and there were people who cried about that, too. XTC is doing the same thing (ironically, without Dave Gregory, who wanted to continue rockin'), and folks would be rewarded, I think, to stick with them.

8 of 9 people found the following review helpful:

5.0 out of 5 stars The catharsis after a long and painful wait..., July 21, 2004

By	ewomack "ewomack" (MN USA) - See all my reviews (TOP 500 REVIEWER)

XTC have always written intelligent and edgy pop. What's really surprising is how long they've actually been around. When their song "Dear God" shocked the airwaves in the 1980s many thought "what a great new band!" Of course most of us virulent fans know that XTC has been around since the punk era. How they've logarthimically expanded musically is evident on Apple Venus Volume 1.
This was to be Andy Partridge's unplugged orchestra album. Sometime in the 1990s he admitted that he was miffed that Elvis Costello (i.e., his "Juliet Letters") beat him to his goal of an all orchestra album. Undaunted, and on strike from Virgin Records, the project stayed afloat, however tenuously (XTC did not have an active record label through most of the 1990s, which is astonishing). Miraculously, at the cusp of the new millenium, a new XTC album appeared sporting a new contract with a sparkly new label. It had been a long constipated wait since 1992's "Nonesuch", but the wait was ultimately worth it.
Volume 1 of the Apple Venus diptych is the mellower more beautiful of the two volumes. "Wasp Star" or Volume 2, is where the amplifiers and distortion come out to play with our auditory canals.
Strings and acoustic guitars abound here. "River of Orchids" - a lusty utopian dream of no cars no pavement walk on hands into town - begins the album with a single "plop". This plop segues into a rhythm which is joined by a trumpety sound which is joined by other instruments all accompanied by Partridge's self-harmonized vocals. "I'd Like That" - a lusty dream of a more salicious and delicious sort - bangs in the acoustic instruments and innuendos. These two songs set the tone for the album brilliantly. Images of spring, growing things (some unmentionable without the filter of a metaphor), and verdant meadows abound throughout most of the album. "Green Man" outright evokes the Anglo-Saxon/early British god of greenery and growth. Even "Your Dictionary" - a scalding and scathing elegy to divorce - ends on a hopeful note which also suggests growth of a different kind. In the end we ride away in "The Last Balloon" unencumbered by the frivolities of our modern consumer world. It's a great lush ride from beginning to end.
One thing interrupts the ride. Colin Moulding's songs are pretty downbeat thematically, and not amongst his best tunes or lyrics. They even seem a little out of place here, but not to an egregious extent. Colin makes up for this in droves on Apple Venus Volume 2 (he contributes far more than 2 songs there, and he would probably even agree that they're better).
By far the biggest bummer about Apple Venus Volume 1 is the departure of Dave Gregory, an XTC member since "Drums And Wires". He is credited along with other "musicians" under the CD, but the XTC band photo is down to two lonely people. Luckily, XTC will likely survive this rift (though there's still no new album some 3-4 years later).
Apple Venus is arguably one of XTC's best. It's closer to "Skylarking" than anything else they've done. But if you're looking for XTC in rock-your-drawers-off mode, don't look here. Look to Volume Two.