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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Lost Verses | |||
| 2. The Light | |||
| 3. Lucky Man | |||
| 4. Unlit Hallway | |||
| 5. Heron Blue | |||
| 6. Moorestown | |||
| 7. Harper Road | |||
| 8. Tonight The Sky | |||
| 9. Like The River | |||
| 10. Tonight In Bilbao | |||
See all 11 tracks on this disc
| |||
| Disc: 2 | |||
| 1. Tonight In Bilbao (Alt. Version) | |||
| 2. The Light (Alt. Version) | |||
| 3. Like The River (Alt. Version) | |||
| 4. Tonight The Sky (Alt. Version) | |||
Editorial Reviews
Review
From 10-minute, three-guitar jams to heartbreaking acoustic ballads,
April shines with the most evocative music of Kozelek s career. --Jonathan Cohen, Billboard
Mark Kozelek returns with an album of rare warmth and immediacy, where
intensely personal lyrics hang on hazily magnificent melodies. --Aidin Vaziri, San Francisco Chronicle
April shines with the most evocative music of Kozelek s career. --Jonathan Cohen, Billboard
Mark Kozelek returns with an album of rare warmth and immediacy, where
intensely personal lyrics hang on hazily magnificent melodies. --Aidin Vaziri, San Francisco Chronicle
Product Description
April, the new album from Sun Kil Moon, is Mark Kozelek's first original record since the acclaimed 2003 Sun Kil Moon debut ''Ghosts Of The Great Highway''. 11 songs at almost 74 minutes, ''April'' is a collection of songs recorded between March and August 2007 in San Francisco (Hyde Street Studios) and Seattle (Well Recording). In the spirit of Sun Kil Moon's ''Ghosts'' and ''Tiny Cities'', Mark was joined by the same players as before, including drummer Anthony Koutsos (Red House Painters), bassist Geoff Stanfield (Black Lab), violist Michi Aceret, and percussionist David Revelli. ''April'' also finds Mark in the company of guest vocalists Bonnie Prince Billy, Ben Gibbard (Death Cab For Cutie), and Eric Pollard (Retribution Gospel Choir).
The album will come with a bonus CD featuring four alternate versions of songs from "April".
The album will come with a bonus CD featuring four alternate versions of songs from "April".
Customer Reviews
Most Helpful Customer Reviews
34 of 36 people found the following review helpful
Format:Audio CD
First listen to "Lost Verses," the sweeping, majestic 10-minute opening track to Mark Kozelek's new album "April" made me think, 'This is the perfect distillation of everything amazing and good he has done as an artist in his career.' All the hallmarks are there, the beautifuly played, hypnotic and well-recorded guitar parts, the voice flat-yet-full and mournful, the lyrics that remind you of your own missing friends and lost memories... It's gorgeous. And yet, rather than what we would call "growth" and expansion, Kozelek continues to drill down deeper into his obsessions. That means if, like me, you have been following him since the dawn of the Red House Painters, you know what this sounds like. The grades are noted in levels of gorgeousness, not newness. For a neophyte fan, this is a perfect introduction into everything that makes Kozelek so distinctive and moving. But I found myself drifting at times during the middle cuts. One song is a chord-for-chord take, with new lyrics and melody, of "Rock N Roll Singer," already a reimagining of an old AC/DC song. The guitars and drums have the exact same fuzz and sound to them. It feels like a complete lift, and for the fans -- almost as obsessive as Kozelek is -- it should not be enough. It's irksome.
I made sure I didn't play "April" for the first time until very late at night/early in the morning because when everyone else has gone to bed or out of the house, that's when Kozelek's flower blooms -- in the hard hours. It certainly worked its way into me at its best points, and there are many. It is more of the very good same, but same nonetheless. How that is judged will be deeply personal. Again, for newcomers, by all means, this is a great introduction to Kozelek. Longtime fans, of course, will want to stay close by as the artist performing as Sun Kil Moon continues to build his monument to loss.
I made sure I didn't play "April" for the first time until very late at night/early in the morning because when everyone else has gone to bed or out of the house, that's when Kozelek's flower blooms -- in the hard hours. It certainly worked its way into me at its best points, and there are many. It is more of the very good same, but same nonetheless. How that is judged will be deeply personal. Again, for newcomers, by all means, this is a great introduction to Kozelek. Longtime fans, of course, will want to stay close by as the artist performing as Sun Kil Moon continues to build his monument to loss.
13 of 13 people found the following review helpful
Format:Audio CD
There's this trend in music today, that when you have a song that is 7 minutes or longer, it has to be "epic." That is to say that at some point in that 7 minutes, preferably at the end, there needs to be this triumphant climax. The rest of the song either builds up to that point, or maintains the epicness of it all. Apparently, Mark Kozelek has never received a memo on this notion. As Sun Kil Moon, his songs often far surpass the 7-minute mark, but almost always remain strangely restrained - forcing the listener to either embrace his style of music, or reject it for something more "exciting."
His debut album, Ghosts of the Great Highway is still getting regular plays on my iPod to this day! Songs like "Carry Me Ohio" and "Glenn Tipton" are haunting tales, told over mysterious guitars that I don't think I'll ever tire of. Naturally, I was excited when I heard that he would finally be releasing some new original material. It's been almost 5 years since we last heard from Sun Kil Moon (when not covering Modest Mouse, that is), and I am pleased to say that the wait makes everything about April better.
Like its predecessor, April doesn't dwell in the conventions of modern music; even in the indie realm. It slowly meanders through its 11 tracks, taking the listener on warm journey. Kozelek paints the most eloquent pictures with his words - of heartache, love, regret, and hope. On the album opener, "Lost Verses," he croons, "I've risen up from the dead/With the burning leaves of autumn/If only for one last chance/That all of whom have been defeated/To put on my father's wool coat/To smell my mother's fragrances and perfumes/To find my young brothers and sisters/To never leave or let them go." Such an image is vivid enough for most artists to write an entire song about, but for Kozelek it's part of an even greater vision.
As expected, many of the songs on April can seem repetitive. More often than not, Kozelek will take a single guitar riff and stretch it out over the length of the song, adding and removing layers as it moves along. Strangely, this has never really bothered me about his music. His voice, a mid-range whine or croon, has always captivated me and blended perfectly with the music that surrounds it. As such, I've often found myself completely lost in his songs, suddenly realizing that minutes have past while I enjoy them. For example, while listening to "Tonight in Bilbao" for the first time, I completely drifted off (in a good way) until the song's curveball coda at the 7:30 mark. "Mesmerizing" is an understatement, as these songs are just downright beautiful pieces of music.
Taken as a whole, April, can be somewhat draining, perhaps even tedious to some. But if the whole is in fact the sum of it's parts, then this album can only be considered a great achievement for Kozelek. Every song on this album is a beautiful, well-paced work of art. It is definitely not for everyone. April is an album that was made with patience, and performed with patience. Therefore, a bit of patience may be required from an uninitiated listener. But when it finally does hit you, prepare for hours and hours of entrancement and reflection. Great music has the ability to bring out some strange emotions. April has, at once, reminded me of that and made me glad for it.
Key Tracks:
1. "Lost Verses"
2. "Lucky Man"
3. "Unlit Hallway"
4. "Harper Road"
5. "Blue Orchids"
7 out of 10 Stars
His debut album, Ghosts of the Great Highway is still getting regular plays on my iPod to this day! Songs like "Carry Me Ohio" and "Glenn Tipton" are haunting tales, told over mysterious guitars that I don't think I'll ever tire of. Naturally, I was excited when I heard that he would finally be releasing some new original material. It's been almost 5 years since we last heard from Sun Kil Moon (when not covering Modest Mouse, that is), and I am pleased to say that the wait makes everything about April better.
Like its predecessor, April doesn't dwell in the conventions of modern music; even in the indie realm. It slowly meanders through its 11 tracks, taking the listener on warm journey. Kozelek paints the most eloquent pictures with his words - of heartache, love, regret, and hope. On the album opener, "Lost Verses," he croons, "I've risen up from the dead/With the burning leaves of autumn/If only for one last chance/That all of whom have been defeated/To put on my father's wool coat/To smell my mother's fragrances and perfumes/To find my young brothers and sisters/To never leave or let them go." Such an image is vivid enough for most artists to write an entire song about, but for Kozelek it's part of an even greater vision.
As expected, many of the songs on April can seem repetitive. More often than not, Kozelek will take a single guitar riff and stretch it out over the length of the song, adding and removing layers as it moves along. Strangely, this has never really bothered me about his music. His voice, a mid-range whine or croon, has always captivated me and blended perfectly with the music that surrounds it. As such, I've often found myself completely lost in his songs, suddenly realizing that minutes have past while I enjoy them. For example, while listening to "Tonight in Bilbao" for the first time, I completely drifted off (in a good way) until the song's curveball coda at the 7:30 mark. "Mesmerizing" is an understatement, as these songs are just downright beautiful pieces of music.
Taken as a whole, April, can be somewhat draining, perhaps even tedious to some. But if the whole is in fact the sum of it's parts, then this album can only be considered a great achievement for Kozelek. Every song on this album is a beautiful, well-paced work of art. It is definitely not for everyone. April is an album that was made with patience, and performed with patience. Therefore, a bit of patience may be required from an uninitiated listener. But when it finally does hit you, prepare for hours and hours of entrancement and reflection. Great music has the ability to bring out some strange emotions. April has, at once, reminded me of that and made me glad for it.
Key Tracks:
1. "Lost Verses"
2. "Lucky Man"
3. "Unlit Hallway"
4. "Harper Road"
5. "Blue Orchids"
7 out of 10 Stars
3 of 3 people found the following review helpful
Format:Audio CD
Sun Kil Moon fans should not really expect anything startlingly different on this record from his previous entries. It has the same delicate intricacies of Ghosts of the Great Highway, and many of the same timbres of Kozelek's solo cover records. Plus, a number of these tracks he's already played live and are available on the live double-disc Little Drummer Boy. (These songs, such as Unlit Hallway, have been expanded with harmonies and arrangements here.) There are some interesting new rhythmic pulses and timbral tweaks -- this record is a bit mellower than Ghosts, even though you probably thought that was not possible, and there's a greater use of banjo to give it an even more haunting sound. Thematically it is a bit different, focusing more on relationship songs and less on lonesome roads and long-forgotten boxers of the early 20th century.
But overall, this is the perfect follow-up record, and high time. Kozelek, in his solo career, has hit upon a blissfully melancholic sound. These songs are long, meandering, gorgeous. Get this disc.
But overall, this is the perfect follow-up record, and high time. Kozelek, in his solo career, has hit upon a blissfully melancholic sound. These songs are long, meandering, gorgeous. Get this disc.
Most Recent Customer Reviews
Mark Kozelek in fine fettle on April
April is one of those albums that I never tire of. While Mark Kozelek can be one gloomy gus whether his material is presented as Red House Painters, Sun Kil Moon (as this album... Read more
Published 13 months ago by Frank Smith
a view from the outside
Although I've read rave reviews about Mark Kozelek's music over the years, I've never taken the plunge until purchasing this CD. Read more
Published 23 months ago by C. Forsvall
A Truly Dynamic Album
"April" is an album which defies easy classification. When asked by my friends to describe it I find myself at a loss. Read more
Published on May 22, 2010 by A. Kujawski
An indescribably lovely album
I was a big fan of Mark Kozelek, both with his former band Red House Painters and as a solo performer (though performing under the name Sun Kil Moon). Read more
Published on November 7, 2009 by Robert Moore
Nothing like Ghosts
I am going to give the CD a little longer, but from my first listen through, I can safely say this CD is nothing like Ghosts. Read more
Published on July 23, 2009 by Max Lynch
Hands Down One of the Best Folk Records of 2008
Recording under Red House Painters since the early nineties, Mark Kozelek has fashioned a career out of reinventing the once tired singer/songwriter genre into a veritable melange... Read more
Published on May 27, 2009 by Leif Sheppard
Sun Kil Moon - Is "April" Mark Kozelek's masterwork?
I generally hate the description but this album is a slow burner. The previous Sun Kil Moon album "Ghosts of the great highway" is in many respects a much more accessible and... Read more
Published on May 4, 2009 by Red on Black
Long and lovely
This is a really lovely album but good lord, Mark Kozelek, is it necessary to put this many 5+ (or 10+) minute songs on a single album?
Published on April 23, 2009 by Miss E
4.5 stars... outstanding from start to finish
Sun Kil Moon (the band behind main writer/vocalist Mark Kozelek) has been at it since the early part of this decade, but I've only recently (as in: the last 6 months) discovered... Read more
Published on January 1, 2009 by Paul Allaer
yet another review
I have been listening to Mark Kozelek's music for about 15 years. Once you have been hooked by one of his songs, it no longer leaves you. Read more
Published on October 3, 2008 by Pierre
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